May 68' - A Compendium


Book Description

As the 50th anniversary of the events of May 68’ passes, it leaves a familiar, image heavy trail in it’s wake - young street fighting Parisians, earnest but chic looking Sorbonne occupiers, the iconic graffiti /posters : imagery all long since passed into the mythology of pop culture, endlessly recycled and recuperated, stripped bare of real political legacy. Within that mythology, the role of the Situationists has long been contested: underplayed exaggerated, misunderstood. This compendium reprints crucial pieces written by the Situs themselves, helping show May 68’ as a reaction to a profound systemic stasis running deep through mid 20th C capitalism, and to the autocratic, hierarchical, and tradition-bound ruling class that still oversaw it in France. "On the Poverty of Student Life”(1966) was originally printed via appropriated funds when 5 pro Situs were elected to Strasbourg Uni Student Union. It’s searing critique of what the authors considered the miserable, passive consumerism of the modern hipster student was a powerful portent of what was to come: “The real poverty of his everyday life finds its immediate phantastic compensation in the opium of cultural commodities... he is obliged to discover modern culture as an admiring spectator... he thinks he is avant-garde if he's seen the latest Godard or 'participated' in the latest 'happening'. He discovers modernity as fast as the market can provide it:” Possibly the single most important document recording and analysing the events of May 68’ remains “Enragés and Situationists in the Occupations Movement”, written by Rene Vienet, a young pro Situ at the centre of the Sorbonne Occupation. A 60 page, chronological account, at times it unselfconsciously captures the poetry of the revolution they were helping make, but mostly the focus in on the objective, material forces that shaped events after the initial occupation of the Sorbonne. This vital piece is supplemented/supported by contemporaneous ‘Various Documents from May 68’, and retrospective ‘Further Reflections on May 68’ from the Situationist International journal. Slightly more tangentially, ‘Preliminaries on Councils and Councillist Organization’ looks deeper into the proto-revolutionary structures that the Situationists saw at the very core of global post-capitalism in the 20th century, and beyond.




Enrages and Situationists in the Occupation Movement, France, May '68


Book Description

A first-hand, insider's account of the role played by these two radical student groups in the revolutionary events that rocked Francis in the month of May 1968. The author provides an eyewitness account from the perspectives of political extremists who refused all contact with the "leftist" parties, the unions, and the media.




Beauty is in the Street


Book Description

In May 1968, demonstrations against the French government spread across Parisian universities, and then to factories and other workplaces, resulting in a general strike of eleven million workers that brought the country to a virtual standstill. Among the students were a group who called themselves the Atelier Populaire, who produced hundreds of posters to encourage the protestors and to report on police brutality. Beauty Is In The Street reproduces over 200 of these posters which have become landmarks in political art and graphic design. Also included are a wealth of photographs, many published for the first time, and translations of first-hand accounts of the clashes between the students and strikers and the police.







Supplement to Compilation of Veterans Laws


Book Description

Contains texts of public laws, April 25, 1951-January 11, 1971, related to veterans, as compiled by Gilman G. Udell, Document Room Superintendent, House of Representatives.
















Lee Lozano


Book Description

An illuminating study of an overlooked artist from the 1960s whose work has recently returned to the limelight This is the first in‑depth study of the idiosyncratic ten‑year career of Lee Lozano (1930-1999), assuring this important artist a key place in histories of post‑war art. The book charts the entirety of Lozano's production in 1960s New York, from her raucous drawings and paintings depicting broken tools, genitalia, and other body parts to the final exhibition of her spectacular series of abstract "Wave Paintings" at the Whitney Museum of American Art in 1970. Highly regarded at the time, Lozano is now perhaps best known for Dropout Piece (1970), a conceptual artwork and dramatic gesture with which she quit the art world. Shortly afterwards she announced she would have no further contact with other women. Her "dropout" and "boycott of women" lasted until her death, by which time she was all but forgotten. This book tackles head‑on the challenges that Lozano poses to art history--and especially to feminist art history--attending to her failures as well as her successes, and arguing that through dead ends and impasses she struggled to forge an alternative mode of living. Lee Lozano: Not Working looks for the means to think about complex figures like Lozano whose radical, politically ambiguous gestures test our assumptions about feminism and the "right way" to live and work.