Memoirs of a Spacewoman


Book Description

Naomi Mitchison, daughter of a distinguished scientist, sister of geneticist J B S Haldane, was always interested in the sciences, especially genetics. Her novels did not tend to demonstrate this, and she did not publish a Science Fiction novel until almost forty years into her fiction-writing career. Isobel Murray's Introduction here argues that it is by no means 'pure' Science Fiction: the success of the novel depends not only on the extraordinarily variety of life forms its heroine encounters and attempts to communicate with on different worlds: she is also a very credible human, or Terran, with recognisibly human emotions and a dramatic emotional life. This novel works effectively for readers who usually eschew the genre and prefer more traditional narratives. Explorers like Mary are an elite class who consider curiosity to be Terrans' supreme gift, and in the novel she more than once takes risks that may destroy her life. Her voice, as she records her adventures and experiments, is individual, attractive and memorable. Isobel Murray is Emeritus Professor of Modern Scottish Literature at the University of Aberdeen.




Memoirs of a Spacewoman


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Solution Three


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As a fast-paced novel about a future shaped by feminist ideals of sexual and racial equality, "solution three" at first seems to be a peaceful answer to the world's problems. Homosexuality as an international norm and reproduction by cloning have minimized aggression and overpopulation. The sexes have equal rights and status, racial tension has been eliminated through genetic intermixing, and scientists work closely with the governing body, the Council, to keep an eye on the food supply and to heal the earth of prior environmental terrorism. Originally published in 1975, Solution Three presents a future society in which reproductive control and homosexuality shape a more equitable life for all, eradicating aggression and racism, curbing overpopulation, and providing a dependable food supply. But there are those who are rebelling in this peaceful world: Miryam, a geneticist, secretly married, is rearing her own children; Lilac, a surrogate mother chosen to carry a Clone baby, is delaying her son's seizure for social conditioning; and even the carefully conditioned Clones are behaving unexpectedly. This novel asks the courageous question: What is the cost to women of new models of reproducing life, regardless of the intentions behind the goal?




Memoirs of a Spacewoman


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Travel Light


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A young woman is transformed by a magical journey.




The Conquered


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Caesar's Gallic wars as witnessed by a Gaul who has become the slave of a Roman officer.




Transcending the Postmodern


Book Description

Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm gathers an introduction and ten chapters concerned with the issue of Transmodernity as addressed by and presented in contemporary novels hailing from various parts of the English-speaking world. Building on the theories of Transmodernity propounded by Rosa María Rodríguez Magda, Enrique Dussel, Marc Luyckx Ghisi and Irena Ateljevic, inter alia, it investigates the links between Transmodernity and such categories as Postmodernity, Postcolonialism and Transculturalism with a view to help define a new current in contemporary literary production. The chapters either follow the main theoretical drives of the transmodern paradigm or problematise them. In so doing, they branch out towards various issues that have come to inspire contemporary novelists, among which: the presence of the past, the ascendance of new technologies, multiculturalism, terrorism, and also vulnerability, interdependence, solidarity and ecology in a globalised context. In so doing, it interrogates the ethics, aesthetics and politics of the contemporary novel in English.




Through the Glass Ceiling to the Stars


Book Description

The long-awaited memoir of a trailblazer and role model who is telling her story for the first time. Eileen Collins was an aviation pioneer her entire career, from her crowning achievements as the first woman to command an American space mission as well as the first to pilot the space shuttle to her early years as one of the Air Force’s first female pilots. She was in the first class of women to earn pilot’s wings at Vance Air Force Base and was their first female instructor pilot. She was only the second woman pilot admitted to the Air Force’s elite Test Pilot Program at Edwards Air Force Base. NASA had such confidence in her skills as a leader and pilot that she was entrusted to command the first shuttle mission after the Columbia disaster, returning the US to spaceflight after a two-year hiatus. Since retiring from the Air Force and NASA, she has served on numerous corporate boards and is an inspirational speaker about space exploration and leadership. Eileen Collins is among the most recognized and admired women in the world, yet this is the first time she has told her story in a book. It is a story not only of achievement and overcoming obstacles but of profound personal transformation. The shy, quiet child of an alcoholic father and struggling single mother, who grew up in modest circumstances and was an unremarkable student, she had few prospects when she graduated from high school, but she changed her life to pursue her secret dream of becoming an astronaut. She shares her leadership and life lessons throughout the book with the aim of inspiring and passing on her legacy to a new generation.




Among You Taking Notes...


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'As in a good novel, the people, their feelings and reactions are instantly recognisable and as fresh and immediate today as they were then' GUARDIAN 'She writes vividly and movingly' DAILY TELEGRAPH 26th September 1939. I am beginning to wonder whether the point of a place like this may be that it will keep alive certain ideas of freedom which might easily be destroyed in the course of this totalitarian war... Born in Edinburgh, Naomi Mitchison spent most of the Second World War in the fishing village of Carradale on Kintyre, her home until her death aged 101. Her life was crowded with incident, and her attitudes to events predictably forceful, original and honest. Throughout the war she kept a diary at the request of the research organisation Mass Observation, in which she recorded both the momentous events of the time, and also how one (albeit extraordinary) family and their friends lived, what they hoped for and what actually happened. Her diaries developed far beyond the confines of a social document. Written with the passion of a poet combined with the intellectual curiosity of a radial thinker, they provide a unique and valuable document of the period.




The Blood Of The Martyrs


Book Description

Introduced by Donald Smith. Set in Rome during Nero’s reign of terror, The Blood of the Martyrs is a disciplined historical novel tracing the destruction of one cell of the early church. With a cast of slaves, ordinary Roman people, exiles and entertainers, it is thorough in its historical interpretation and in its determination to make the past accessible and readable. Written in 1938-9, the novel contains many symbolic parallels to the rise of European fascism in the 1930s and the desperate plight of persecuted minorities such as the Jews and the left-wing activists with whom Naomi Mitchison personally campaigned at the time. With the invasion of Britain a real possibility, she felt compelled to write a testament to the power of human solidarity which, even faced with death, can overcome the worst that human evil can achieve. The Blood of the Martyrs is the least autobiographical of Mitchison’s major works of fiction, yet, with its implicit credo, is her most passionately self-revealing. ‘ . . . when a novelist is historically faithful in these treacherous waters of the human psyche, the results are tremendous. As a twentieth-century woman, it no doubt hurt Naomi Mitchison a good deal to describe the savagery of the early Christian persecution in The Blood of the Martyrs . . . But it is the pain that gives the history its lifeblood. The imagination that is a novelist’s fuel must be harnessed to serve history as history was, not as anyone wishes it had been.’ Joanna Trollope