Marx's Literary Style


Book Description

Marx’s Literary Style argues that a true understanding of Marx’s work requires a careful study of his literary choices In Marx’s Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx’s work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx’s oeuvre, Silva isolates the key elements of his style: his search for an “architectonic” unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva’s unique sensitivity to Marx’s literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx’s most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva’s book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once. Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva’s works in English, features an introduction by Alberto Toscano.




Marxism and Literary Criticism


Book Description

"Far and away the best short introduction to Marxist criticism (both history and problems) which I have seen."--Fredric R. Jameson "Terry Eagleton is that rare bird among literary critics--a real writer."--Colin McCabe, The Guardian




Marxism and Literature


Book Description

This classic study examines the place of literature within Marxist cultural theory, and offers an assessment of the contributions of previous thinkers to Marxist literary theory.




Representing Capital


Book Description

Representing Capital, Fredric Jameson’s first book-length engagement with Marx’s magnum opus, is a unique work of scholarship that records the progression of Marx’s thought as if it were a musical score. The textual landscape that emerges is the setting for paradoxes and contradictions that struggle toward resolution, giving rise to new antinomies and a new forward movement. These immense segments overlap each other to combine and develop on new levels in the same way that capital itself does, stumbling against obstacles that it overcomes by progressive expansions, which are in themselves so many leaps into the unknown.




Criticism and Ideology


Book Description

Terry Eagleton is one of the most important-and most radical-theorists writing today. His witty and acerbic attacks on contemporary culture and society are read and enjoyed by many, and his studies of literature are regarded as classics of contemporary criticism. In this new edition of his groundbreaking treatise on literary theory, Eagleton seeks to develop a sophisticated relationship between Marxism and literary criticism. Ranging across the key works of Raymond Williams, Lenin, Trotsky, Brecht, Adorno, Benjamin, Lukacs and Sartre, he develops a nuanced critique of traditional literary criticism while producing a compelling theoretical account of ideology. Eagleton uses this perspective to offer fascinating analyses of canonical writers, including George Eliot, Charles Dickens, Joseph Conrad, Henry James, T.S. Eliot, W.B. Yeats, James Joyce and D.H. Lawrence. The new introduction sets this classic book in the context of its first appearance and Eagleton provides illuminating reflections on the progress of literary study over the years.




Marxist Literary Criticism Today


Book Description

In the first introduction to Marxist literary criticism in decades, Barbara Foley argues that Marxism continues to offer the best framework for exploring the relationship between literature and society. She lays out in clear terms the principal aspects of Marxist methodology--historical materialism, political economy, and ideology critique--as well as key debates about the nature of literature and the goals of literary criticism and pedagogy. Examining a wide range of texts through the empowering lens of Marxism--from Jane Austen's Pride and Prejudice to E. L. James's Fifty Shades of Grey, from Frederick Douglass's 'What to the Slave Is the Fourth of July?' to Annie Proulx's 'Brokeback Mountain'--Foley provides a clear and compelling textbook of Marxist literary criticism.




Marx and Russia


Book Description

Marx and Russia is a chronological account of the evolution of Marxist thought from the publication of Das Kapital in Russian translation to the suppression of independent ideological currents by Stalin at the end of the 1920s. The book demonstrates the progressive emergence of different schools of Marxist thinking in the revolutionary era in Russia. Starting from Marx's own connections with Russian revolutionaries and scholars, James D. White examines the contributions of such figures as Sieber, Plekhanov, Lenin, Bogdanov, Trotsky, Bukharin and Stalin to Marxist ideology in Russia. Using primary documents, biographical sketches and a helpful timeline, the book provides a useful guide for students to orientate themselves among the various Marxist ideologies which they encounter in modern Russian history. White also incorporates valuable new research for Russian history specialists in a vital volume for anyone interested in the history of Marxism, Soviet history and the history of Russia across the modern period.




Marxism: A Graphic Guide


Book Description

Beautiful new edition of a classic comic-book introduction to Marxist thought. Karl Marx was one of the most influential thinkers of the late 19th century, inspiring revolutions and colossal political upheavals that have radically transformed the lives of millions of people and the geopolitical map of the entire world. But was he a 'Marxist' himself? And how are his ideas still in play in today's society? Marxism: A Graphic Guide traces the story of Marx's original philosophy, from its roots in 19th-century European thinkers like Hegel, to its influence on modern-day culture. It looks at Marxism's Russian disciples, Lenin, Trotsky and Stalin, who forged a ruthless, dogmatic Communism, and the alternative Marxist approaches of Gramsci, the Frankfurt School of critical theory and the structuralist Marxism of Althusser in the 1960s. Rupert Woodfin and Oscar Zarate's classic book, updated by Alex Locascio, explores the life, history, philosophy and politics of this most divisive of thinkers, and argues that Marxism remains a powerful set of ideas even today.




Kōjin Karatani’s Philosophy of Architecture


Book Description

In this book, Nadir Lahiji introduces Kōjin Karatani’s theoretical-philosophical project and demonstrates its affinity with Kant’s critical philosophy founded on ‘architectonic reason’. From the ancient Greeks we have inherited a definition of the word ‘philosophy’ as Sophia—wisdom. But in his book Architecture as Metaphor Kōjin Karatani introduces a different definition of philosophy. Here, Karatani critically defines philosophy not in association with Sophia but in relation to foundation as the Will to Architecture. In this novel definition resides the notion that in Western thought a crisis persistently reveals itself with every attempt to build a system of knowledge on solid ground. This book reveals the implications of this extraordinary exposition. This is the first book to uncover Kōjin Karatani’s highly significant ideas on architecture for both philosophical and architectural audiences.




Why Marx Was Right


Book Description

Cover page -- Halftitle page -- Title page -- Copyright page -- Dedication -- Contents -- Preface to the Second Edition -- Preface -- ONE -- TWO -- THREE -- FOUR -- FIVE -- SIX -- SEVEN -- EIGHT -- NINE -- TEN -- Conclusion -- Notes -- Index