Max Dauthendey


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The Photographic Experience, 1839Ð1914: Images and Attitudes


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The Photographic Experience deals with episodes and issues relating to the spread and practice of photography from its beginnings to World War I. Bridget and Heinz Henisch concern themselves with the reception accorded to the new art by professionals, amateurs, and the general public. They examine reactions to the new invention in the press, literature, poetry, music, and fashion; the response of intellectuals and painters; and the beliefs held by prominent photographers concerning the nature of the medium and its mission. With a wide array of images - many never before published - they illustrate the photograph's use as a record of public and private moments in life.




Frau Raufenbarth


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Death's Showcase


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An interdisciplinary exploration of the visual presence of death in contemporary culture.




Kierkegaard's International Reception


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Tome I covers the reception of Kierkegaard in Northern and Western Europe. The articles on Denmark, Norway, Sweden, Finland and Iceland can be said to trace Kierkegaard's influence in its more or less native Nordic Protestant context. Since the authors in these countries (with the exception of Finland) were not dependent on translations or other intermediaries, this represents the earliest tradition of Kierkegaard reception. The early German translations of his works opened the door for the next phase of the reception which expanded beyond the borders of the Nordic countries. The articles in the section on Western Europe trace his influence in Great Britain, the Netherlands and Flanders, Germany and Austria, and France. All of these countries and linguistic groups have their own extensive tradition of Kierkegaard reception.




A Vision of the Orient


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Best known as the story from the 1904 Puccini opera, the compelling modern myth of Madame Butterfly has been read, watched, and re-interpreted for many years. This volume examines the Madame Butterfly narrative in a variety of cultural contexts - literary, musical, theatrical, cinematic, historical, and political.




Max Dauthendey


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M�bian Nights


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"Utilizing insights drawn from mathematical topology, from French critical theory and literature, and from Holocaust studies, Sandor Goodhart articulates a new understanding of the relation of literary reading to disaster"--




Max Dauthendey


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