Medieval Authorship and Cultural Exchange in the Late Fifteenth Century


Book Description

Medieval Authorship and Cultural Exchange in the Late Fifteenth Century is a multidisciplinary study of late medieval authorship and the military orders, framed as a whodunit that uncovers the anonymous author of the ‘Utrecht Chronicle of the Teutonic Order’. Through a close analysis of the Utrecht Chronicle of the Teutonic Order and its manuscripts, and by exploiting a wide range of scholarly techniques, from traditional philology and extensive codicological examinations to modern digital humanities techniques, the book argues that the recently resurfaced Vienna manuscript is actually an author’s copy, written in direct cooperation with the original author. This important assertion leads to a reinterpretation of the text, its sources and composition, authorship, and the context in which it was conceived. It allows us to associate the text with an upsurge of historiographical activities by various military orders across the continent, seemingly in response to the publication and aggressive dissemination of the account of the Siege of Rhodes by Guillaume Caoursin in 1480. Furthermore, the text can be positioned at the crossroads between different cultural spheres, ranging from the Baltic region to the Low Countries, spanning French, German, Dutch, and Latin linguistic traditions. This book will appeal to scholars and students of medieval history, as well as those interested in cultural history and the military religious orders.




The Utrecht Chronicle of the Teutonic Order


Book Description

The Utrecht Chronicle of the Teutonic Order (‘Croniken van der Duytscher Oirden’) is a late-fifteenth-century Middle Dutch text that strongly influenced early modern historiography in north-eastern Europe. In German scholarship the text is commonly known as the Jüngere Hochmeisterchronik (‘Younger Chronicle of the Grand Masters’) and it offers a rare insight into the self-image of members of the military orders at that time. The chronicle describes the history of the Teutonic Order from its supposed biblical origins in the Holy Land to the order’s involvement in the Baltic crusades, to which a history of the local Utrecht bailiwick is added. Interwoven are summaries of papal and imperial privileges and indulgences, creating a mixture between the genres of crusading literature, gesta, and cartulary chronicles. This book offers a diplomatic edition and parallel English translation of the recently rediscovered ‘author’s copy’ (Vienna, Deutschordenszentralarchiv, Hs. 392), written in direct cooperation with the original author. It is the first complete edition of the Utrecht Chronicle and includes several passages that have never been edited. The English translation is the first translation into a modern language, introducing new audiences who are not proficient in Middle Dutch to the chronicle’s content. The book targets students and scholars of the crusades and military orders, as well as audiences interested in Baltic history, medieval chronicles, and Middle Dutch literature more broadly. It accompanies a recent study of the chronicle’s cultural context, wide range of sources, and its authorship, published in the same series in 2021.




Journal of Medieval Military History: Volume XXI


Book Description

"The leading academic vehicle for scholarly publication in the field of medieval warfare." Medieval WarfareThe twenty-first volume of the Journal of Medieval Military History begins with three studies examining aspects of warfare in the Latin East: an archaeological report on the defenses of Jerusalem by Shimon Gibson and Rafael Y. Lewis; a study of how military victories and defeats (viewed through the lens of carefully shaped reporting) affected the reputation, and the flow of funds and recruits to, the Military Orders, by Nicolas Morton; and an exploration of how the Kingdom of Jerusalem quickly recovered its military strength after the disaster of Hattin by Stephen Donnachie. Turning to the other side of the Mediterranean, Donald J. Kagay analyzes how Jaime I of Aragon worked to control violence within his realms by limiting both castle construction and the use of mechanical artillery. Guilhem Pépin also addresses the limitation of violence, using new documents to show that the Black Prince's sack of Limoges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.moges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.moges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.moges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.ingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.




Crusades


Book Description

Crusades covers the seven hundred years from the First Crusade (1095-1102) to the fall of Malta (1798) and draws together scholars working on theatres of war, their home fronts and settlements from the Baltic to Africa and from Spain to the Near East and on theology, law, literature, art, numismatics and economic, social, political and military history. Routledge publishes this journal for The Society for the Study of the Crusades and the Latin East. Particular attention is given to the publication of historical sources - narrative, homiletic and documentary - but studies and interpretative essays are welcomed too. Crusades also incorporates the Society's Bulletin. The editors are Professor Jonathan Phillips, Royal Holloway, University of London, UK; Iris Shagrir, The Open University of Israel; Professor Benjamin Z. Kedar, Hebrew University of Jerusalem, Israel; and Nikolaos G. Chrissis, Democritus University of Thrace, Greece.




The Medieval Manuscript Book


Book Description

This book situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.




Contest, Translation, and the Chaucerian Text


Book Description

Taking as its subject three Middle English texts, The Romaunt of the Rose (anon.), The Belle Dame Sans Mercy (Richard Roos), and An ABC to the Virgin (Geoffrey Chaucer), this book examines these texts in terms of their status as translations from French into English. It develops a critical framework through which to situate the texts in relation to their French sources: Le Roman de la Rose (Guillaume de Lorris/Jean de Meun), La Belle Dame sans mercy (Alain Chartier), and Le Pelerinage de la Vie humaine (Guillaume de Deguilleville), focusing on a consideration of the act of translation as broad, cultural, and bibliographical transfer, as well as precise, linguistic exercise.All three French texts sparked contest or debate, and this book investigates the contributions made to these debates by their English translations, in terms of language used and presentation in MS and print. All three middle English translations are 'Chaucerian' - that is to say, linked to Chaucer in different ways - and this book reconsiders the centrality of 'the Chaucerian' as the defining lens through which we approach them.In so doing, it develops new ways of reading these late-medieval Franco-English verse translations, and redefines critical notions of 'the Chaucerian text'.




Chartier in Europe


Book Description

The significance of the works of Alain Chartier in the development of European literature.




Romance and the Gentry in Late Medieval England


Book Description

showing that contrary to the commonly held view that romances are representative of the "popular culture" of their day, in fact such texts appealed primarily to the gentry, England's elite landowners who lacked titles of nobility.




The Encyclopedia of Medieval Literature in Britain, 4 Volume Set


Book Description

The Encyclopedia of Medieval Literature in Britain vereint erstmals wissenschaftliche Erkenntnisse zu Multilingualität und Interkulturalität im mittelalterlichen Britannien und bietet mehr als 600 fundierte Einträge zu Schlüsselpersonen, Zusammenhängen und Einflüssen in der Literatur vom fünften bis sechzehnten Jahrhundert. - Einzigartiger multilingualer, interkultureller Ansatz und die neuesten wissenschaftlichen Erkenntnisse. Das gesamte Mittelalter und die Bandbreite literarischer Sprachen werden abgedeckt. - Über 600 fundierte, verständliche Einträge zu Schlüsselpersonen, Texten, kritischen Debatten, Methoden, kulturellen Zusammenhängen sowie verwandte Terminologie. - Repräsentiert die gesamte Literatur der Britischen Inseln, einschließlich Alt- und Mittelenglisch, das frühe Schottland, die Anglonormannen, Nordisch, Latein und Französisch in Britannien, die keltische Literatur in Wales, Irland, Schottland und Cornwall. - Beeindruckende chronologische Darstellung, von der Invasion der Sachsen bis zum 5. Jahrhundert und weiter bis zum Übergang zur frühen Moderne im 16. Jahrhundert. - Beleuchtet die Überbleibsel mittelalterlicher britischer Literatur, darunter auch Manuskripte und frühe Drucke, literarische Stätten und Zusammenhänge in puncto Herstellung, Leistung und Rezeption sowie erzählerische Transformation und intertextuelle Verbindungen in dieser Zeit.




Textual Agency: Writing Culture and Social Networks in Fifteenth-Century Spain


Book Description

Gómez-Bravo also explores how authorial and textual agency were competing forces in the midst of an era marked by the institution of the Inquisition, the advent of the absolutist state, the growth of cities, and the constitution of the Spanish nation.