Life and Society in Byzantine Cappadocia


Book Description

This is the first in-depth historical study of Byzantine Cappadocia. The authors draw on extensive textual and archaeological materials to examine the nature and place of Cappadocia in the Byzantine Empire from the fourth through eleventh centuries.




Byzantine and Medieval Cappadocia


Book Description

The focus of the book is a particular region of the Byzantine Empire, Cappadocia, within Anatolia, in the centre of what is now Turkey. Its history as a part of this confederation of territories coincides with the medieval period in Europe. This monograph deals with various aspects of the province; it begins with its environment and climate, goes to some of its institutions and buildings, and ends with the paintings which the art-ists employed to decorate the latter, as well as with a particular type of inscriptions (those along the frontiers). It also considers education in Cappadocia during the Byzantines. The study is a scholarly/professional work that draws on the author's current research as well as on the material which the author developed in the last four years while teaching for the University of Ox-ford.




A Byzantine Settlement in Cappadocia


Book Description

Based on four seasons of fieldwork, this book presents the results of the first systematic site survey of a region rich in material remains. From architecture to fresco painting, Cappadocia represents a previously untapped resource for the study of material culture and the settings of daily life within the Byzantine Empire.




Negotiating Secular and Sacred in Medieval Art


Book Description

Offering original analysis of the convergence between 'sacred' and 'secular' in medieval works of art and architecture, this collection explores both the usefulness and limitations of these terms for describing medieval attitudes. The modern concepts of 'sacred' and 'secular' are shown to be effective as scholarly tools, but also to risk imposing false dichotomies. The authors consider medieval material culture from a broad perspective, addressing works of art and architecture from England to Japan, and from the seventh to the fifteenth century. Although the essays take a variety of methodological approaches they are unified in their emphasis on the continuing and necessary dialectic between sacred and secular. The contributors consciously frame their interpretations in terms and perspectives derived from the Middle Ages, thereby demonstrating how the present art-historical terminology and conceptual frameworks can obscure the complexity of medieval life and material culture. The resonance among essays opens possibilities for productive cross-cultural study of an issue that is relevant to a diversity of cultures and sub-periods. Introducing an innovative approach to the literature of the field, this volume complicates and enriches our understanding of social realities across a broad spectrum of medieval worlds.




The Islamic-Byzantine Frontier


Book Description

The retreat of the Byzantine army from Syria in around 650 CE, in advance of the approaching Arab armies, is one that has resounded emphatically in the works of both Islamic and Christian writers, and created an enduring motif: that of the Islamic-Byzantine frontier. For centuries, Byzantine and Islamic scholars have evocatively sketched a contested border: the annual raids between the two, the line of fortified fortresses defending Islamic lands, the no-man's land in between and the birth of jihad. In their early representations of a Muslim-Christian encounter, accounts of the Islamic-Byzantine frontier are charged with significance for a future 'clash of civilizations' that often envisions a polarised world. A. Asa Eger examines the two aspects of this frontier: its physical and ideological ones. By highlighting the archaeological study of the real and material frontier, as well as acknowledging its ideological military and religious implications, he offers a more complex vision of this dividing line than has been traditionally disseminated.With analysis grounded in archaeological evidence as well the relevant historical texts, Eger brings together a nuanced exploration of this vital element of medieval history. In this way, Eger's volume contributes to a more complex vision of the frontier than traditional historical views by bringing to the fore the layers of a real ecological frontier of settlement and interaction. For Eger, exposing the settlements and communities of the frontier constitutes a crucial gesture for understanding the interaction of two civilizations in a contested yet connected world. This work is thus vital for students of not only the medieval period and Byzantine and Islamic studies, but also for readers attempting to understand the ways in which frontiers and borders shape the construction of identity while functioning outside the traditionally understood state.




Byzantine Dress


Book Description

In Byzantium there were two overlapping systems of dress: a semiotic one whereby dress was a code for rank and wealth, and a fashion system where dress was based on the desire to look a certain way. This book explains secular dress from the eighth to the twelfth centuries through an examination of painted representations.




Migration Histories of the Medieval Afroeurasian Transition Zone


Book Description

The transition zone between Africa, Asia and Europe was the most important intersection of human mobility in the medieval period. The present volume for the first time systematically covers migration histories of the regions between the Mediterranean and Central Asia and between Eastern Europe and the Indian Ocean in the centuries from Late Antiquity up to the early modern era. Within this framework, specialists from Byzantine, Islamic, Medieval and African history provide detailed analyses of specific regions and groups of migrants, both elites and non-elites as well as voluntary and involuntary. Thereby, also current debates of migration studies are enriched with a new dimension of deep historical time. Contributors are: Alexander Beihammer, Lutz Berger, Florin Curta, Charalampos Gasparis, George Hatke, Dirk Hoerder, Johannes Koder, Johannes Preiser-Kapeller, Lucian Reinfandt, Youval Rotman, Yannis Stouraitis, Panayiotis Theodoropoulos, and Myriam Wissa.




Tokalı Kilise


Book Description

Tokali Kilise (Buckle Church) was the principal sanctuary of a large monastic center in Byzantine Cappadocia, now central Turkey. This cave church was carved into the soft volcanic stone of the region and decorated with frescoes in several stages between the mid-ninth and mid-tenth centuries, and is one of the richest ensembles of painting to survive from the early Middle Ages.