A Classical Archaeologist's Life: the Story So Far


Book Description

A Classical Archaeologists's Life: The Story so Far shows that a scholar's life is not all scholarship, though much of this book is devoted to the writing of books and, especially, travel to classical and other lands. Boardman is a Londoner, born in Ilford and attending school in Essex (Chigwell). His teenage years were spent often in air raid shelters rather than with 'mates' (all evacuated). There are distinctive 'aunties', the rituals of daily life in a London suburb. The non-scholarly figures live large in this account of his life, marriage, children, new houses. At Cambridge he learned about classical archaeology as a necessary addition to reading Homer and Demosthenes, even being obliged to recite the latter. And those were the days of Bertrand Russell's lectures in a university reawakening after the war. Thence to the British School at Athens to learn about excavation (Smyrna, Knossos, later Libya). His return from Greece was to Oxford, not Cambridge, at first in the Ashmolean Museum, then as Reader and Professor. A spell in New York gives an account of the city before the troubles, when Petula Clark's Down Town was dominant. There is much here to reflect on university life and teaching, and on the reasons for and problems with the writing of his many books (some 40), with reflection on the university, colleges and their ways. Travels are well documented - a notable trip through Pakistan and China, in Persia, Egypt, Turkey - with comment on what he saw and experienced beyond archaeology. A lecture tour in Australia provides comment beyond the academic. He visited Israel often, lecturing and publishing for the Bible Lands Museum. Several tours in the USA took him to most of their museums and universities as well many other sights, from glaciers to alligators.This book is a mixture of scholarly reminiscence, reflection on family life, travelogue, and critique of classical scholarship (not all archaeological) worldwide, illustrated with pictures of travels, friends, home life, and, for a historian, a reflection on experiences of over 90 years.




Still Digging


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Ian Fleming


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A fascinating and unprecedented insight into the mind and life of the creator of James Bond.




Mallowan's Memoirs


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Agatha Christie's widower's recollections of his archaeological triumphs and life with Agatha.




A Lakota War Book from the Little Bighorn


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A ledger book of drawings by Lakota Sioux warriors found in 1876 on the Little Bighorn battlefield offers a rare first-person Native American record of events that likely occurred in 1866–1868 during Red Cloud’s War. This color facsimile edition uncovers the origins, ownership, and cultural and historical significance of this unique artifact.




How to Start and Run a Commercial Art Gallery (Second Edition)


Book Description

“A comprehensive guide.” —Artspace. “Whether you are new to the business or a seasoned gallerist, it is always wise to remember the essentials.” —Leigh Conner, director, Conner Contemporary Art Aspiring and new art gallery owners can find everything they need to plan and operate a successful art gallery with How to Start and Run a Commercial Art Gallery. This new edition has been updated to mark the changes in market and technology over the past decade. Edward Winkleman and Patton Hindle draw on their years of experience to explain step by step how to start your new venture. From finding the ideal locale and renovating the space to writing business plans and securing start-up capital, this helpful guide has it all. Chapters detail how to: Manage cash flow Grow your new business Hire and manage staff Attract and retain artists and clients Represent your artists Promote your gallery and artists online Select the right art fair And more How to Start and Run a Commercial Art Gallery, Second Edition, also includes sample forms, helpful tips from veteran collectors and dealers, a large section on art fairs, and a directory of art dealer associations.




Archaeology from Space


Book Description

Winner of Archaeological Institute of America's Felicia A. Holton Book Award • Winner of the Phi Beta Kappa Prize for Science • An Amazon Best Science Book of 2019 • A Science Friday Best Science Book of 2019 • A Kirkus Reviews Best Nonfiction Book of 2019 • A Science News Best Book of 2019 • Nature's Top Ten Books of 2019 "A crash course in the amazing new science of space archaeology that only Sarah Parcak can give. This book will awaken the explorer in all of us." ?Chris Anderson, Head of TED National Geographic Explorer and TED Prize-winner Dr. Sarah Parcak gives readers a personal tour of the evolution, major discoveries, and future potential of the young field of satellite archaeology. From surprise advancements after the declassification of spy photography, to a new map of the mythical Egyptian city of Tanis, she shares her field’s biggest discoveries, revealing why space archaeology is not only exciting, but urgently essential to the preservation of the world’s ancient treasures. Parcak has worked in twelve countries and four continents, using multispectral and high-resolution satellite imagery to identify thousands of previously unknown settlements, roads, fortresses, palaces, tombs, and even potential pyramids. From there, her stories take us back in time and across borders, into the day-to-day lives of ancient humans whose traits and genes we share. And she shows us that if we heed the lessons of the past, we can shape a vibrant future. Includes Illustrations




The Image of the Artist in Archaic and Classical Greece


Book Description

This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.




Apollonia on My Mind


Book Description

The ocean conceals secrets, ancient, modern, and future. Nic Flemming's memoir recounts the life of a pioneer in ocean science. Each chapter describes a thread that structured his work: underwater cities, submerged Ice Age caverns dripping with stalactites, the limits to ocean exploitation, ocean climate change, prehistoric settlements on the continental shelf, ocean law, and safe scientific diving. Flemming is paralyzed from the chest down and has used a wheelchair for the past 52 years; one chapter assesses how he has continued to work in rough conditions and at sea, visiting 60 countries since his accident.Flemming's early experience with the Royal Marines Special Boat Service provided the foundation for a scientific research career under water. Intrigued by a report of a sunken city seen from a helicopter, he set out to map the submerged Greek city at Apollonia, near Benghazi, in 1958-59, as a Cambridge undergraduate. Doctoral research on the cause of submergence and uplift of hundreds of coastal Mediterranean ruins was followed by adventures in now-submerged caves from the Ice Ages when the sea level was lower.In 1965, as industry awakened to the potential of seabed exploitation, Flemming journeyed around the world to assess marine technology and forecast future developments for UK industries. This led to participation in the UN Committee on the Law of the Sea and in the design of a Global Ocean Observing System.Flemming later turned to academic research around submerged stratified prehistoric settlements. Advances in seabed mapping now enable marine archaeologists to study and plot numerous sites in the context of the Ice Age terrestrial landscape.This is a multi-disciplinary adventure story that argues that different skills and fields can interact creatively with surprising results. It will be enjoyed by all those interested in the development of underwater archaeology, climate science, and ocean exploration.




Newgrange


Book Description

Newgrange is unhesitatingly regarded by the prehistorian as the great national monument of Ireland; in the words of the late Sean O'Riordain, 'one of the most important ancient places in Europe'. Its special importance has been widely realized since the early description by Edward Lhwyd in 1699, and each generation finds in it something new and interesting.