Author : Melvin Donalson
Publisher : McFarland
Page : 212 pages
File Size : 27,94 MB
Release : 2006-01-10
Category : Performing Arts
ISBN :
"This work analyzes the interracial relationships, the heterosexual masculine roles within the films and the various genres in which the buddy film has surfaced. The book is arranged in six chapters, each focusing upon a particular chronological era in the development of the interracial buddy film"--Provided by publisher.
Author : Nickolas Haydock
Publisher : McFarland
Page : 320 pages
File Size : 29,79 MB
Release : 2014-01-10
Category : Performing Arts
ISBN : 0786453176
This collection of essays analyzes film representations of the Crusades, other medieval East/West encounters, and the modern inheritance of encounters between orientalist fantasy and apocalyptic conspiracy. From studies of the filmic representations of popular figures such as El Cid, Roland, Richard I, and Saladin to examinations of such topics as Templar romance and the role of set design, location and landscape, the essays make significant contributions to our understanding of orientalist medievalism in film. Instructors considering this book for use in a course may request an examination copy here.
Author : Todd W. Reeser
Publisher : John Wiley & Sons
Page : 279 pages
File Size : 46,96 MB
Release : 2023-05-01
Category : Social Science
ISBN : 111988408X
The new edition of the essential textbook on masculinity and representations of masculinity in the context of gender and cultural studies Popular dialogues on gender and sexuality have evolved rapidly in recent decades, and students are finding new and exciting opportunities to examine gender and sexuality from critical perspectives. Masculinities in Theory: An Introduction, Second Edition synthesizes existing approaches to the study of masculinity and presents new theoretical models that enable a deeper and more nuanced investigation of the diverse forms of masculine identity. In this text, students are invited to investigate the constructs of masculinity they encounter in their own lives, offering a way for students to parse the varied and conflicting views on masculinity they may encounter in their communities, in the media, and in history. Now in its second edition, Masculinities in Theory has been fully updated to bring this overview of masculinity studies up to date with modern views and contemporary contexts. The text shines a light on new cases for examination drawn from popular culture and current events, including the masculinities of Trump and Putin, Indigenous masculinities, and the influence of the Black Lives Matter movement on concepts of masculinity. An entirely new chapter on trans masculinities is complemented by a thoroughly revised chapter on the experience of affective masculinities. This valuable work: Covers key theories applicable to gender studies in interdisciplinary humanities and social science programs Demonstrates the complex nature of masculinity from cultural and theoretical perspectives Examines how the work of Butler, Derrida, Foucault, and other theorists can be used to interpret and analyze masculinity Discusses feminist, queer, transgender, post-colonial, and ethnic studies in relation to masculinity Offering a clear, concise, and comprehensive introduction to the field, Masculinities in Theory, Second Edition is the ideal textbook for courses on masculinity, as well as general courses in gender studies, sexuality studies, and cultural studies. It is also an excellent resource for interdisciplinary courses in literature, art history, film, communications, linguistics, sociology, anthropology, psychology, history, and philosophy programs.
Author :
Publisher : BRILL
Page : 326 pages
File Size : 40,62 MB
Release : 2015-05-26
Category : Literary Criticism
ISBN : 9004299009
Configuring Masculinity in Theory and Literary Practice combines a critical survey of the most important concepts in Masculinity Studies with a historical overview of how masculinity has been constructed within British Literature and a special focus on developments in the 20th and 21st centuries.
Author : Wikipedia contributors
Publisher : e-artnow sro
Page : 317 pages
File Size : 26,80 MB
Release :
Category :
ISBN :
Author : Daniel O'Brien
Publisher : Springer
Page : 224 pages
File Size : 30,12 MB
Release : 2017-09-06
Category : Social Science
ISBN : 1137593237
This book provides wide-ranging commentary on depictions of the black male in mainstream cinema. O’Brien explores the extent to which counter-representations of black masculinity have been achieved within a predominately white industry, with an emphasis on agency, the negotiation and malleability of racial status, and the inherent instability of imposed racial categories. Focusing on American and European cinema, the chapters highlight actors (Woody Strode, Noble Johnson, Eddie Anderson, Will Smith), genres (jungle pictures, westerns, science fiction) and franchises (Tarzan, James Bond) underrepresented in previous critical and scholarly commentary in the field. The author argues that although the characters and performances generated in these areas invoke popular genre types, they display complexity, diversity and ambiguity, exhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film, race, gender and colonial issues.
Author : Daniel Bernardi
Publisher : Bloomsbury Publishing USA
Page : 1127 pages
File Size : 11,70 MB
Release : 2017-07-07
Category : Performing Arts
ISBN : 0313398402
This expansive three-volume set investigates racial representation in film, providing an authoritative cross-section of the most racially significant films, actors, directors, and movements in American cinematic history. Hollywood has always reflected current American cultural norms and ideas. As such, film provides a window into attitudes about race and ethnicity over the last century. This comprehensive set provides information on hundreds of films chosen based on scholarly consensus of their importance regarding the subject, examining aspects of race and ethnicity in American film through the historical context, themes, and people involved. This three-volume set highlights the most important films and artists of the era, identifying films, actors, or characterizations that were considered racist, were tremendously popular or hugely influential, attempted to be progressive, or some combination thereof. Readers will not only learn basic information about each subject but also be able to contextualize it culturally, historically, and in terms of its reception to understand what average moviegoers thought about the subject at the time of its popularity—and grasp how the subject is perceived now through the lens of history.
Author : Jared Sexton
Publisher : Springer
Page : 218 pages
File Size : 33,68 MB
Release : 2017-11-07
Category : Language Arts & Disciplines
ISBN : 3319661701
This book offers a critical survey of film and media representations of black masculinity in the early twenty-first-century United States, between President George W. Bush’s 2001 announcement of the War on Terror and President Barack Obama’s 2009 acceptance of the Nobel Peace Prize. It argues that images of black masculine authority have become increasingly important to the legitimization of contemporary policing and its leading role in the maintenance of an antiblack social order forged by racial slavery and segregation. It examines a constellation of film and television productions—from Antoine Fuqua’s Training Day to John Lee Hancock’s The Blind Side to Barry Jenkin's Moonlight—to illuminate the contradictory dynamics at work in attempts to reconcile the promotion of black male patriarchal empowerment and the preservation of gendered antiblackness within political and popular culture.
Author : Steve Cohan
Publisher : Routledge
Page : 292 pages
File Size : 31,37 MB
Release : 2012-09-10
Category : Social Science
ISBN : 1134900090
Screening the male re-examines the problematic status of masculinity both in Hollywood cinema and feminist film theory. Classical Hollywood cinema has been theoretically established as a vast pleasure machine, manufacturing an idealized viewer through its phallocentric ideological apparatus. Feminist criticism has shown how difficult it is for the female viewer to resist becoming implicated in this representational system. But the theroies have overlooked the significance of the problem itself - of the masuline motivation at the core of the system. The essays here explore those male characters, spectators, and performers who occupy positions conventionally encoded as "feminine" in Hollywood narrative and questions just how secure that orthodox male position is. Screening the Male brings together an impressive group of both established and emerging scholars from Britain, the United States and Australia unified by a concern with issues that film theorists have exclusively inked to the femninie and not the masculne: spectacle, masochism, passivity, masquerade and, most of all, the body as it signifies gendered, racial, class and generatonal differences.
Author : Amanda D. Lotz
Publisher : NYU Press
Page : 251 pages
File Size : 44,74 MB
Release : 2014-03-31
Category : Social Science
ISBN : 1479800589
The emergence of "male-centered serials" such as The Shield, Rescue Me, and Sons Of Anarchy and the challenges these characters face in negotiating modern masculinities. From the meth-dealing but devoted family man Walter White of AMC’s Breaking Bad, to the part-time basketball coach, part-time gigolo Ray Drecker of HBO’s Hung, depictions of male characters perplexed by societal expectations of men and anxious about changing American masculinity have become standard across the television landscape. Engaging with a wide variety of shows, including The League, Dexter, and Nip/Tuck, among many others, Amanda D. Lotz identifies the gradual incorporation of second-wave feminism into prevailing gender norms as the catalyst for the contested masculinities on display in contemporary cable dramas. Examining the emergence of “male-centered serials” such as The Shield, Rescue Me, and Sons of Anarchy and the challenges these characters face in negotiating modern masculinities, Lotz analyzes how these shows combine feminist approaches to fatherhood and marriage with more traditional constructions of masculine identity that emphasize men’s role as providers. She explores the dynamics of close male friendships both in groups, as in Entourage and Men of a Certain Age, wherein characters test the boundaries between the homosocial and homosexual in their relationships with each other, and in the dyadic intimacy depicted in Boston Legal and Scrubs. Cable Guys provides a much needed look into the under-considered subject of how constructions of masculinity continue to evolve on television.
