Scriptorium


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The New York Times Book Review


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Presents extended reviews of noteworthy books, short reviews, essays and articles on topics and trends in publishing, literature, culture and the arts. Includes lists of best sellers (hardcover and paperback).




Sir Robert Cotton as Collector


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The library of Sir Robert Cotton (1571-1631) is arguably the most important collection of manuscripts ever assembled in Britain by a private individual. Amongst its many treasures are the Lindisfarne Gospels, two of the contemporary copies of Magna Carter and the only surviving manuscript of Beowulf. It was bequeathed to the nation by Sir Robert's granson in 1701. The British Library is currently engaged in laying the groundwork for a new and definitive catalogue of the manuscripts.




Antiquarian Book Monthly


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AB Bookman's Weekly


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Historical Painting Techniques, Materials, and Studio Practice


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Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.




Histoire Naturelle Des Indes


Book Description

In 1983, The Pierpont Morgan Library received, as the bequest of Clara S. Peck, an extraordinary volume whose beautiful paintings and descriptions document the plant, animal, and human life of the Caribbean late in the sixteenth century. Spaniards had already begun to exert influence over the indigenous people of the area when explorers from England and France arrived, among them Sir Francis Drake. The book, known as "The Drake Manuscript", and titled Histoire Naturelle des Indes when it was bound in the eighteenth century, gives us a wonderful picture of daily life at the time of Drake's many visits to the region. Although Drake's connection to the manuscript is uncertain, he is mentioned on more than one occasion by the authors. Drake himself is known to have painted, but none of his work survives. The work presented, here in full facsimile for the first time, is from the hands of two or more artists, most likely French, and the descriptions are French as well. Patrick O'Brian gives us a fascinating account of Drake the voyager. And in Verlyn Klinkenborg's introduction to the facsimile, we are given the background necessary to appreciate this magnificent manuscript to its fullest extent. Charles E. Pierce, Jr.'s preface and Ruth Kraemer's translations of the text round out this rich, beautiful, and historically invaluable book.