Maurice Prendergast


Book Description

Issued in connection with an exhibition held June 29, 2013-October 13, 2013, Bowdoin College Museum of Art, Brunswick, Maine.




Sargent, Whistler, and Venetian Glass


Book Description

Murano Glass and its Collectors in Aesthetic America / Melody Barnett Deusner -- Venetian Mosaics and Glass in the United States, 1860-1917 / Sheldon Barr -- "Where Have Titian's Beauties Gone?" : Sargent and Whistler on the Streets of Venice / Stephanie Mayer Heydt -- Interweaving Worlds : Antique and Revival Lace in Italy and in the United States, 1872-1927 / Diana Jocelyn Greenwold -- Sparks of Genius : American Art and the Appeal of Modern Venetian Glass / Crawford Alexander Mann III -- Biographies / Brittany Emens Strupp, Crawford Alexander Mann III.




The Eight and American Modernisms


Book Description

Frustrated by the art world’s elitism and the snobbish exclusivity of the academy’s juries, eight American painters united in 1908 to upend the establish norms and stage their own exhibition of modernist art. Led by the charismatic Robert Henri, they came to be known as "The Eight," and their two-week show at New York’s Macbeth Galleries drew a multitude of visitors, who crowded into the galleries to critique the much-publicized work of these "revolutionary" artists. Their paintings of urban scenes marked a significant departure from the prevailing style—which emphasized physical and natural beauty—and met with critical success. The established chronicle maintains that the Eight were rendered dysfunctional and artistically irrelevant after European modernism arrived in the United States at the 1913 Armory Show. The Eight and American Modernisms revises this account and reevaluates these respected artists’ careers, including their late works. Accompanying a traveling exhibition, this lushly illustrated volume challenges the accepted wisdom about the evolution of the modernist style. In addition to Henri, "The Eight" included William Glackens, George Luks, Everett Shinn, John French Sloan, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.




Paris Sketchbook


Book Description

Paris is seen through the eyes of artist Fabrice Moireau, with sketches in watercolor and pencil perfectly matched by an introduction by Mary A. Kelly. These residents of the world's most romantic capital city are the perfect guides to its streets, monuments, gardens and delightfully hidden corners.




The German Submarine War 1914-1918


Book Description

This account of the U-boat campaign in the World War I represents the official British history of the war against the German submarine attack on shipping. From a few fragile craft, the U-boats grew to become the greatest menace to Britain's survival.




Modern Life


Book Description

This exhibition sets the art of Edward Hopper in the context of the diverse and controversial movements dominating American art during the first half of the twentieth century.




The Remembered Image


Book Description




Painting Central Park


Book Description

Central Park is "one of the greatest works of art in America" and it has inspired many of America's greatest painters. Among the major figures who have depicted the park's landscapes and activities are Bellows, Chase, Glackens, Hassam, Henri, Hopper, Prendergast, and Sloan, as well as living artists like Christo and Estes. Their work shows early views of the park in construction, its major landmarks, the evolving vistas of the cityscape, and the park's human element--scenes of crowds at play and people in solitary contemplation. Painting Central Park provides a rich and varied visual history of this urban oasis, reflecting much of the American social experience in the quintessential American park.




American Impressionists


Book Description

Luminous works by Childe Hassam, Ernest Lawson, Maurice Prendergast, John Henry Twachtman, are among the 100 seminal works featured in this book showcasing 27 artists. As members of the first generation of American painters to absorb the technique, brighter palette, and subject matter of Impressionism from their French counterparts, these artists transformed the heroic American landscape into a modern idiom, in atmospheric park and beach scenes, urban views, and charming interiors, with particular interest in optical effects, light, and the seasons. This book provides a vivid summary of the movement, starting with its roots in earlier American art and its relationship to French Impressionism. It charts the response of many of these American artists to one of the most beloved movements in 19th century painting. All of the masterworks are here, in full color, from Hassam's sun-drenced gardens to Twachtman's snowy landscapes. It is a celebration of the Impressionist style and it's fresh interpretatiuon of America's landscapes




Cézanne and American Modernism


Book Description

The first in-depth look at Cézanne's powerful influence in shaping early 20th-century American art Paul Cézanne (1839-1906) is one of the great geniuses in the history of art, and his work has influenced a multitude of artists throughout Europe. Across the Atlantic, Cézanne's paintings had a similarly catalytic effect on artists emerging in the United States during the early 20th century. Cézanne and American Modernism is the first book devoted specifically to his impact on American art and its eager reception there. It shows how American painters and photographers cemented Cézanne's legacy by spreading their respect and admiration for his vision with their own art, writings, and exhibitions. Examining Cézanne's influence on more than a generation of American artists, this handsomely illustrated book features paintings and photography by Paul Strand, Marsden Hartley, Man Ray, Alfred Stieglitz, Charles Demuth, Arshile Gorky, Charles Sheeler, Stanton Macdonald-Wright, Maurice Prendergast, Morgan Russell, Max Weber, and many others. Cézanne's far-reaching transformative impact on each artist's aesthetic vision is explored, while extensive essays shed new light on a wide range of subjects from American collectors of his work and his shaping of modernism in the American West to the lasting resonance of his art on Abstract Expressionism in the 1950s. Published in association with The Baltimore Museum of Art Exhibition Schedule: Montclair Art Museum (9/13/09 - 1/3/10) The Baltimore Museum of Art (2/14/10 - 5/23/10) Phoenix Art Museum (6/26/10 - 9/26/10)