The Memoirs of Captain Hugh Crow


Book Description

Hugh Crow was the captain of a slave-trading vessel which made one of the last legal journeys across the Atlantic with its 'human cargo'. This is a highly engaging, rare, first-hand account written by a staunch defender of the slave trade. Crow depicts himself as an enlightened practitioner of the trade, paying close attention to the welfare of his 'negroes', which he equates with financial success in his business.Crow's memoirs bring to life the everyday aspects of the slave trade and describe the harsh practicalities of life at sea, where on average a fifth of the crew did not survive the crossing. The narrative is peppered with social comment on the propriety of the slave trade and conditions in West Africa and the Caribbean. At the same time, Crow expresses a warm attachment towards individual slaves which was sometimes reciprocated, most remarkably in a song composed by the slaves about him which is reproduced in this book.The introduction chronicles Hugh Crow's life, his entry into the slave trade and his rise as one of the foremost slave captains of his day. Quoting extensively from original sources, it sets him in the context of the eighteenth-century mercantile community which fought hard to defend itself against the humanitarian campaign to abolish the slave trade. He emerges as a colourful if flawed figure from this highly practical, personal, and eye-opening look at the slave trade.







The Memoirs of Captain Hugh Crow


Book Description

Hugh Crow was the captain of a slave-trading vessel which made one of the last legal journeys across the Atlantic with its 'human cargo'. This is a highly engaging, rare, first-hand account written by a staunch defender of the slave trade. Crow depicts himself as an enlightened practitioner of the trade, paying close attention to the welfare of his 'negroes', which he equates with financial success in his business.Crow's memoirs bring to life the everyday aspects of the slave trade and describe the harsh practicalities of life at sea, where on average a fifth of the crew did not survive the crossing. The narrative is peppered with social comment on the propriety of the slave trade and conditions in West Africa and the Caribbean. At the same time, Crow expresses a warm attachment towards individual slaves which was sometimes reciprocated, most remarkably in a song composed by the slaves about him which is reproduced in this book.The introduction chronicles Hugh Crow's life, his entry into the slave trade and his rise as one of the foremost slave captains of his day. Quoting extensively from original sources, it sets him in the context of the eighteenth-century mercantile community which fought hard to defend itself against the humanitarian campaign to abolish the slave trade. He emerges as a colourful if flawed figure from this highly practical, personal, and eye-opening look at the slave trade.




Hampton Institute


Book Description

Compiled by Mentor A. Howe and Roscoe E. Lewis.




Political Poetry as Discourse


Book Description

Political Poetry as Discourse examines the works of the political poets John Greenleaf Whittier and Ebenezer Elliott, drawing comparisons to contemporary hip hoppers who take their words from local newspapers and other discursive sources that they read, hear, and observe. Local presses and news vehicles stand as cultural material forms that supply poets with words, particularly words that congeal into patterns of language, allowing the creation of a poetic discourse. As readers of these poets apply techniques and theories of discourse analysis, they reveal how poets borrow, lift, hijack, or resituate words from one or more different genres to use as tools of political change. Leonard engages with the critical toolboxes of content analysis, semiosis, and deconstruction to demonstrate how to critically investigate and interrogate the images, sounds and words not just of politically engaged poets, but also of any disseminator of culture and news. Moving beyond theory into praxis, this book becomes a model of its own transgressive premise by thinking, analyzing, writing, and teaching against the grain. Its focus on language as unbounded discourse makes this book a relevant and insightful demonstration in democratic pedagogy and in teaching for transformation.




Fraser's Magazine for Town and Country


Book Description

Contains the first printing of Sartor resartus, as well as other works by Thomas Carlyle.




The Bloody Flag


Book Description

Mutiny tore like wildfire through the wooden warships of the age of revolution. While commoners across Europe laid siege to the nobility and enslaved workers put the torch to plantation islands, out on the oceans, naval seamen by the tens of thousands turned their guns on the quarterdeck and overthrew the absolute rule of captains. By the early 1800s, anywhere between one-third and one-half of all naval seamen serving in the North Atlantic had participated in at least one mutiny, many of them in several, and some even on ships in different navies. In The Bloody Flag, historian Niklas Frykman explores in vivid prose how a decade of violent conflict onboard gave birth to a distinct form of radical politics that brought together the egalitarian culture of North Atlantic maritime communities with the revolutionary era’s constitutional republicanism. The attempt to build a radical maritime republic failed, but the red flag that flew from the masts of mutinous ships survived to become the most enduring global symbol of class struggle, economic justice, and republican liberty to this day.