Materiality in Roman Art and Architecture


Book Description

The focus of this volume is on the aesthetics, semantics and function of materials in Roman antiquity between the 2nd century B.C. and the 2nd century A.D. It includes contributions on both architectural spaces (and their material design) and objects – types of 'artefacts' that differ greatly in the way they were used, perceived and loaded with cultural significance. With respect to architecture, the analysis of material aesthetics leads to a new understanding of the performance, imitation and transformation of surfaces, including the social meaning of such strategies. In the case of objects, surface treatments are equally important. However, object form (a specific design category), which can enter into tension with materiality, comes into particular focus. Only when materials are shaped do their various qualities emerge, and these qualities are, to a greater or lesser extent, transferred to objects. With a focus primarily on Roman Italy, the papers in this volume underscore the importance of material design and highlight the awareness of this matter in the ancient world.




Painting, Ethics, and Aesthetics in Rome


Book Description

Demonstrates how ancient Roman mural paintings stood at the intersection of contemporary social, ethical, and aesthetic concerns.




Christian Responses to Roman Art and Architecture


Book Description

Laura Nasrallah argues that early Christian literature is best understood when read alongside the archaeological remains of Roman antiquity.




The Architecture of the Roman Triumph


Book Description

This book offers the first critical study of the architecture of the Roman triumph, ancient Rome's most important victory ritual. Through case studies ranging from the republican to imperial periods, it demonstrates how powerfully monuments shaped how Romans performed, experienced, and remembered triumphs and, consequently, how Romans conceived of an urban identity for their city. Monuments highlighted Roman conquests of foreign peoples, enabled Romans to envision future triumphs, made triumphs more memorable through emotional arousal of spectators, and even generated distorted memories of triumphs that might never have occurred. This book illustrates the far-reaching impact of the architecture of the triumph on how Romans thought about this ritual and, ultimately, their own place within the Mediterranean world. In doing so, it offers a new model for historicizing the interrelations between monuments, individual and shared memory, and collective identities.




The Materiality of Text – Placement, Perception, and Presence of Inscribed Texts in Classical Antiquity


Book Description

Written by an international cast of experts, The Materiality of Text showcases a wide range of innovative methodologies from ancient history, literary studies, epigraphy, and art history and provides a multi-disciplinary perspective on the physicality of writing in antiquity. The contributions focus on epigraphic texts in order to gauge questions of their placement, presence, and perception: starting with an analysis of the forms of writing and its perception as an act of physical and cultural intervention, the volume moves on to consider the texts’ ubiquity and strategic positioning within epigraphic, literary, and architectural spaces. The contributors rethink modern assumptions about the processes of writing and reading and establish novel ways of thinking about the physical forms of ancient texts.




Facing the Colours of Roman Portraiture


Book Description

The fact that most ancient marble portraits were once intentionally polychrome has always been lurking at the corners of art historical and archaeological research. Despite the fact, that the colours of the sculpted forms completed, enhanced and even extended the plastic shapes, the topic has not been devoted much dedicated attention. This book represents the first full-length academic monograph which explores the original polychromy of Roman white marble portraiture. It presents results from scientific analysis of portraits in statuary and bust formats dating to the first three centuries CE. The book also explores the cultural and social significance of colours in their original contexts, and how the immaterial affects of the polychrome, three-dimensional images can be integrated into the traditional research into ancient portraiture, which has tended to place overwhelming emphasis on iconography, typology and biography. By doing so the ancient sculpted marble form, as we know it, will be exposed and confronted, and the impact of manipulated material effects, that were meant to evoke a broad range of multisensory experiences, will be emphasized. The book puts forth a new way of analysis to be tested and developed in the future.




Shaping Roman Landscape


Book Description

A groundbreaking ecocritical study that examines how ideas about the natural and built environment informed architectural and decorative trends of the Roman Late Republican and Early Imperial periods. Landscape emerged as a significant theme in the Roman Late Republican and Early Imperial periods. Writers described landscape in texts and treatises, its qualities were praised and sought out in everyday life, and contemporary perceptions of the natural and built environment, as well as ideas about nature and art, were intertwined with architectural and decorative trends. This illustrated volume examines how representations of real and depicted landscapes, and the merging of both in visual space, contributed to the creation of novel languages of art and architecture. Drawing on a diverse body of archaeological, art historical, and literary evidence, this study applies an ecocritical lens that moves beyond the limits of traditional iconography. Chapters consider, for example, how garden designs and paintings appropriated the cultures and ecosystems brought under Roman control and the ways miniature landscape paintings chronicled the transformation of the Italian shoreline with colonnaded villas, pointing to the changing relationship of humans with nature. Making a timely and original contribution to current discourses on ecology and art and architectural history, Shaping Roman Landscape reveals how Roman ideas of landscape, and the decorative strategies at imperial domus and villa complexes that gave these ideas shape, were richly embedded with meanings of nature, culture, and labor.




Neighbourhoods and City Quarters in Antiquity


Book Description

Studies on ancient urbanity either concerns individual buildings or the city as a whole. This volume, instead, addresses a meso-scale of urbanity: the socio-spatial organisation of ancient cities. Its temporal focus is on Late Republican and Imperial Italy, and more specifically the cities of Pompeii and Ostia. Referring to a praxeological and phenomenological perspective, it looks at neighbourhoods and city quarters as basic categories of design and experience. With the terms 'neighbourhood and 'city quarter' the volume proposes two different methodological approaches: Neighbourhood here refers to the face-to-face relation between people living next to each other - thus the small-scale environment centred around a house and an individual. Neighbourhoods thus do not constitute a (collectively defined) urban territory with clear borders, but are rather constituted by individual experiences. In contrast, city quarters are understood as areas that share certain characteristics.




Unbound from Rome


Book Description

An expansive look at ancient art and architecture over four centuries highlighting the diversity of makers and viewers within and beyond Rome's ever-changing political boundaries Roman art and architecture is typically understood as being bound in some ways to a political event or as a series of aesthetic choices and experiences stemming from a center in Rome itself. Moving beyond the misleading catchall label "Roman," John North Hopkins aims to untangle the many peoples whose diverse cultures and traditions contributed to Rome's visual culture over a four-hundred-year time span across the first millennium BCE. Hopkins carefully reconsiders some of the period's most iconic works by way of the many practices and peoples bound up with them. Some of these include the extraordinary and complex effort to build the Temple of Jupiter; the creative actions and diverse encounters tied to luxury objects like the Ficoroni Cista; and the important meanings held by sacred temple sculpture and votive offerings through their making and subsequent practices of devotion. A key purpose of this book is to question an idea of Rome that has focused on elite production and the textual record; Hopkins instead calls attention to the lesser-known--often silenced--actors who were integral players. The result is a deep understanding of a diverse and historically rich Italic and Mediterranean world, as well as the myriad cultures, communities, and individuals who would have made and experienced art within and around the changing political boundaries of Rome.




The Altars of Republican Rome and Latium


Book Description

This book reorients the study of sacrifice, examining the locus of ritual action - the altars of Republican Rome and Latium.