Mary McCarthy's Theatre Chronicles, 1937–1962


Book Description

DIVDIVThe American theatre comes alive in Mary McCarthy’s provocative anthology of essays/divDIV Her literary writings and dramatic criticism have appeared in the New Yorker and the New York Review of Books. Mary McCarthy’s Theatre Chronicles gathers together a wide-ranging collection featuring a cast of playwrights, actors, and directors that reads like a “who’s who” of American theatre. /divDIV With chapters ranging from “The Unimportance of Being Oscar” to “Odets Deplored,” this lively and witty volume opens a revealing window onto every aspect of theatre. McCarthy brings singular productions of the world’s most famous plays to vivid dramatic life while dissecting literary giants like Tennessee Williams and Arthur Miller. She offers her controversial opinion on everything from the American school of realism as epitomized by Brando to what creates a great actress to how a badly written play can still make for good theatre./divDIV With passages on theatre figures from Shakespeare to Shaw to Ibsen and O’Neill, this is a must-have for theatre lovers and armchair critics everywhere./divDIV This ebook features an illustrated biography of Mary McCarthy including rare images from the author’s estate./div/div




Mary McCarthy's Theatre Chronicles, 1937-1962


Book Description

"This volume brings together Miss McCarthy's lively controversial essays on the theatre from the 1930's up to the present day. The intelligence and vitality of the author's analysis brings past productions of Shakespeare, Shaw, Ibsen, Chekhov, Wilde, Odets, Saroyan, Wilder back to the reader with unique immediacy and freshness. In the modern period, Miss McCarthy discusses the work of Miller, Williams, Graham Greene, William Inge, Paddy Chayevsky, O'Neill and John Osborne. The first quarter of this volume originally appeared in Miss McCarthy's much celebrated column in Partisan Review, where, from the outset, the author's uncompromising critical attitude won her an ardent group of followers. From that point on, Mary McCarthy has held a distinguished position as a theatre critic, although the author herself would rather not be classified as much. Unlike many modern critics, sha has the ability to discuss the theatre as a branch of intellectual and social history. For her, the play is an event, which she views with the same ruthless honesty with which she looks at art, politics, literature and life."- Publisher




The Collected Essays Volume Two


Book Description

Candid, sharp, and entertaining essays from the #1 New York Times–bestselling author of Memories of a Catholic Girlhood and a “delightfully polished writer” (The Atlantic Monthly). Whether penning criticism, memoir, or fiction, the New York Times–bestselling author of The Group invariably wrote with “an icily honest eye and a glacial wit” (The New York Times). Gathered here are two memorable collections: theatrical critiques and opinion pieces. Mary McCarthy’s Theatre Chronicles, 1937–1962: McCarthy weighs in on Shakespeare, George Bernard Shaw, Henrik Ibsen, Eugene O’Neill, Tennessee Williams, and Arthur Miller with candor, penetrating insight, and wit. On the Contrary: Articles of Belief, 1946–1961: McCarthy expresses her frank, unflinching, often contrarian point of view in these provocative essays addressing everything from fashion to fiction, the human condition, religion, sex, Arthur Miller’s testimony before the House Un-American Activities Committee, The Human Condition by Hannah Arendt, Charles Dickens, and Gandhi.




Marc Blitzstein


Book Description

Marc Blitzstein was one of the 20th century's most important American composers, lyricists, and critics, often credited with having virtually invented opera in the American vernacular. Called the father of American opera in the vernacular by luminaries Aaron Copland and Leonard Bernstein, Blitzstein was a masterful pianist, coach, and accompanist, though, ironically, he made more money on the lyrics to one song—Mack the Knife—than on everything else he ever did. Blitzstein's brilliant career was cut short in 1964 when he died at the age of 58. This book catalogs Blitzstein's own writings and writings about him, followed by detailed listings (chronological, alphabetical, and genre), analysis, a comprehensive performance history, and summaries of all known critiques of his 128 original musical works and 18 texts set to the music of others. Shown in detail are the ways in which Blitzstein took music from his earlier works and developed it in later works, a process that Lehrman utilized in completing (with Bernstein's and the Estate's approval) 20 Blitzstein works for performance, including The Cradle Will Rock, I've Got the Tune, No for an Answer, Idiots First, and Sacco and Vanzetti, which Blitzstein believed would be his magnum opus. The book provides a unique and full perspective on the works of one of America's greatest composers—one who deserves to be better known.




William Goyen


Book Description

Proclaimed "one of the great American writers of short fiction" by the New York Times Book Review, William Goyen (1915-1983) had a quintessentially American literary career, in which national recognition came only after years of struggle to find his authentic voice, his audience, and an artistic milieu in which to create. These letters, which span the years 1937 to 1983, offer a compelling testament to what it means to be a writer in America. A prolific correspondent, Goyen wrote regularly to friends, family, editors, and other writers. Among the letters selected here are those to such major literary figures as W. H. Auden, Archibald MacLeish, Joyce Carol Oates, William Inge, Elia Kazan, Elizabeth Spencer, and Katherine Anne Porter. These letters constitute a virtual autobiography, as well as a fascinating introduction to Goyen's work. They add an important chapter to the study of American and Texas literature of the twentieth century.




Literary Feuds


Book Description

A submarine's deadliest antagonist is another sub. Some of our most illustrious writers have tried their best to sink their enemies, using all the weapons at their command-wit, humor, sarcasm, invective, and the occasional right cross to the jaw. In these eight profiles of quarrels between famous authors, Anthony Arthur draws on a lifetime of reading and teaching their works to describe the feuds as lively duels of strong personalities. Going beyond mere gossip, he provides insights into the issues that provoked the quarrels-Soviet communism, World War II, and the natural tension between the critical and the creative temperaments among them. The result reads like a collection of short stories, with the featured authors as their own best characters and having the best lines. For example: --Ernest Hemingway on his one-time friend and tutor: "Gertrude Stein was never crazy/Gertrude Stein was very lazy." --Sinclair Lewis to Theodore Dreiser "I still say you are a liar and a thief." --Mary McCarthy on Lillian Hellman " . . . every word she writes is a lie, including 'and' and 'the. ' " These great writers are a quarrelsome bunch indeed, and these true tales of bookish bickering are guaranteed to enlighten and entertain even the most discriminating literature lovers.




The Encyclopedia of Twentieth-Century Fiction, 3 Volume Set


Book Description

This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile




The Audience Book of Theater Quotations: 3rd Edition


Book Description

Now in its 3nd edition, we've expanded this book's size by a third with more great quotes! The Audience Book of Theater Quotations is a lifelong labor of love by Professor Phillips. If you have anything to do with the theater, buy this book. "I've been fortunate to spend many an afternoon with author Louis Phillips, sharing his insightful appreciation of movies, plays and poetry. Luck has come your way! Here you have it: Theatre treasures from A to Z. You pick the time (lots or little) and let Louis be your tour guide into this wondrous chronicle. "The Audience Book of Theatre Quotations" commemorates recitals both malicious and hilarious. You won't be able to resist prolonged applause and a standing ovation!" --Richard D. Pepperman; Film editor, teacher, and author of The Eye is Quicker Film Editing: Making a Good Film Better; Setting Up Your Scenes: The Inner Workings of Great Films; Film School: How to Watch DVDs and Learn Everything About Filmmaking "There are so many great quotes, it is a fascinating read." --William E. Cooper, Reader Views "... this book will inspire the inner theatre lover in us all." --Vianna Renaud, TCM Reviews “You read through The Audience Book of Theatre Quotes and it's like taking a trip through theatre-time superimposed on your own personal life-in-the-theatre time. Quotes from the likes of Dorothy Parker, Laurence Olivier, David Mamet, Hume Cronyn, Robert Benchley, Ben Hecht, Basil Rathbone and hundreds of others, always intriguing, mostly funny, sometimes filled with almost scriptural vision/insight. A book to be read slowly, maybe a page a day, either when you first get up or before you go to bed, letting the wisdom/humor either seep through your whole day, or ease you through your dreams.” –-Hugh Fox, professor, author of numerous books, poet, critic, playwright




A Gambler’s Instinct


Book Description

​As Barranger traces Crawford’s career as an independent producer, she tells the parallel story of American theater in the mid-twentieth century, making A Gambler’s Instinct both an enjoyable and informative biography of a remarkable woman and an important addition to the literature of the modern theater.




The Rhapsodes


Book Description

Pauline Kael, Andrew Sarris, and Roger Ebert were three of America's most revered and widely read film critics, more famous than many of the movies they wrote about. But their remarkable contributions to the burgeoning American film criticism of the 1960s and beyond were deeply influenced by four earlier critics: Otis Ferguson, James Agee, Manny Farber, and Parker Tyler. Film scholar and critic David Bordwell restores to a wider audience the work of Ferguson, Agee, Farber, and Tyler, critics he calls the 'Rhapsodes' for the passionate and deliberately offbeat nature of their vernacular prose.