Medievalism and the Ideologies of the Enlightenment


Book Description

Originally published in 1968. The contribution of eighteenth-century Englishmen to the study of medieval life and literature is fairly well known, but it is commonly assumed that in France, the center of Enlightenment, no one—with the exception of a few obscure antiquarians—was seriously interested in the Middle Ages. Gossman argues that the Enlightenment gave great impetus to medieval studies in France and altered their orientation, removing them from the realm of legal and ecclesiastical dispute and bringing them into a new framework of general history. Concentrating his investigation of Enlightenment medievalists on the most influential of them, La Curne de Sainte-Palaye, Gossman describes Sainte-Palaye's social and intellectual milieu and follows him in his relations with scholars and philosophes in France and abroad. Voltaire, Montesquieu, Gibbon, Walpole, Muratori, and Herder are some of the figures whose paths crossed that of Sainte-Palaye. Far from being opposed to philosophie, the medievalists were, Gossman argues, nourished at the same intellectual sources and shared many of the values of the philosophes. The existence of a close connection between medievalism and the Enlightenment is substantiated by the author's detailed analyses of Sainte-Palaye's work in the history, literature, and language of the French Middle Ages. Although Sainte-Palaye had a surprising influence on the literature and historiography of both the eighteenth and nineteenth centuries—in France, England, and Germany—eighteenth-century medievalism, Gossman argues, is best understood not as anticipation of things to come but as part of a complex of ideas and feelings peculiar to the Enlightenment itself.




Medievalist Enlightenment


Book Description

Literary medievalism played a vital role in the construction of the French Enlightenment. Starting with the Quarrel of the Ancients and Moderns, it influenced movements leading to the Romantic rediscovery of the Middle Ages, and helped to shape new literary genres, from the epistolary novel to the fairy tale and opera. Indeed, the dominant mode of the early Enlightenment, galanterie, was of medievalist inspiration. Moreover, the academic study of medieval texts underlay modern ideals of scholarship, institutionalized at the royal academies. The Middle Ages polemically functioned as an alternative site, allowing authors to rethink their age's political and social ideologies. At the centre of these debates was the notion of historical progress. Was progress possible, as the philosophes held, or was human history a process of degeneration, with the Middle Ages as a lost Golden Age? From the re-evaluation of the medieval thus emerged not only the seeds of a new poetics, but also the central questions that preoccupied Enlightenment thinkers from Montesquieu to Rousseau. This book shows how, in order to understand the aesthetic and intellectual transformations that marked modernity, it is essential to examine how this period conceived of the past, and particularly those "Dark Ages" that served as the defining foil for the modern Age of Light. Alicia C. Montoya is an Assistant Professor at the Department of Literary and Cultural Studies at the Radboud University Nijmegen.







John Keats and the Ideas of the Enlightenment


Book Description

John Keats is generally considered to be the least intellectually sophisticated of all the major Romantic poets, but he was a more serious thinker than either his contemporaries or later scholars have acknowledged. This book provides a major reassessment of Keats's intellectual life by considering his engagement with a formidable body of eighteenth-century thought from the work of Voltaire, Robertson, and Gibbon to Hutcheson, Hume, and Smith.The book re-examines some of Keats's most important poems, including The Eve of St Agnes, Hyperion, Lamia, and Ode to Psyche, in the light of a range of Enlightenment ideas and contexts from literary history and cultural progress to anthropology, political economy, and moral philosophy. By demonstrating that the language and ideas of the Enlightenment played a key role in establishing his poetic agenda, Keats's poetry is shown to be less the expression of an intuitive young genius than the product of the cultural and intellectual contexts of his time.




The Enlightenment and the Book


Book Description

The late eighteenth century witnessed an explosion of intellectual activity in Scotland by such luminaries as David Hume, Adam Smith, Hugh Blair, William Robertson, Adam Ferguson, James Boswell, and Robert Burns. And the books written by these seminal thinkers made a significant mark during their time in almost every field of polite literature and higher learning throughout Britain, Europe, and the Americas. In this magisterial history, Richard B. Sher breaks new ground for our understanding of the Enlightenment and the forgotten role of publishing during that period. The Enlightenment and the Book seeks to remedy the common misperception that such classics as The Wealth of Nations and The Life of Samuel Johnson were written by authors who eyed their publishers as minor functionaries in their profession. To the contrary, Sher shows how the process of bookmaking during the late eighteenth-century involved a deeply complex partnership between authors and their publishers, one in which writers saw the book industry not only as pivotal in the dissemination of their ideas, but also as crucial to their dreams of fame and monetary gain. Similarly, Sher demonstrates that publishers were involved in the project of bookmaking in order to advance human knowledge as well as to accumulate profits. The Enlightenment and the Book explores this tension between creativity and commerce that still exists in scholarly publishing today. Lavishly illustrated and elegantly conceived, it will be must reading for anyone interested in the history of the book or the production and diffusion of Enlightenment thought.




Medievalism and Manière Gothique in Enlightenment France


Book Description

Medievalism -the appropriation of elements of medieval culture - has a long history: every century since the sixteenth has remade the Middle Ages in its own image. But different generations look back to the medieval period for different reasons, and each successive generation finds a different 'Middle Ages', a Middle Ages that says more about that generation's own aspirations and anxieties than it does about the medieval period itself.What does eighteenth-century medievalism tell us about France at the end of theAncien régime? The cliché is well known: in Enlightenment France, the Middle Ages - those 'temps grossiers' dividing Classical times from the Renaissance - were universally despised as a dark age of bigotry and barbarism. But historical clichés are often the result of reading the past backwards. Relegated to the dust-heap of history by Enlightenment intellectuals, the Middle Ages in fact held a remarkable attraction for readers and audiences of the time. This wide-ranging book charts some aspects of the surprisingly broad influence of medievalism on the scholarship and popular culture of eighteenth-century France. 'This beautifully produced volume is a mine of information for anyone interested in medievalia in eighteenth-century France.'Medium Aevum




Ideology and Royal Power in Medieval France


Book Description

Ideology and Royal Power is a collection of essays describing and assessing the ways in which royal publicists in medieval France conceived the authority of the crown, especially with regard to protecting and defending its Christian subjects from their alleged enemies at home and abroad--corrupt officials, Jews (particularly moneylenders), heretics, and Muslims. A number of the essays also describe the execution of royal policies with respect to these groups and evaluate their impact, both in terms of the groups affected and their influence on further developments in royal ideology. A key figure is that of Louis IX, Saint Louis (r. 1226-1270).




The Enlightenment


Book Description

What are the defining characteristics of the sprawling era known as the Middle Ages? What sets ancient Egypt apart from other ancient civilizations? And what is the legacy of the twentieth-century genocide known as the Holocaust? These are some of the ideas explored in Understanding World History, a series that surveys the political, social, and cultural trends of major periods and events in world history. Primary and secondary source quotes bring historical events to life. Source notes, a bibliography for further research, and index provide additional tools for student researchers. Book jacket.




Enlightenment and Revolution


Book Description

Greece sits at the center of a geopolitical storm that threatens the stability of the European Union. To comprehend how this small country precipitated such an outsized crisis, it is necessary to understand how Greece developed into a nation in the first place. Enlightenment and Revolution identifies the ideological traditions that shaped a religious community of Greek-speaking people into a modern nation-state--albeit one in which antiliberal forces have exacted a high price. Paschalis Kitromilides takes in the vast sweep of the Greek Enlightenment in the eighteenth and nineteenth centuries, assessing developments such as the translation of modern authors into Greek; the scientific revolution; the rediscovery of the civilization of classical Greece; and a powerful countermovement. He shows how Greek thinkers such as Voulgaris and Korais converged with currents of the European Enlightenment, and demonstrates how the Enlightenment's confrontation with Church-sanctioned ideologies shaped present-day Greece. When the nation-state emerged from a decade-long revolutionary struggle against the Ottoman Empire in the early nineteenth century, the dream of a free Greek polity was soon overshadowed by a romanticized nationalist and authoritarian vision. The failure to create a modern liberal state at that decisive moment is at the root of Greece's recent troubles.




Medievalism


Book Description

An accessibly-written survey of the origins and growth of the discipline of medievalism studies. The field known as "medievalism studies" concerns the life of the Middle Ages after the Middle Ages. Originating some thirty years ago, it examines reinventions and reworkings of the medieval from the Reformation to postmodernity, from Bale and Leland to HBO's Game of Thrones. But what exactly is it? An offshoot of medieval studies? A version of reception studies? Or a new form of cultural studies? Can such a diverse field claim coherence? Should it be housed in departments of English, or History, or should it always be interdisciplinary? In responding to such questions, the author traces the history of medievalism from its earliest appearances in the sixteenth century to the present day, across a range of examples drawn from the spheres of literature, art, architecture, music and more. He identifies two major modes, the grotesque and the romantic, and focuses on key phases of the development of medievalism in Europe: the Reformation, the late eighteenth century, and above all the period between 1815 and 1850, which, he argues, represents the zenith of medievalist cultural production. He also contends that the 1840s were medievalism's one moment of canonicity in several European cultures at once. After that, medievalism became a minority form, rarely marked with cultural prestige, though always pervasive and influential. Medievalism: a Critical History scrutinises several key categories - space, time, and selfhood - and traces the impact of medievalism on each. It will be the essential guide to a complex and still evolving field of inquiry. David Matthews is Professor of Medieval and Medievalism Studies at the University of Manchester.