Mazurka by Claude Debussy for Solo Piano (1890)


Book Description

Claude-Achille Debussy (1862 – 1918) was a seminal French composer. He is considered to be one of the most important pioneers of Impressionist music and was among the most popular composers during the 19th and early 20th centuries. Debussy's work is famous for its sensory style and use of unconventional tonalities. Featuring large, clear note heads and wide margins, this edition is perfect for studying and following the music. Classic Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.




The Piano Works of Claude Debussy


Book Description

Part biography, part criticism, and part analysis, this fascinating study of one of music's greatest geniuses is above all an authoritative commentary on the entire corpus of Debussy's work for solo piano. Includes 21 illustrations.




Catalog of Copyright Entries


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Piano music


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La Mer and Other Works for Piano Four Hands


Book Description

The brilliant pianism at the heart of Debussy's musical imagery and his affinity for the unexpected abound in these two four-hand works: Marche Ecossaise and La Mer. Reprinted from authoritative French editions.







Piano music (1888-1905).


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Ballade


Book Description

Debussy composed his "Ballade Slave" in 1890, but when the piece was published some years later, it was known simply as "Ballade."




Emma and Claude Debussy


Book Description

Emma Bardac and her relationship with Claude Debussy take centre stage in this insightful exploration of their lives together. The singer Emma Bardac (1862-1934) has often been presented as a woman who ensnared Claude Debussy (1862-1918) because she wanted to be associated with his fame and to live a life of luxury. Indeed, in many biographies and composer-related studies of Debussy, the only mentions that she receives are brief and derogatory. Here Emma Bardac and her relationship with the composer take centre stage. The book traces Emma's Jewish ancestry and her background, the significant role of her wealthy uncle Osiris, her marriage at seventeen to the wealthy Jewish banker Sigismond Bardac, her affair with Gabriel Fauré and her liaison with and subsequent marriage to Debussy. As Gillian Opstad shows, the pressure and stifling effects of domestic life on Debussy's attitude to his composing were considerable. The financial consequences of their partnership were disastrous, and their circle of close friends was small. Emma suffered physically and mentally from the tensions of the marriage, particularly money worries, and the possibility that Debussy was attracted to her older daughter. She considered divorce but supported him through his deepest depression and during the First World War until he succumbed to cancer in 1918. After Debussy's death, Emma felt driven both on his behalf and for financial reasons to further performances of the composer's works and provoked the annoyance of other musicians by having early compositions resurrected, completed and performed. In this engagingly written biography, Gillian Opstad brings to light little-known facts about Emma's background and family, advances new insights into her relationship with Debussy, and provides a glimpse of an early twentieth-century Parisian milieu that experienced wide-spread antisemitism.