Mass in E Minor


Book Description

In his accomplishments as a conductor, composer, and musical administrator, Johann Herbeck had a significant effect on musical culture in the city of Vienna that was all the more remarkable because his professional career lasted only twenty-five years. During his relatively short lifetime (1831–77) he held positions of leadership in the most important Viennese musical organizations of the period and became famous for his conducting. His musical talents are also demonstrated in a sizeable repertoire of his own compositions: starting with songs for voice and piano early in his career, he went on in his mature years to compose instrumental works and a large body of choral settings of secular German and sacred Latin texts. Herbeck’s Mass in E Minor, a significant composition in the last category, is presented in this edition.




Bach: Mass in B Minor


Book Description

The Mass in B Minor is arguably Bach's greatest single work. John Butt gives an absorbing account of the work's genesis, its historical context, and its reception by later generations.




Drawing Dynamic Hands


Book Description

The most comprehensive book ever published on drawing hands uses a revolutionary system for visualizing the hand in an almost infinite number of positions.




Anton Bruckner


Book Description

This discography--a finalist in ARSC's 1992 Awards for Excellence--represents a broad and accurate document of the availability of Bruckner's music on records, tapes and compact discs over the last forty years. An indexed list of writers of liner-notes recognizes the important criticism of many prominent scholars, and a chronology documents trends in the proliferation of recorded performances.







The Polyphonic Mass in France, 1600-1780


Book Description

The first ever book-length study of the a cappella masses which appeared in France in choirbook layout during the baroque era. After tracing the publishing history of this distinctive but little-known repertoire, the author places the works in their social, liturgical and musical context.




A History of Western Choral Music, Volume 1


Book Description

A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Author Chester L. Alwes divides this exploration into two volumes which move from Medieval music and the Renaissance era up to the 21st century. Volume I surveys the choral music of composers including Josquin, Palestrina, Purcell, Handel, and J.S. Bach while detailing the stylistic, textual, and extramusical considerations unique to the topics covered. Consideration of Renaissance music includes both sacred and secular works, specifically addressing the growth of sacred music, the rise of secular music, and the proliferation of sacred polyphony from Josquin to Palestrina. Discussion of the Baroque era is organized by geographic location, exploring the spread of Baroque style from Italy to German, France, and England. Volume I concludes by examining the aesthetic underpinnings of the early Classical and Romantic eras. Framing discussion within the political, religious, cultural, philosophical, aesthetic, and technological contexts of each era, A History of Western Choral Music offers readers specialized insight into major composers and works while providing a cohesive understanding of choral music's place in Western history.




Cantata No. 41 -- Jesu, nun sei gepreiset


Book Description

A Choral Worship Cantata in SATB with SATB Soli voicing, composed by Johann Sebastian Bach.




The Origins and Ascendancy of the Concert Mass


Book Description

The mass is an extraordinary musical form. Whereas other Western art music genres from medieval times have fallen out of favour, the mass has not merely survived but flourished. A variety of historical forces within religious, secular, and musical arenas saw the mass expand well beyond its origins as a cycle of medieval chants, become concertised and ultimately bifurcate. Even as Western societies moved away from their Christian origins to become the religiously plural and politically secular societies of today, and the Church itself moved in favour of congregational singing, composers continued to compose masses. By the early twentieth century two forms of mass existed: the liturgical mass composed for church services, and the concert mass composed for secular venues. Spanning two millennia, The Origins and Ascendancy of the Concert Mass outlines the origins and meanings of the liturgical texts, defines the concert mass, explains how and why the split occurred, and provides examples that demonstrate composers’ gradual appropriation of the genre as a vehicle for personal expression on serious issues. By the end of the twentieth century the concert mass had become a repository for an eclectic range of theological and political ideas.




Fugue


Book Description