Maximilien Luce, 1858-1941


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Maximilien Luce 1858-1941


Book Description







Maximilien Luce


Book Description

The first retrospective monograph on Maximilien Luce (1858-1941) in nearly two decades, this publication surveys the accomplishments of this significant French Neo-Impressionist painter. Working first as a printmaker, Luce devoted himself to painting around 1880. Shortly after, in 1887, Camille Pissarro, who shared his anarchist politics, introduced Luce to the Neo-Impressionist group, which included Georges Seurat and Henri-Edmond Cross. Luce adopted the Divisionist or Pointillist method to create almost violent light effects, infusing the technique with a newfound passion at some remove from, for example, Seurat's more detached approach. From a sunset on the banks of the Seine to the flames blasting from a furnace, Luce's powerfully colorful treatment of his subjects can now be seen to have prefigured the Fauvism of Henri Matisse and André Derain. The book unites nearly 80 works by the artist, including paintings that reveal Luce's fascination with Baron Haussmann's recreation of Paris.




Maximilien Luce


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Maximilien Luce


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Radiance


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An absorbing examination of the birth and development of this extraordinary art movement in France and Belgium from the 1880s through to the outbreak of the First World War.




Maximilien Luce


Book Description




Neo-Impressionist Painters


Book Description

This reference provides biographical, historical, and critical information on Neo-Impressionist painting and its most significant painters. Neo-Impressionism, also called Divisionism and Pointillism, was one of the most innovative and startling late 19th-century French avant-garde styles. Over 2,000 books, articles, manuscripts, and audiovisual materials as well as chronologies, biographical sketches, and exhibition lists are cited. Also provided are both primary and secondary bibliographies for each artist. Secondary bibliographies capture details about each artist's life and career, relationships with other artists, work in various media, iconography, critical reception and interpretation, archival sources and more. Art scholars will appreciate the comprehensive bibliographic research contained in this one volume. Entries on Neo-Impressionism in general, on exhibitions, and the primary and secondary bibliographies of artists follow an introduction about Neo-Impressionism and a Neo-Impressionism chronology that spans the years 1881 to 1905. An index of art works and an index of personal names complete the volume.