Medievalism and the Academy


Book Description

The first of a two-volume examination of medievalism and academic scholarship, this collection is divided into four sections: Canonizing Chaucer, Antiquarian loomings, Medievalism, medieval studies, and Medieval studies at the millennium. Medievalism, the "continuing process of creating the middle ages", engenders formal medieval studies from a wide variety of popular interests in the middle ages. This volume accordingly explores the common ground between artisticand popular constructions of the middle ages and the study of the middle ages within the academy. Essays treat the genesis of medieval studies in early modern antiquarianism; the erection of academic medievalism through persistent, indeed perverse, appeals to heroic medieval manliness and attenuated female spirituality; the current jeopardy of the book (a medieval invention) in the face of technological assau Contributors: DAVID O. MATTHEWS, STEVE ELLIS, ANTONIA WARD, GRAHAM PARRY, MARGARET CLUNIES ROSS, ANNA SMOL, DAVID ALLAN, MATILDE MATEO, MARYA DEVOTO, ULRIKE WIETHAUS, STEPHEN STEELE, JAMES KENNEDY, WILLIAM CALIN, JESSE D. HURLBUT, JOAN GRENIER-WINTHER, WILLIAM PADEN




Medievalism and the Academy II


Book Description

The second part of Medievalism and the Academy identifies the four specific questions that have come to focus recent scholarship in medievalism: What is difference? what is theory? woman? God? The impact of cultural studies on contemporary medieval studies is investigated in this latest volume of Studies in Medievalism, which also offers an account of the developing interest of contemporary cultural theorists inthe medieval period. Rather than dismissing the connection between medieval studies and cultural criticism as an expression of academic self-interest, the essays identify specific questions which engage both, such as race, history, women, religion, and literature. Topics include the use of Augustine by postcolonial theorists; the influence of studies in medieval mysticism on the development of women's studies programs; and the influence of Foucault and NewHistoricism on the study of medieval history. Contributors: ELLIE RAGLAND, TIMOTHY RICHARDSON, MICHAEL BERNARD-DONALS, CLAY KINSNER, LINDA SEXSON, REBECCA DOUGLASS, LOUISE SYLVESTER, RICHARD GLEJZER, CHARLES WILSON, ANDREW J. DELL'OLIO




Women Medievalists and the Academy


Book Description

"Pioneering. . . . An important and timely collection that profiles the lives and professional careers of women medievalists in the last centuries."--Maureen Mazzaoui, University of Wisconsin-Madison




Neomedievalism, Popular Culture, and the Academy


Book Description

The medieval in the modern world is here explored in a variety of media, from film and book to gaming.




The Medieval Book


Book Description

Originally published by Beinecke Rare Book and Manuscript Library, 1988.




My Gay Middle Ages


Book Description

In the world of My Gay Middle Ages, Chaucer and Boethius are the secret-sharers of A.W. Strouse's "gay lifestyle." Where many scholars of the Middle Ages would "get in from behind" on cultural history, Strouse instead does a "reach around." He eschews academic "queer theory" as yet another tedious, normative framework, and writes in the long, fruity tradition of irresponsible, homo-medievalism (a lineage that includes luminaries like Oscar Wilde, who was sustained by his amateur readings of Dante and Abelard during the darks days of his incarceration for crimes of "gross indecency"). Strouse experiences medieval literature and philosophy as a part of his everyday life, and in these prose poems he makes the case for regarding the Middle Ages as a kind of technology of self-preservation, a posture through which to spiritualize the petty indignities of modern urban life. With a Warholian flair for insouciant name-dropping and a Steinian appetite for syntactic perversion, Strouse monumentalizes the medieval within the contemporary and the contemporary within the medieval. "Today, almost nobody reads Boethius, which if you ask me is a crying shame. Because Boethius is so gay. First of all, the heroine of the Consolation is this great big fierce diva, whose name is Lady Philosophy. She's a Lady, and she doesn't stand for anybody's crap. At the beginning of the book, Boethius is crying, all alone in prison, depressed that he's lonely and loveless and is going to be killed. Lady Philosophy descends from the heavens, a la Glinda the Good Witch in The Wizard of Oz. The first thing Boethius notices about her is that she's wearing an amazing dress with Greek letters embroidered on it-they stand for practical and theoretical philosophy. Her dress has been torn to shreds by the hands of uncouth philosophers. They didn't know how to treat a lady." (from "My Boethius") TABLE OF CONTENTS // The Most Famous Medievalist in the World - My Boethius - Memory Houses - The President of the Medieval Academy Made Me Cry - My Medieval Romance - The Formation of a Persecuting Society - The Medieval Heart is Like a Penis - Jilted Again - My Orpheus - Medieval Literacy - My Cloud of Unknowing - The Post-Medieval Unconscious - Coda: The Dedication"




Vital Signs


Book Description




De Vita Sua


Book Description

'His [Guilbert of Nogent (d. 1124), a Benedictine monk and historiographer] "Memoirs" are equally interesting and provide precious insights into French culture of the 11th and 12th centuries.




Early Medieval Art, 300-1150


Book Description

Originally published by Prentice-Hall, 1971.




Excidium Troiae


Book Description