Medieval Wall Paintings in Transylvanian Orthodox Churches


Book Description

"This book deals with the religious painting related to the upper class of the Romanians who lived in medieval Transylvania and thhe neighboring western regions. Because of their social standing and historical chance, some of them left traces in the written sources and material culture of the Hungarian kingdom that survive to this day. Their world was at a crossroads. Socially, they were situated between peasants and full nobles, striving for and sometimes reaching the latter's status. Religiously, they lived close to the eastern frontiers of Hungary, a situation that enhanced their military role and therefore favored their social ascent. Artistically, Eastern and Western trends met in this border region. Artistic evidence contributes to our knowledge about the ways these people responded to a diverse and challenging environment."--




The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300-1600


Book Description

This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the regions of modern Greece, Croatia, Serbia, Bulgaria, Romania, Hungary, Slovakia, and Czechia. The aim is to challenge established perceptions of what constitutes ideological and historical facets of the past, as well as Byzantine and post-Byzantine cultural and artistic production in a region of the world that has yet to establish a firm footing on the map of art history. The 24 chapters offer a fresh and original approach to the history, literature, and art history of the Danube regions, thus being accessible to students thematically, chronologically, or by case study; each part can be read independently or explored as part of a whole.




Eclecticism in Late Medieval Visual Culture at the Crossroads of the Latin, Greek, and Slavic Traditions


Book Description

This volume builds upon the new worldwide interest in the global Middle Ages. It investigates the prismatic heritage and eclectic artistic production of Eastern Europe between the fourteenth and seventeenth centuries, while challenging the temporal and geographical parameters of the study of medieval, Byzantine, post-Byzantine, and early-modern art. Contact and interchange between primarily the Latin, Greek, and Slavic cultural spheres resulted in local assimilations of select elements that reshaped the artistic landscapes of regions of the Balkan Peninsula, the Carpathian Mountains, and further north. The specificities of each region, and, in modern times, politics and nationalistic approaches, have reinforced the tendency to treat them separately, preventing scholars from questioning whether the visual output could be considered as an expression of a shared history. The comparative and interdisciplinary framework of this volume provides a holistic view of the visual culture of these regions by addressing issues of transmission and appropriation, as well as notions of cross-cultural contact, while putting on the global map of art history the eclectic artistic production of Eastern Europe.




The Late Medieval Cult of the Saints


Book Description

This is a book that explores the nature of sainthood in a region at the margins of medieval Latin Christendom. Defining the model of sanctity that characterized Transylvania between the fourteenth and sixteenth centuries, the study considers how the cults of saints functioned within specific local social and cultural contexts. Analyzing case studies from a multi-ethnic region influenced by both the Latin and Eastern Christian traditions, this book provides a close reading of little-surveyed primary sources and offers a comprehensive understanding of sainthood in Transylvania, enhancing the broader study of medieval saints’ cults and their relationship to social power structures. It will be of great interest to scholars of medieval religion, researchers in medieval studies, and religious studies scholars engaged in comparative research.




Oxford Handbook of Medieval Central Europe


Book Description

The Oxford Handbook of Medieval Central Europe summarizes the political, social, and cultural history of medieval Central Europe (c. 800-1600 CE), a region long considered a "forgotten" area of the European past. The 25 cutting-edge chapters present up-to-date research about the region's core medieval kingdoms -- Hungary, Poland, and Bohemia -- and their dynamic interactions with neighboring areas. From the Baltic to the Adriatic, the handbook includes reflections on modern conceptions and uses of the region's shared medieval traditions. The volume's thematic organization reveals rarely compared knowledge about the region's medieval resources: its peoples and structures of power; its social life and economy; its religion and culture; and images of its past.




Symbolic Identity and the Cultural Memory of Saints


Book Description

This volume examines the relationship between medieval cults of saints and regional and national identity formation in Europe both during and, to some extent, beyond the Middle Ages. It studies how collective identities have been expressed through saints’ cults and their appropriations in texts, visual representations, and music. Attention is given to various aspects of the role of medieval saints’ cults in European identity formation, as saints were used in the service of both religious and political agendas. Focusing on a range of European regions, this volume uses cults of medieval saints and their religious, cultural and political appropriations over time as a vehicle for studying changing cultural and social values. The articles here report research carried out under the European Science Foundation’s collaborative EuroCORECODE project: Symbols that Bind and Break Communities: Saints’ Cults as Stimuli and Expressions of Local, Regional, National and Universalist Identities (2010–2013/14), an international, interdisciplinary research venture funded by the National Research Councils of five countries: Austria, Denmark, Estonia, Hungary, and Norway.




The Grove Encyclopedia of Medieval Art and Architecture


Book Description

This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.




Church Archaeology in Transylvania (ca. 950 to ca. 1450)


Book Description

Transylvania has some of the most valuable monuments of medieval architecture in Europe: the easternmost churches built in Romanesque style, Cistercian monasteries, Gothic buildings, and fortified churches. This book explores archaeological sources to bring to light the hidden past of these monuments.




Differences, Similarities and Meanings


Book Description

In a world of global communication, where each one’s life depends increasingly on signs, language and communication, understanding how we relate and opening ourselves to otherness, to differences in all their forms and aspects is becoming more and more relevant. Today, we often understand the differences in terms of adversity or opposition and forget the value of the similarities. Semiotic approaches can provide a critical point of view and a more general reflection that can redefine some aspects of the discussion about the nature of these semiotic categories, differences and similarities. The dichotomy differences – similarities is fundamental to understanding the meaning-making mechanisms in language (De Saussure, 1966; Deleuze, 1995), as well as in other sign systems (Ponzio, 1995; Sebeok & Danesi, 2000). Meaning always appears in the “play of differences” (Derrida, 1978) and similarities. Therefore, the phenomena of similarities and differences must be considered complementary (Marcus, 2011). This book addresses and offers new perspectives for analyzing and understanding sensitive topics in the world of global communication (humanities education, responsive understanding of otherness, digital culture and new media power).




The Ayyubid Era. Art and Architecture in Medieval Syria


Book Description

This new MWNF Travel Book was conceived not long before the war started. All texts refer to the pre-war situation and are our expression of hope that Syria, a land that witnessed the evolution of civilisation since the beginnings of human history, may soon become a place of peace and the driving force behind a new and peaceful beginning for the entire region. Bilad al-Sham testifies to a thorough and strategic programme of urban reconstruction and reunification during the 12th and 13th centuries. Amidst a period of fragmentation, visionary leadership came with the Atabeg Nur al-Din Zangi. He revived Syria’s cities as safe havens to restore order. His most agile Kurdish general, Salah al-Din (Saladin), assumed power after he died and unified Egypt and Sham into one force capable of re-conquering Jerusalem from the Crusaders. The Ayyubid Empire flourished and continued the policy of patronage. Though short-lived, this era held long-lasting resonance for the region. Its recognisable architectural aesthetic – austere, yet robust and perfected ‒ survived until modern times. The Ayyubid Era: Art and Architecture in Medieval Syria describes eight thematic Itineraries including, among others, the cities of Damascus, Bosra, Homs, Hama, Aleppo and Raqqa.