On the Estate


Book Description

"The stories and drawings are wonderfully matched, sharing a simplicity and wistfulness for a lost society, while vividly portraying a sense of life and leisure. The watercolors combine detail with whimsy."—Library Journal Mariamna Davydoff, the Russian lady who wrote and illustrated this unique memoir, was born in 1871. It was after she emigrated from Russia to France in 1919 that she set down her detailed recollections and painted the accompanying watercolors. She did this mainly to enlighten one of her granddaughters about the family’s life in the last decades of Tsarist Russia. The result is a firsthand account of a way of life that we’ve known mainly through the writings of Chekhov and Turgenev. Here are the country estates, the large families indulging in sports and pastimes, the Easter and Christmas holidays, the heat of summer and frost of winter. Davydoff had studied painting and made something of a reputation as a caricaturist, but when she fled from Russia she had to leave behind all her watercolors and drawings. These were destroyed by the Bolsheviks, but the portfolios she created in France, of which this book presents a selection, are fortunately intact. The book was prepared for publication and is introduced by a cousin, Olga Davydoff Dax.




Memoirs of a Russian Lady


Book Description




The Life of a Russian Woman Doctor


Book Description

The Life of a Russian Woman Doctor by Anna Bek (1869--1954) yields rich insights into the lives of a generation of Russian women who lived at a time of revolutionary change, extraordinary challenges, and unprecedented opportunities. Written in a lively and compelling style, Anna Bek's memoir reveals not only the experiences but also the motives and values of women who sought education, independence, and self-sufficiency, the obstacles they encountered, and the influences of other women and men on their lives. This engrossing memoir also engages the special context of Siberian geography and history -- the vast distances and isolation, the heterogeneous population of settlers, exiles, and convicts, the closeness and interdependence of families and communities, and the deep appreciation of nature. This book offers a rewarding excursion into Siberian social history and an intimate acquaintance with two exceptional individuals of great charm and courage -- Anna Bek and her American editor, Anne D. Rassweiler.




The Girl from the Metropol Hotel


Book Description

Finalist for the National Book Critics Circle Award for Autobiography The prizewinning memoir of one of the world’s great writers, about coming of age as an enemy of the people and finding her voice in Stalinist Russia Born across the street from the Kremlin in the opulent Metropol Hotel—the setting of the New York Times bestselling novel A Gentleman in Moscow by Amor Towles—Ludmilla Petrushevskaya grew up in a family of Bolshevik intellectuals who were reduced in the wake of the Russian Revolution to waiting in bread lines. In The Girl from the Metropol Hotel, her prizewinning memoir, she recounts her childhood of extreme deprivation—of wandering the streets like a young Edith Piaf, singing for alms, and living by her wits like Oliver Twist, a diminutive figure far removed from the heights she would attain as an internationally celebrated writer. As she unravels the threads of her itinerant upbringing—of feigned orphandom, of sleeping in freight cars and beneath the dining tables of communal apartments, of the fugitive pleasures of scraps of food—we see, both in her remarkable lack of self-pity and in the two dozen photographs throughout the text, her feral instinct and the crucible in which her gift for giving voice to a nation of survivors was forged. “From heartrending facts Petrushevskaya concocts a humorous and lyrical account of the toughest childhood and youth imaginable. . . . It [belongs] alongside the classic stories of humanity’s beloved plucky child heroes: Edith Piaf, Charlie Chaplin, the Artful Dodger, Gavroche, David Copperfield. . . . The child is irresistible and so is the adult narrator who creates a poignant portrait from the rags and riches of her memory.” —Anna Summers, from the Introduction




Russia Through Women's Eyes


Book Description

Autobiografieën van vrouwen over hun jonge jaren in tsaristisch Rusland.




In the Shadow of Revolution


Book Description

Asked shortly after the revolution about how she viewed the new government, Tatiana Varsher replied, "With the wide-open eyes of a historian." Her countrywoman, Zinaida Zhemchuzhnaia, expressed a similar need to take note: "I want to write about the way those events were perceived and reflected in the humble and distant corner of Russia that was the Cossack town of Korenovskaia." What these women witnessed and experienced, and what they were moved to describe, is part of the extraordinary portrait of life in revolutionary Russia presented in this book. A collection of life stories of Russian women in the first half of the twentieth century, In the Shadow of Revolution brings together the testimony of Soviet citizens and émigrés, intellectuals of aristocratic birth and Soviet milkmaids, housewives and engineers, Bolshevik activists and dedicated opponents of the Soviet regime. In literary memoirs, oral interviews, personal dossiers, public speeches, and letters to the editor, these women document their diverse experience of the upheavals that reshaped Russia in the first half of this century. As is characteristic of twentieth-century Russian women's autobiographies, these life stories take their structure not so much from private events like childbirth or marriage as from great public events. Accordingly the collection is structured around the events these women see as touchstones: the Revolution of 1917 and the Civil War of 1918-20; the switch to the New Economic Policy in the 1920s and collectivization; and the Stalinist society of the 1930s, including the Great Terror. Edited by two preeminent historians of Russia and the Soviet Union, the volume includes introductions that investigate the social historical context of these women's lives as well as the structure of their autobiographical narratives.




Memories of Revolution


Book Description

Preserving the childhood memories of some of the last generation of White Russian women to experience the revolution first-hand, this poignant collection of interviews and photographs provides a unique record of life in Russia.




Till My Tale Is Told


Book Description

"How extraordinary it is that compassion and tenderness may flourish in the cruellest conditions; how stubbornly and bravely people survive them. This is not a depressing book but an inspiriting and encouraging one." —Doris Lessing "The sixteen life stories are riveting. . . . testimony to the complexity of the human spirit[,] to miracles of survival and endurance in the most hellish of conditions. . . . Till My Tale Is Told remind[s] us of the importance of remembrance and testimony about this particularly brutal chapter of human history." —The Women's Review of Books Arrest, interrogation, imprisonment, trial and sentencing, transport, labor camps, internal exile, sometimes release, often followed by re-arrest and re-imprisonment and, for those who outlived Stalin, eventual reprieve and rehabilitation these are the outlines of the experiences recorded by 16 courageous Russian women whose moving testimonies, most of them written in secret and at great personal risk, are presented here.




Boobi's Memoirs


Book Description




The Girl from the Metropol Hotel


Book Description

Finalist for the National Book Critics Circle Award for Autobiography The prizewinning memoir of one of the world’s great writers, about coming of age as an enemy of the people and finding her voice in Stalinist Russia Born across the street from the Kremlin in the opulent Metropol Hotel—the setting of the New York Times bestselling novel A Gentleman in Moscow by Amor Towles—Ludmilla Petrushevskaya grew up in a family of Bolshevik intellectuals who were reduced in the wake of the Russian Revolution to waiting in bread lines. In The Girl from the Metropol Hotel, her prizewinning memoir, she recounts her childhood of extreme deprivation—of wandering the streets like a young Edith Piaf, singing for alms, and living by her wits like Oliver Twist, a diminutive figure far removed from the heights she would attain as an internationally celebrated writer. As she unravels the threads of her itinerant upbringing—of feigned orphandom, of sleeping in freight cars and beneath the dining tables of communal apartments, of the fugitive pleasures of scraps of food—we see, both in her remarkable lack of self-pity and in the two dozen photographs throughout the text, her feral instinct and the crucible in which her gift for giving voice to a nation of survivors was forged. “From heartrending facts Petrushevskaya concocts a humorous and lyrical account of the toughest childhood and youth imaginable. . . . It [belongs] alongside the classic stories of humanity’s beloved plucky child heroes: Edith Piaf, Charlie Chaplin, the Artful Dodger, Gavroche, David Copperfield. . . . The child is irresistible and so is the adult narrator who creates a poignant portrait from the rags and riches of her memory.” —Anna Summers, from the Introduction