Watts (1817-1904)


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"Watts (1817-1904)" by William Loftus Hare George Frederic Watts OM RA was a British painter and sculptor associated with the Symbolist movement. He said "I paint ideas, not things." Watts became famous in his lifetime for his allegorical works, such as Hope and Love and Life. Hare personally knew Watts and decided to create a memorial for him through this book which depicted his life and career as an artist.










Masterpieces of G. F. Watts


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Excerpt from Masterpieces of G. F. Watts: 1817-1904 Messrs. Gowans 8c gray ask with confidence for the continued support of this undertaking by lovers of art. It is their h0pe to be able to cover the whole field of classic painting by including all important artists who were born before the year 1800, and the preparation of new volumes is being carried on steadily and systematically with this end in view. As new editions of earlier volumes are called for, improvements are made when considered advisable newly discovered pictures are inserted, and Opportunity is taken to discard inferior pictures if others of superior merit are found to be obtainable. The publishers hope to accelerate the issue of the series by publishing future volumes at the rate of at least twelve yearly, and their efforts will be very much assisted if those who appreciate the books will place standing orders, till further notice, with their booksellers. They beg to announce the following, with approximate dates of issue. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.













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