Melancholy in Mauve Moments


Book Description

Ian Wilcox is a 50 plus year old English born aspiring Poet. He has a Filipino Partner and adult Filipino Daughter. After some little adventures that left him registered Visually Impaired, Ian chose writing as a reason to adapt. His biggest wish is to both encourage others termed ‘Disabled’ and the public in general that this word is misspelt and should be Different abled Melancholy in Mauve moments is his 8th Book so far with another planned for later this year. Welcome once again to the world he calls The voice of idle mind




Rhapsody in Red


Book Description

Dear Readers, If you have survived my diatribe to this point you deserve a tip. I will give you a certainty. Each of this Quartet of Books features various Guest writers. Some have already published and some are yet to publish. Make a note of their names! In my personal opinion they are amongst the future leading writers of modern literature.




Tales


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Color It True


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This often-startlingly original book introduces a new way of thinking about color in film as distinct from existing approaches which tend to emphasize either technical processes and/or histories of film coloration, or the meaning(s) of color as metaphor or symbol, or else part of a broader signifying system. Murray Pomerance's latest meditation on cinema has the author embed himself in various ways of thinking about color; not ways of framing it as a production trick or a symbolic language but ways of wondering how the color effect onscreen can work in the act of viewing. Pomerance examines many issues, including acuity, dreaming, interrelationships, saturations, color contrasts, color and performance (color as a performance aid or even performance substitute), and more. The lavender of the photographer's seamless in Antonioni's Blow-Up taken in itself as an explosion of color worked into form, and then considered both as part of the story and part of our experience. The 14 chapters of this book each discuss a single primary color as regards to our experience of cinema. After opening the idea of such an exploration in terms of the history of our apperception and the variation in our experience that color germinates, Color it True takes form.




The Studio


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Friends' Review


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Manufacturing Depression


Book Description

Has the antidepressant industry manufactured not only an illness but an idea of humanity that denies our full potential?




Scenes from Provincial Life


Book Description

The Nobel Prize–winning author's brilliant trilogy of fictionalized memoirs—now available in one volume for the first time. J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. Few writers have won as much critical acclaim and as many admirers in the literary world as J. M. Coetzee. Yet the celebrated author rarely spoke of himself until the 1997 arrival of Boyhood, a masterly and evocative tale of a young writer's beginnings. Continuing with the fiercely tender Youth and the innovative Summertime, Scenes from Provincial Life is a heartbreaking and often very funny portrait of the artist by one of the world's greatest writers.




Notes on Democracy


Book Description

Democracy came into the Western World to the tune of sweet, soft music. There was, at the start, no harsh bawling from below; there was only a dulcet twittering from above. Democratic man thus began as an ideal being, full of ineffable virtues and romantic wrongs—in brief, as Rousseau’s noble savage in smock and jerkin, brought out of the tropical wilds to shame the lords and masters of the civilized lands. The fact continues to have important consequences to this day. It remains impossible, as it was in the Eighteenth Century, to separate the democratic idea from the theory that there is a mystical merit, an esoteric and ineradicable rectitude, in the man at the bottom of the scale—that inferiority, by some strange magic, becomes a sort of superiority—nay, the superiority of superiorities. Everywhere on earth, save where the enlightenment of the modern age is confessedly in transient eclipse, the movement is toward the completer and more enamoured enfranchisement of the lower orders. Down there, one hears, lies a deep, illimitable reservoir of righteousness and wisdom, unpolluted by the corruption of privilege. What baffles statesmen is to be solved by the people, instantly and by a sort of seraphic intuition. Their yearnings are pure; they alone are capable of a perfect patriotism; in them is the only hope of peace and happiness on this lugubrious ball. The cure for the evils of democracy is more democracy! This notion, as I hint, originated in the poetic fancy of gentlemen on the upper levels—sentimentalists who, observing to their distress that the ass was over-laden, proposed to reform transport by putting him into the cart. A stale Christian bilge ran through their veins, though many of them, as it happened, toyed with what is now called Modernism. They were the direct ancestors of the more saccharine Liberals of to-day, who yet mouth their tattered phrases and dream their preposterous dreams. I can find no record that these phrases, in the beginning, made much impression upon the actual objects of their rhetoric. Early democratic man seems to have given little thought to the democratic ideal, and less veneration. What he wanted was something concrete and highly materialistic—more to eat, less work, higher wages, lower taxes. He had no apparent belief in the acroamatic virtue of his own class, and certainly none in its capacity to rule. His aim was not to exterminate the baron, but simply to bring the baron back to a proper discharge of baronial business. When, by the wild shooting that naturally accompanies all mob movements, the former end was accidentally accomplished, and men out of the mob began to take on baronial airs, the mob itself quickly showed its opinion of them by butchering them deliberately and in earnest. Once the pikes were out, indeed, it was a great deal more dangerous to be a tribune of the people than to be an ornament of the old order. The more copiously the blood gushed, the nearer that old order came to resurrection. The Paris proletariat, having been misled into killing its King in 1793, devoted the next two years to killing those who had misled it, and by the middle of 1796 it had another King in fact, and in three years more he was King de jure, with an attendant herd of barons, counts, marquises and dukes, some of them new but most of them old, to guard, symbolize and execute his sovereignty. And he and they were immensely popular—so popular that half of France leaped to suicide that their glory might blind the world.




Notes on Democracy


Book Description

Democracy came into the Western World to the tune of sweet, soft music. There was, at the start, no harsh bawling from below there was only a dulcet twittering from above. Democratic man thus began as an ideal being, full of ineffable virtues and romantic wrongs in brief, as Rousseau’s noble savage in smock and jerkin, brought out of the tropical wilds to shame the lords and masters of the civilized lands. The fact continues to have important consequences to this day. It remains impossible, as it was in the eighteenth century, to separate the democratic idea from the theory that there is a mystical merit, an esoteric and ineradicable rectitude, in the man at the bottom of the scale - that inferiority, by some strange magic, becomes a sort of superiority - nay, the superiority of superiorities.