Medieval "Westminster" Floor Tiles


Book Description

'Westminster' tiles - named after Westminster Abbey where they were first recognised - are among the most common types of medieval floor tiles found in London and can be distinguished from other medieval floor tiles by their size, poor quality and the clay used in their manufacture. Another distinctive feature is their unusually wide distribution - ranging from Canterbury in Kent to Croxden Abbey, Staffordshire - which may reflect the movement of tiles or the work of itinerant tilemakers. Over 160 different designs were produced, ranging from knights on horseback, heraldic shields, mythical beasts and fleurs-de-lis to abstract geometric designs. This Monograph includes an illustrated catalogue giving the provenance of each design, together with the plain-glazed examples.




Medieval Tiles


Book Description

Beschrijving, gebaseerd op objecten uit de collecties van het British Museum te Londen.




English Medieval Industries


Book Description

English Medieval Industries is an authoritative modern survey of medieval crafts and their products. It is heavily illustrated by pictures of surviving objects and contemporary representations of medieval work. Each industry is approached by material (amongst others stone, tin, lead, copper, iron, brick, glass, leather, bone and wood), discussing its acquisition, working and sale as a finished product. The contributors are the leading experts in their fields. They describe the specialist work that went to make the housing, clothing, tools, vessels and ornaments of medieval people. A general bibliography provides a valuable reference tool.




Medieval Floor Tiles of Northern England


Book Description

This study of the design, manufacture and use of medieval floor tiles shows the long-lasting influence achieved in the north of England, especially by the Cistercian monasteries. It serves to demonstrate how these monastic houses made use of the resources and contacts available to them. The study focuses on one of the richest medieval floor tile assemblages in the world, with material from 118 sites. Over 500 different designs and 60 mosaic arrangements have been identified. Jennie Stopford examines the monastic influence on northern England's manufacture and use of floor tiles. Split into three sections - Chronological Survey, The Tile Groups, and The Sites and Collections - this in-depth study covers an immense body of work. Contents include: a view of the world - plain mosaic floor tiles and the Cistercians, c.1230-1270; long distance supply and personalised designs, c.1350; standardisation - plain-glazed tiles; the plain tile mosaic group, c.1220-1270; inferior quality plain mosaic, later 13th century; the decorated mosaic tile group, c.1300; parallels to the decorated mosaic tile group, possibly c.1300; the Nottinghamshire tile group, c.1325-1365; fourteenth-century copies; the plain-glazed tile groups; small assemblages dating from the 14th or 15th centuries; the Transpennine tile group, later 15th century; the Huby/Percy tile group, c.1500.




Westminster Part I: The Art, Architecture and Archaeology of the Royal Abbey


Book Description

The British Archaeological Association’s 2013 conference was devoted to the study of Westminster Abbey and the Palace of Westminster. It also embraced Westminster School, which was founded at the Reformation in the Abbey precinct. Collectively, these institutions occupy a remarkable assemblage of medieval and later buildings, most of which are well documented. Although the Association had held a conference at Westminster in 1902, this was the first time that the internationally important complex of historic buildings was examined holistically, and the papers published here cover a wide range of subject matter. Westminster came into existence in the later Anglo-Saxon period, and by the mid-11th century, when Edward the Confessor’s great new abbey was built, it was a major royal centre two miles south-west of the City of London. Within a century or so, it had become the principal seat of government in England, and this series of twenty-eight papers covers new research on the topography, buildings, art-history, architecture and archaeology of Westminster’s two great establishments — Abbey and Palace. Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor’s enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III’s vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott’s impact as the Abbey’s greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret’s Church, and the remarkable buildings of Westminster School, created within the remains of the monastery in the 17th and 18th centuries. Part II part deals with the Palace of Westminster and its wider topography between the late 11th century and the devastating fire of 1834 that largely destroyed the medieval palace. William Rufus’s enormous hall and its famous roofs are completely reassessed, and comparisons discussed between this structure and the great hall at Caen. Other essays reconsider Henry III’s palace, St Stephen’s chapel, the king’s great chamber (the ‘Painted Chamber’) and the enigmatic Jewel Tower. The final papers examine the meeting places of Parliament and the living accommodation of the MPs who attended it, the topography of the Palace between the Reformation and the fire of 1834, and the building of the New Palace which is better known today as the Houses of Parliament.




The Chertsey Tiles, the Crusades, and Global Textile Motifs


Book Description

While visual cultures mingled comfortably along the silk roads and on the shores of the Mediterranean, medieval England has sometimes been viewed – by both medieval and more recent writers – as isolated. In this Element the author introduces new evidence to show that this understanding of medieval England's visual relationship to the rest of the world demands revision. An international team led by the author has completed a digital reconstruction of the so-called Chertsey combat tiles (sophisticated pictorial floor tiles made c. 1250, England), including both images and lost Latin texts. Grounded in the discoveries made while completing this reconstruction, the author proposes new conclusions regarding the historical circumstances within which the Chertsey tiles were commissioned and their significant connections with global textile traditions.




The Grove Encyclopedia of Medieval Art and Architecture


Book Description

This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.




5000 Years of Tiles


Book Description

A comprehensive, full-color exploration of tile art and production worldwide, from earliest times to the present day. The book is both an authoritative work of reference and a visual delight, ranging from ancient Greece, where the first fired roof tiles date from as early as the third millennium BC, to twentieth-century Mexico. Along the way we encounter stunning examples of the tiler's art: the enormous English medieval floor pavements from Byland Abbey and Clarendon Palace; figural tiles from China, intended to adorn roofs and ward off evil; the famous Iznik tiles from the Islamic world, with their richly decorative patterns; the highly stylised ceramic tiles of the Arts and Crafts movement; and the tiles created by some of the finest ceramic artists and potters of the twenty-first century. Placing the tiles firmly in their historical and cultural context, the book highlights both continuity and diversity, the dissemination of techniques and designs, and how tile art in one time and place has inspired and rejuvenated those in others. Tiles are also studied in terms of function as well as form, and the full range of architectural and practical purposes for which they have been used - from floors to roofs, stoves to bathrooms, cathedrals to metro stations - will be explored, along with the various techniques employed to create such versatile pieces. 5000 Years of Tiles is the essential, most comprehensive single volume for anyone interested in the ceramic, decorative, and architectural arts.




Historic Floors


Book Description

This is the first book in the UK to be devoted to historic floors. It introduces an important and largely neglected subject and considers conservation methods in a European context. It traces the history of some of the great floors of Europe from the fourth century B.C. and outlines the development of mosaic, tiles, marble and parquetry floors in secular buildings. The early Christian pavements in basilicas, temples and cathedrals, the creation of medieval tiles, ledger stones and monumental brasses, their destruction by iconoclasts and re-creation during the Gothic Revival, are also discussed. Leading authorities, archaeologists, architects and archivists consider the latest methods of recording and repairing cathedral floors, including those of cathedrals, country houses, the monumental tiled pavements of the Palace of Westminster and other public buildings. Management policies to protect outstanding floors in over-visited sites are considered and historic features particularly at risk, are identified. Urgent action is recommended to contain the damage caused by the dramatic increase in tourism throughout Europe.




The Oxford Handbook of Later Medieval Archaeology in Britain


Book Description

The Middle Ages are all around us in Britain. The Tower of London and the castles of Scotland and Wales are mainstays of cultural tourism and an inspiring cross-section of later medieval finds can now be seen on display in museums across England, Scotland, and Wales. Medieval institutions from Parliament and monarchy to universities are familiar to us and we come into contact with the later Middle Ages every day when we drive through a village or town, look up at the castle on the hill, visit a local church or wonder about the earthworks in the fields we see from the window of a train. The Oxford Handbook of Later Medieval Archaeology in Britain provides an overview of the archaeology of the later Middle Ages in Britain between AD 1066 and 1550. 61 entries, divided into 10 thematic sections, cover topics ranging from later medieval objects, human remains, archaeological science, standing buildings, and sites such as castles and monasteries, to the well-preserved relict landscapes which still survive. This is a rich and exciting period of the past and most of what we have learnt about the material culture of our medieval past has been discovered in the past two generations. This volume provides comprehensive coverage of the latest research and describes the major projects and concepts that are changing our understanding of our medieval heritage.