Mathew Carey, Publisher and Patriot


Book Description




Encyclopedia of the American Enlightenment


Book Description

The first reference work on one of the key subjects in American history, filling an important gap in the literature, with over 500 original essays.




The Publishing and Review of Reference Sources


Book Description

This book, first published in 1987, provides important information on reference publishing, including valuable guidelines on evaluating publications and sources. The articles contained here are all written by leading experts in the field.







Forging in the Smithy


Book Description

The interest of Anglo-Irish literature is not only that its canon includes a high proportion of literary giants - Yeats, Joyce, Beckett - but also that it exemplifies the problematics of literature in a context of social and cultural tension. Irish literary history has often been studied under precisely that aspect: as the literature of a country in a marginal, colonial yet intra-European position; a country where a variety of cultural traditions (Gaelic, Anglo-Irish, Ulster Presbyterian) have coexisted in an uneasy relationship; a country with intense social and economic divisions. These infrastructural tensions are not mere background or part of the context, but have been explicitly thematized in a substantial part of Ireland's literary output, so that an Irish author who does not address the matter of Ireland stands out as an anomaly, an exception to the general patterns. Therefore, the historical context of much Anglo-Irish scholarship is hardly surprising. Forging the Smithy: National Identity and Representation in Anglo-Irish Literary Historyaddresses three interrelated areas of interest: language, territory and politics; the role of historical consciousness in Irish authors and in their dissemination; and the representation of Irish affairs asa it gives rise to specific literary strategies.




The Inquisition's Inquisitor


Book Description

Writing in 1868, the Philadelphia publisher-cum-historian Henry Charles Lea informed a friend, “I am trying to collect the materials for a history of the Inquisition.” The collecting of these materials—books, manuscripts, and copies of thousands of pages of documents housed in musty European archives and libraries—would occupy Lea (1825–1909) for the remainder of his life. It also led to publication of A History of the Inquisition of the Middle Ages (1884–87) and his acknowledged masterpiece, A History of the Inquisition of Spain (1906–7). Regarded as classics, these path-breaking books inaugurated better understanding of the history of an institution whose aims and methods troubled Lea and remain subjects of heated debate. The first biography of Lea since 1931, The Inquisition’s Inquisitor offers the most comprehensive review to date of his writing on the history of the Catholic Church. Though Lea is generally regarded as a leading practitioner of “scientific” history, Richard L. Kagan examines the extent to which Lea’s religious convictions compromised the ostensibly objective character of his work. Lea’s extensive surviving correspondence also enables Kagan to examine other aspects of Lea’s long and productive career as one of Philadelphia’s most prominent citizens. Lea appears here a young literary critic; a businessman who skillfully transformed his family’s publishing firm into the country’s leading producer of medical books; a dogged political reformer; and a philanthropist whose largesse benefitted many of Philadelphia’s cultural institutions. Newly discovered sources also allow for insights into Lea’s private life, notably his controversial infatuation with his first cousin and future wife, Anna C. Jaudon, and the periodic breakdowns that required abandonment of his beloved “intellectual pursuits.” The Inquisition’s Inquisitor concludes with a survey of Lea’s legacy with respect to current understanding of the Inquisition and to Philadelphia, where reminders of his accomplishments include an eponymous library at the University of Pennsylvania and public elementary school in nearby West Philadelphia.




Piracy


Book Description

Since the rise of Napster and other file-sharing services in its wake, most of us have assumed that intellectual piracy is a product of the digital age and that it threatens creative expression as never before. The Motion Picture Association of America, for instance, claimed that in 2005 the film industry lost $2.3 billion in revenue to piracy online. But here Adrian Johns shows that piracy has a much longer and more vital history than we have realized—one that has been largely forgotten and is little understood. Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first. Brimming with broader implications for today’s debates over open access, fair use, free culture, and the like, Johns’s book ultimately argues that piracy has always stood at the center of our attempts to reconcile creativity and commerce—and that piracy has been an engine of social, technological, and intellectual innovations as often as it has been their adversary. From Cervantes to Sonny Bono, from Maria Callas to Microsoft, from Grub Street to Google, no chapter in the story of piracy evades Johns’s graceful analysis in what will be the definitive history of the subject for years to come.




The Enlightenment and the Book


Book Description

The late eighteenth century witnessed an explosion of intellectual activity in Scotland by such luminaries as David Hume, Adam Smith, Hugh Blair, William Robertson, Adam Ferguson, James Boswell, and Robert Burns. And the books written by these seminal thinkers made a significant mark during their time in almost every field of polite literature and higher learning throughout Britain, Europe, and the Americas. In this magisterial history, Richard B. Sher breaks new ground for our understanding of the Enlightenment and the forgotten role of publishing during that period. The Enlightenment and the Book seeks to remedy the common misperception that such classics as The Wealth of Nations and The Life of Samuel Johnson were written by authors who eyed their publishers as minor functionaries in their profession. To the contrary, Sher shows how the process of bookmaking during the late eighteenth-century involved a deeply complex partnership between authors and their publishers, one in which writers saw the book industry not only as pivotal in the dissemination of their ideas, but also as crucial to their dreams of fame and monetary gain. Similarly, Sher demonstrates that publishers were involved in the project of bookmaking in order to advance human knowledge as well as to accumulate profits. The Enlightenment and the Book explores this tension between creativity and commerce that still exists in scholarly publishing today. Lavishly illustrated and elegantly conceived, it will be must reading for anyone interested in the history of the book or the production and diffusion of Enlightenment thought.