Medieval Islamic Swords and Swordmaking: Kindi's Treatise "On Swords and Their Kinds"


Book Description

One of the problems pervading the study of medieval Islamic technology is the lack of surviving technical treatises. Tradition tended to be handed down by example and by word of mouth, and apprenticeships could last for decades. Fortunately, however, occasional treatises do exist. The treatise "On swords and their kinds" was written by the 9th century Muslim philosopher Ya'qub ibn Ishaq al-Kindi. This work was commissioned by a powerful patron of scholarship, the Abbasid caliph Mu'tasim, and the content of the treatise presumably reflects the ruler's general interest in his army and its equipment, and his specific interest in the technical aspects of sword production. In this work, Kindi discusses the difference between iron and steel, distinguishes different qualities of sword blade, and different centres of swordsmithing. He refers to the Indian Ocean trade in steel ingots and to the distinctive character of European swords of the period. He includes technical terms used by the makers, and distinguishes swords by their physical features - form, measurements, weight, watered pattern, sculptured details, or inlaid ornaments. This publication includes the text and a translation of Kindi's treatise, and a detailed commentary on the work. The volume also includes a translation of Friedrich Schwarzlose's work on swords, which is based on the hundreds of references to swords in early Arabic poetry. Written in German, this extraordinary compendium of information was first published some 120 years ago; this volume makes it available again, and for the first time in English.




Technology of Sword Blades from the La Tène Period to the Early Modern Age


Book Description

This book assesses the results of recent metallographic examination of 45 sword blades (mid-2nd century BC to early-16th century) from the territory of what is now Poland.




Globalism in the Middle Ages and the Early Modern Age


Book Description

Although it is fashionable among modernists to claim that globalism emerged only since ca. 1800, the opposite can well be documented through careful comparative and transdisciplinary studies, as this volume demonstrates, offering a wide range of innovative perspectives on often neglected literary, philosophical, historical, or medical documents. Texts, images, ideas, knowledge, and objects migrated throughout the world already in the pre-modern world, even if the quantitative level compared to the modern world might have been different. In fact, by means of translations and trade, for instance, global connections were established and maintained over the centuries. Archetypal motifs developed in many literatures indicate how much pre-modern people actually shared. But we also discover hard-core facts of global economic exchange, import of exotic medicine, and, on another level, intensive intellectual debates on religious issues. Literary evidence serves best to expose the extent to which contacts with people in foreign countries were imaginable, often desirable, and at times feared, of course. The pre-modern world was much more on the move and reached out to distant lands out of curiosity, economic interests, and political and military concerns. Diplomats crisscrossed the continents, and artists, poets, and craftsmen traveled widely. We can identify, for instance, both the Vikings and the Arabs as global players long before the rise of modern globalism, so this volume promises to rewrite many of our traditional notions about pre-modern worldviews, economic conditions, and the literary sharing on a global level, as perhaps best expressed by the genre of the fable.




Metalwork and Material Culture in the Islamic World


Book Description

The material and visual culture of the Islamic World casts vast arcs through space and time, and encompasses a huge range of artefacts and monuments from the minute to the grandiose, from ceramic pots to the great mosques. Here, Venetia Porter and Mariam Rosser-Owen assemble leading experts in the field to examine both the objects themselves and the ways in which they reflect their historical, cultural and economic contexts. With a focus on metalwork, this volume includes an important new study of Mosul metalwork and presents recent discoveries in the fields of Fatimid, Mamluk and Qajar metalwork. By examining architecture, ceramics, ivories and textiles, seventeenth-century Iranian painting and contemporary art, the book explores a wide range of artistic production and historical periods from the Umayyad caliphate to the modern Middle East. This rich and detailed volume makes a significant contribution to the fields of Art History, Architecture and Islamic Studies, bringing new objects to light, and shedding new light on old objects.




The Year 1000


Book Description

*A New York Times Book Review Editors’ Choice* From celebrated Yale professor Valerie Hansen, a “vivid” and “astonishingly comprehensive account [that] casts world history in a brilliant new light” (Publishers Weekly, starred review) and shows how bold explorations and daring trade missions first connected all of the world’s societies at the end of the first millennium. People often believe that the years immediately prior to AD 1000 were, with just a few exceptions, lacking in any major cultural developments or geopolitical encounters, that the Europeans hadn’t yet reached North America, and that the farthest feat of sea travel was the Vikings’ invasion of Britain. But how, then, to explain the presence of blond-haired people in Maya temple murals at Chichén Itzá, Mexico? Could it be possible that the Vikings had found their way to the Americas during the height of the Maya empire? Valerie Hansen, an award-winning historian, argues that the year 1000 was the world’s first point of major cultural exchange and exploration. Drawing on nearly thirty years of research, she presents a compelling account of first encounters between disparate societies, which sparked conflict and collaboration eerily reminiscent of our contemporary moment. For readers of Jared Diamond’s Guns, Germs, and Steel and Yuval Noah Harari’s Sapiens, The Year 1000 is a “fascinating…highly impressive, deeply researched, lively and imaginative work” (The New York Times Book Review) that will make you rethink everything you thought you knew about how the modern world came to be.




Making Modernity in the Islamic Mediterranean


Book Description

The Islamic world's artistic traditions experienced profound transformation in the 19th century as rapidly developing technologies and globalizing markets ushered in drastic changes in technique, style, and content. Despite the importance and ingenuity of these developments, the 19th century remains a gap in the history of Islamic art. To fill this opening in art historical scholarship, Making Modernity in the Islamic Mediterranean charts transformations in image-making, architecture, and craft production in the Islamic world from Fez to Istanbul. Contributors focus on the shifting methods of production, reproduction, circulation, and exchange artists faced as they worked in fields such as photography, weaving, design, metalwork, ceramics, and even transportation. Covering a range of media and a wide geographical spread, Making Modernity in the Islamic Mediterranean reveals how 19th-century artists in the Middle East and North Africa reckoned with new tools, materials, and tastes from local perspectives.




Military History of Late Rome 602–641


Book Description

The Military History of Late Rome 565-602 provides a fresh analysis of the Roman Empire from the reign of Phocas (602-10) until the death of Heraclius (610-41). This was an era of unprecedented upheavals which is usually considered to have resulted in the end of antiquity. The usurpations of Phocas and Heraclius led to the collapse of the Roman defenses; The Persians conquered Syria, Lebanon, Palestine and Egypt; The Avars and Slavs ravaged the Balkans; The Lombards held the upper hand in Italy; the Visigoths conquered Spain; But then happened one of the most remarkable reversals of fortune in the history of mankind. Heraclius began his holy war against the fire-worshippers. He launched a very effective counterattack against the Persians as a result of which the Romans not only defeated the Persians but actually even extended their domains at their expense, and not only this, because by 633 Heraclius was already restoring the Roman fortunes in the Balkans. This volume revises many of the previously held views of how this took place and what actually happened. The Roman armies seemed invincible and then happened yet another great reversal of fortune – the Muslims began their jihad to conquer the world. The author provides a fresh analysis of all of these upheavals; explains in detail why these reversals of fortune happened; what enabled the Romans to defeat the Persians; and why the Romans lost when they fought against the Muslims and, conversely, why the Muslims were so successful. This was an era of epic campaigns and battles all of which are explained in unprecedented detail. The epic campaigns needed equally talented commanders who include, for example, Heraclius, Chosroes II Parwez, Shahrbaraz, Shahin, Abu Bakr, Umar, Abu Ubaydah, and Khalid b. al-Walid, the Sword of Allah.




A Companion to Islamic Art and Architecture


Book Description

The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)




Medieval Trade in Central Europe, Scandinavia, and the Balkans (10th-12th Centuries)


Book Description

The aim of this work is to attempt to verify the theoretical concepts associated with the idea of trade and merchants activities in the 10th - 12th century within the extensive body of written sources available. The main case study is trading within the range of the influence of the Ottonian Empire and Byzantium.




The Sword and the Crucible


Book Description

The sword was the most important of weapons, the symbol of the warrior, not to mention the badge of a officer and a gentleman. Much has been written about the artistic and historical significance of the sword, but outside specialised publications, relatively little about its metallurgy, and that often confined to a particular group. This book aims to tell the story of the making of iron and steel swords from the first Celtic examples through the Middle Ages to the Early Modern period. The results of the microscopic examination of over a hundred swords by the author and other archaeometallurgists are given and explained in terms of the materials available in Europe.