Mathew Brady


Book Description

The first narrative biography of the Civil War's pioneering visual historian, Mathew Brady, known as the “father of American photography.” Mathew Brady's attention to detail, flair for composition, and technical mastery helped establish the photograph as a thing of value. In the 1840s and '50s, “Brady of Broadway” photographed such dignitaries as Henry Clay, Daniel Webster, Dolley Madison, Horace Greeley, the Prince of Wales, and Jenny Lind. But it was during the Civil War that Brady's photography became an epochal part of American history. The Civil War was the first war in history to leave a detailed photographic record, and Brady knew better than anyone the dual power of the camera to record and excite, to stop a moment in time and preserve it. More than ten thousand war images are attributed to the Brady studio. But as Wilson shows, while Brady himself accompanied the Union army to the first major battle at Bull Run, he was so shaken by the experience that throughout the rest of the war he rarely visited battlefields except well before or after a major battle, instead sending teams of photographers to the front. Mathew Brady is a gracefully written and beautifully illustrated biography of an American legend-a businessman, a suave promoter, a celebrated portrait artist, and, most important, a historian who chronicled America during the gravest moments of the nineteenth century.




Mr. Lincoln's Camera Man, Mathew B. Brady


Book Description

This book tells of Mathew B. Brady, a Civil War photographer, with over 300 reproductions of his work.







Mathew Brady and His World


Book Description

Photographs by Mathew Brady from the Meserve Collection. Biographical. Indexed.




Mathew Brady


Book Description

A biography of the pioneering photographer, who is known for his unique portrayal of the Civil War, as well as for portraits of such personalities as Lincoln, Grant, Lee, and others.




MATHEW BRADY & IMAGE OF HIST


Book Description

Renowned Civil War photographer Mathew Brady (ca. 1823-1896) remains an elusive and paradoxical figure. To accompany an exhibition opening at the Smithsonian's National Portrait Gallery in September 1997, Smithsonian curator of photographs Mary Panzer has created a tribute to Brady and his contribution to the ongoing national interest in the Civil War. 79 duotone photos. 72 b&w illus.




Mathew Brady Historian with a Camera


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Civil War Photos


Book Description

Astonishingly clear, detailed images recall the drama, agony, and tedium of conflict. Portraits of Lincoln, Grant, Lee, and other notables, plus scenes of landmarks, camps, and battlefields. Captions, notes. 24 cards.




Shooting Lincoln


Book Description

They took the most memorable photographs of the Civil War. Now their long rivalry was about to climax with the spilled blood of an American president--an event that would usher in a new age of modern media. Mathew Brady and Alexander Gardner were the new media moguls of their day. With their photographs they brought the Civil War -- and all of its terrible suffering -- into Northern living rooms. By the end of the war, they were locked in fierce competition. And when the biggest story of the century happened--the assassination of Abraham Lincoln--their paparazzi-like competition intensified. Brady, nearly blind and hoping to rekindle his wartime photographic magic, and Gardner, his former understudy, raced against each other to the theater where Lincoln was shot, to the autopsy table where Booth was identified, and to the gallows where the conspirators were hanged. Whoever could take the most sensational -- or ghastly -- photograph would achieve lasting camera-lens fame. Compelling and riveting, Shooting Lincoln tells the astonishing, behind-the-photographs story of these two media pioneers who raced to "shoot" the late president and the condemned conspirators. The photos they took electrified the country, fed America's growing appetite for tabloid-style sensationalism in the news, and built the media we know today.




Mathew B. Brady


Book Description

Photography was still in its infancy when the Civil War broke out in 1861, yet one young man, Mathew B. Brady, had the vision to create a detailed photographic record of the conflict, which nobody imagined would last for more than a few months. Brady and his associate photographers made literally thousands of images, for the most part now in the care of the Library of Congress. This book is intended as a tribute to the talented, hardy, and ardent photographers, reproducing a selection of their works--blemishes and all--which are now recognized as the first in depth photo documentation of warfare.