The Waiter


Book Description

“As if The Remains of the Day had been written by Kingsley Amis, The Waiter is…one of the most purely entertaining novels I’ve read in years. This book is a meal you won’t want to finish.” —J. Ryan Stradal, New York Times bestselling author of Kitchens of the Great Midwest In the tradition of the modern classics The Remains of the Day and A Gentleman in Moscow comes The Waiter, in which the finely tuned balance of a timeworn European restaurant is irrevocably upset by an unexpected guest. The Hills dates from a time when pigs were pigs and swine were swine, the Maître D’ likes to say—in other words from the mid-1800s. Every day begins with the head waiter putting on his jacket. In with one arm, then the other. Shrugged onto his shoulders. Horn buttons done up. Always the same. There is clinking. Cutlery is moved around porcelain and up to mouths. But in this universe unto itself, there is scarcely any contact between the tables of regulars. And that is precisely how the waiter likes it. Sheer routine…until a beautiful young woman walks through the door and upsets the delicate balance of the restaurant and all it has come to represent. Told in a kaleidoscopic rotation of voices—the headwaiter, the bartender, the coat checker, the chef who never speaks—The Waiter marks the North American debut of an exciting new voice in literary fiction that will leave you longing to sit down at The Hills, order a drink, and watch the world go by….




Matias Faldbakken


Book Description

Für SUCHE verwendete der Autor und Künstler Matias Faldbakken die Protokolle seiner verschiedenen Festplatten und extrahierte einen Teil der Verläufe seiner Google-Recherchen. Die Suchanfragen sind chronologisch nach den Daten abgedruckt, an denen sie in das Suchfeld eingegeben wurden. Die Texte beruhen überwiegend auf Bildrecherchen. Sie zeigen in vielerlei Hinsicht die sprachlichen Grundlagen der Bildproduktion des Künstlers: Sie sind teils Notizen, teils Recherche. Die Suchbegriff-Texte ähneln der Écriture automatique, einer unbewussten (oder zufälligen) Textproduktion. Sie ermöglichen dem Leser, einen Teil seines Arbeitsprozesses mitzuerleben und können als ein Querschnitt seines Denkens gelten. Die Texte stehen zwischen der Bild- und der Textproduktion des Künstlers und erscheinen hier als eine Form (konkreter) Poesie. Matias Faldbakken (*1973) lebt und arbeitet als Künstler und Autor in Oslo. Sprache: Deutsch/Englisch




Oslo, Texas


Book Description

"For Virginia Overton, the truck is a working tool embodied with stored labor. Rather than a symbolic object of desire in the mode of the co-opted muscle car, she recognizes the truck as a worker. Like most of her tools and materials, the truck functions as an agent for labor production. Overton once drove an old pickup truck from Norfolk, Virginia to Memphis, Tennessee. This act became a means for a sculptural gesture. Along the way she casually collected material found roadside, including: discarded lumber, furniture and other commodities drained of their use value. Arriving in Tennessee she invited friends to install work inside a borrowed RV that she rigged to her truck bed full of refuse. Taken together, the drive, the truck bed full of junk and RV installation allowed Overton to regard them collectively as an act of construction, retrospectively building her mode of working into new structures and practices. Ratchet straps, timber, ladders, commercial grade lighting and electrical fittings, are among the tools used in Overton's intuitive sculptural arrangements. By balancing, wedging, suspending and cinching, a distillation of the working material occurs. It can be said that labor is crystallized in these objects of utility. The sculptures work and expend labor in an effort to create a new general utility. Similar to the firebrick of Carl Andre's Equivalents or the slabs of lead and steel of Richard Serra, the materials are embedded with potential of returning to their origin of function. The rendered contingency of Overton's provisional arrangements could easily be dispatched back to the construction site, trash pile or driven across the Texas ranch. Ratchet straps, timber, ladders, commercial grade lighting and electrical fittings, are among the tools used in Overton's intuitive sculptural arrangements. By balancing, wedging, suspending and cinching, a distillation of the working material occurs. It can be said that labor is crystallized in these objects of utility. The sculptures work and expend labor in an effort to create a new Serra, the materials are embedded with potential of returning to their origin of function."--Contemporary Art Daily




Not Made Visible


Book Description

Tiré du site Internet de JRP/Ringier : "Matias Faldbakken (*1973) is an artist and writer living in Oslo. Son of the celebrated Norwegian author Knut Faldbakken, he has published two novels, "The Cocka Hola Company" and "Macht und Rebel" under the alias Abo Rasul. Drenched with acid humor and continuously hitting below the waist, his books immediately caused a considerable stir in Norway. If, in these publications, he underlines the differences and similarities between the so-called underground and the mainstream, and between the "independent" and the "commercial" in everyday life, these subjects are also central to his art practice. Fascinated with systems of knowledge, power, order, and exchange, he shows an interest in understanding how art and artists can be active participants in these systems. Faldbakken studied at the National Academy of Fine Arts in Bergen as well as at the Städelschule in Frankfurt am Main. He represented Norway in the Nordic Pavillion at the Venice Biennial in 2005, as well as showing his work in the Wrong Gallery at the Whitney Biennial, the Stedelijk Museum Amsterdam, the National Museum Oslo, the Sydney Biennial and the KW Institute for Contemporary Art Berlin, among others."




Matias Faldbakken


Book Description

Faldbakken is a young artist with a considerable interest in counter-cultural phenomena i.e. positions and strategies formulated in opposition to society's norms and conventions. This exhibition is the first large scale presentation of his work.




Crisis as Form


Book Description

Criticism of contemporary art is split by an opposition between activism and the critical function of form. Yet the deeper, more subterranean terms of art-judgment are largely neglected on both sides. These essays combine a re-examination of the terms of judgement of contemporary art with critical interpretations of individual works and exhibitions by Luis Camnitzer, Marcel Duchamp, Matias Faldbakken, Anne Imhof and Cady Noland. The book moves from philosophical issues, via the lingering shadows of medium-specificity (in photography and art music), and the changing states of museums, to analyses of the peculiar ways that works of art relate to time.To give artistic form to crisis, it is suggested, one needs to understand contemporary art's own constitutive crisis of form.




Gardar Eide Einarsson: The Mess


Book Description

A stark, black-and-white publication, The Mess includes nearly 80 paintings by Norwegian-born artist Gardar Eide Einarsson (born 1976) that explore the relationship between authority and rebellion through visual signs and symbols taken from sources ranging from popular culture to political iconography and utopian ideologies.




Looking Writing Reading Looking


Book Description

Today's leading poets and writers--from Anne Carson to Roxane Gay--respond to modern and contemporary masterpieces In this book, 26 internationally renowned poets, writers and essayists such as Anne Carson, Richard Ford, Roxane Gay, Colm Toíbín, Eileen Myles, Sjón, Gunnhild Øyehaug, Anne Waldman and Claudia Rankine engage in dialogue with artworks from the collection of the Louisiana Museum of Modern Art by artists as different as Louise Bourgeois, Francis Bacon, Alberto Giacometti, Alicja Kwade, Andy Warhol, Julie Mehretu, Joseph Beuys, Tacita Dean, Yayoi Kusama and Francesca Woodman. The writers deploy their poetic gaze in texts that open our eyes to the works. By way of a wide range of literary genres such as poems, essays, memoir and notes, the contributions to the book demonstrate how differently one can experience art.




Gerhard Richter: Landscape


Book Description

Gerhard Richter is one of the most famous painters of our time. Worldwide. His fascinating visual spheres are characterized by a unique originality and quality, in which the abstract and the figural intertwine and permeate each other. This extensive volume of pictures concentrates entirely upon the theme of landscape in Richter?s oeuvre. Through this genre, to which Richter has remained loyal for more than sixty years, it is possible to see more than a development in the artist?s painting style. There is also a perceptible, genuine independence in many of the works, which makes him one of the most remarkable artists of our day. This book adds to the understanding of the significance and pictorial essence of Richter?s art, opening up current insights into the theme of nature and landscape in the twenty-first century.00Exhibition: Bank Austria Kunstforum Wien, Austria (01.10.2020 - 24.01.2021) / Kunsthaus Zürich, Switzerland (05.03.-18.07.2021).