Fallen + Marli & Lalo


Book Description

A Fallen Alien? Marli has a few problems. For starters Lalo, an alien, fell from the sky into her yard. An alien! These things haven’t scientifically been proven to exist yet. How could she communicate with Lalo without making him upset? Fortunately for Marli, Lalo is kind. When Marli uncovers a better way to talk to Lalo, she finds out he has a problem— amnesia, he can't remember why he is on Earth. Lalo only knows he needs to protect Marli. On the other hand, Marli feels she needs to shield Lalo from humans. Too bad her neighbor, Kallen, becomes very suspicious the morning after Lalo arrives. The news story of a possible kidnapping makes Kallen even more anxious about strange things occurring. To find answers to Lalo's memory loss, Marli and Lalo become wrapped up in solving the kidnapping mystery. But after Lalo starts to remember and rediscover his abilities, will Marli find out that Lalo has secrets of his own? Suggested reading order: 1. Fallen (or) 2. Naya's Invasion 3. Marli and Lalo: A Fallen Mystery Notes: 1. This story continues from "Fallen" 2. This story stands alone from Naya's Invasion. However, if Naya's Invasion is read first, the story is a little richer *****Slight Spoiler***** 3. The main mystery is solved, but the story will continue african american, african american science fiction, african american mystery




Lalo of Chemuyil


Book Description

The prologue describes a letter of complaint written by the author in 1988, addressed to the Secretary of Tourism, Mexico City, Mexico. The letter details a frightening event that had taken place at Chemuyil. The story then begins in December 1986 when BARBARA (49) and husband EDDY (58) cross the Rio Grande in a motor home prepared to spend months exploring Mexico. Brief travel descriptions are sprinkled with humor as they make their way to the Caribbean where they discover Chemuyil, a dream come true beach. At Chemuyil they meet LALO, the proprietor of the palapa beach bar concession. Intermittent details describe how the couple liquidated assets to prepare for a once in a lifetime adventure, traveling in their new motor home indefinitely. The gist of the narrative is a first person view of both ordinary and extraordinary lives encountered during lengthy stays at Chemuyil, but the charismatic Lalo carries the book from the moment the readers meet him. A Don Juan character for sure, yet a much respected man, Lalo's personality defines the ebb and flow of the story. Barbara and Eddy become immersed in Lalo's web of passion, money, business, drugs, gambling, and government conflict. Lalo's biography is that of a hero/anti-hero who is very well known in Quintana Roo. However, Lalo suffered from delusional pain. His anguish revolved around losing his beloved Chemuyil, followed by mental conceptions of returning to Chemuyil, and finally psychological obsessions about how he would obtain another Chemuyil. Because Lalo's highs are both humorous and tragic, the author describes the book as a tragicomedy. Although Lalo's palapa bar is at the core of the drama, mixed into the story is nature at its best in an area of sea and jungle. Vivid descriptions also cover the after effects of hurricane Gilbert, as well as the role of the modern day Maya in the Yucatan. Barbara's fascination with Maya culture, Mexican politics, and her newly adopted Mexican family, connected her to insider information about another society. Her writing is an objective view of her inside connection, a summary of journal entries recorded while living in a motor home for three years . . . wintering at Chemuyil.




Fallen


Book Description

A Short Story- Alien Contact Marli just moved to the country from Dallas, Texas to work as an ecologist. One night, she tries to enjoy the fresh country air before getting ready to go to sleep. To her surprise, something falls out of the sky, initiating her first alien contact. Alien Invasion, African American, Free Short Story




Tea Leaf


Book Description

Cinnia’s life is about to change. During a night out with friends, Cinnia is targeted by a strange fortune teller who reveals that her life is about to change. Well, Cinnia wouldn’t mind a little change in her life. She would love to get a position at a renowned scientific company, Sciecor. But would she regret her wishes? Things are not as they seem. Secrets hide in the basements at Sciecor, human appearing secrets that need her help. There are secrets that Cinnia doesn’t even know about herself. Kasen has been looking for Cinnia. When he moves in across the street from her, friendships change. And when mysterious things happen at his house, Cinnia and her friends begin to be concerned about their safety. Could he be an enemy or a key to help Cinnia discover the power she truly has?




Naya's Invasion


Book Description

Falling for a human wasn't part of the plan. #29831 a.k.a. Naya is a fierce commander of the quiet alien invasion. Her tasks were minimal. Remain invisible. Direct the invasion. Reach the quota of humans. See how the other humans react. Falling for a human, Dante, wasn't part of the plan. With a new plan in mind, Naya aims to keep her secret away from Dante while keeping him a secret from the other aliens. But when the others begin to be suspicious of Naya's whereabouts, will Naya be loyal to her heart or her family? An Alien Invasion Romance Second story in the "Fallen Invasion" Series Fallen Invasion Series The series may be read out of order. Naya's Invasion and Marli & Lalo stand alone but both continue the story of the Fallen Invasion. 1. Fallen 2. Naya's Invasion 3. Marli & Lalo (continuation of Fallen) Science Fiction Romance, Aliens Romance







The Sites of Oahu


Book Description




Film Remakes


Book Description

This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics, and audiences. This approach to remaking is developed across three broad sections: the first deals with issues of production, including commerce and authors; the second considers genre, plots, and structures; and the third investigates issues of reception, including audiences and institutions.