Author : Detroit Institute of Arts
Publisher :
Page : 126 pages
File Size : 31,96 MB
Release : 1948
Category : Museums
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 676 pages
File Size : 22,39 MB
Release : 1980
Category : Art
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 852 pages
File Size : 40,27 MB
Release : 1962
Category : Art
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 862 pages
File Size : 18,39 MB
Release : 1970
Category : Art
ISBN :
Author : Harvard University. Fine Arts Library
Publisher :
Page : 880 pages
File Size : 23,76 MB
Release : 1971
Category : Art
ISBN :
Author : Corcoran Gallery of Art
Publisher : Lucia Marquand
Page : 0 pages
File Size : 21,25 MB
Release : 2011
Category : Painting
ISBN : 9781555953614
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Author : Kay Alexander
Publisher : Getty Publications
Page : 346 pages
File Size : 16,93 MB
Release : 1991-01-01
Category : Art
ISBN : 0892361719
This sampler was designed for art specialists and art museum educators with a basic understanding of teaching discipline-based art education content. The introduction offers a brief history of the Sampler and explains its intended purpose and use. Then 8 unit models with differing methodologies for relating art objectives to the four disciplines: aesthetics, art criticism, art history, and art production, are presented. The sampler consists of two elementary units, two units for middle school, two units intended for required high school art, one high school studio ceramic unit, and a brief unit for art teachers and art museum educators that focuses on visits to art museums. Learning activities, resource material, and learning strategies are given for the units along with a sequence of lessons organized on a theme.
Author : Linda Weintraub
Publisher : Univ of California Press
Page : 380 pages
File Size : 29,15 MB
Release : 2012-09-01
Category : Art
ISBN : 0520273613
This title documents the burgeoning eco art movement from A to Z, presenting a panorama of artistic responses to environmental concerns, from Ant Farms anti-consumer antics in the 1970s to Marina Zurkows 2007 animation that anticipates the havoc wreaked upon the planet by global warming.
Author : Carol Strickland
Publisher : Andrews McMeel Publishing
Page : 220 pages
File Size : 44,24 MB
Release : 2007-10
Category : Art
ISBN : 9780740768729
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
Author : Magdalena Dabrowski
Publisher : Museum
Page : 298 pages
File Size : 16,72 MB
Release : 1985
Category : Art
ISBN :
Magdalena Dabrowski retraces the course of geometric abstract art in our century, she divides the years from 1910 to 1980- into five spans. The first: Origins of the Nonobjective - Cubism, Futurism, Cubo-Futurism. The second: Surface to space - Suprematism, de Stiji, Russian Constructivism. Then, Internation constructivism, followed by Paris-New Yourk connection and finally, Nonfigurative tendrncies.
