Memoirs of Dr. Charles Burney, 1726-1769


Book Description

Charles Burney (1726-1814) was one of the foremost music historians of the Enlightenment, a friend of David Garrick, correspondent of Diderot and Rousseau, a champion of Haydn, and a member of the Royal Society. The frequency with which he is still quoted by musicologists and historians attests to the continuing relevance and importance of his work. After completing his monumental General History of Music (1776-89), Burney began to write a projected twelve-volume autobiography, a taska he abandoned in 1805. When he died nearly a decade later, his daughter, the novelist Fanny Burney, edited the manuscript but destroyed much of it before publishing her own bowdlerized Memoirs of Dr. Burney in 1832. Not until the 1950s did fragments of the original memoirs, long believed lost, come to light. This edition reconstructs the fragments from Burney's first volume, free of Fanny Burney's interpolations and alterations. The resulting text is here published for the first time. The restored and uncensored Memoirs of Dr. Charles Burney covers his life from 1726 to 1769, illuminating his early career and the musical and theatrical life of London and the provinces in the mid-eighteenth century. The editors have skillfully bridged the fragments with material from other sources, including Burney's later letters. Their annotations, drawn in part from the articles on music that Burney wrote while he was working on his memoirs, reveal many new details about his world.




Memoirs of Dr. Charles Burney, 1726-1769


Book Description

Charles Burney (1726-1814) was one of the foremost music historians of the Enlightenment, a friend of David Garrick, correspondent of Diderot and Rousseau, a champion of Haydn, and a member of the Royal Society. The frequency with which he is still quoted by musicologists and historians attests to the continuing relevance and importance of his work. After completing his monumental General History of Music (1776-89), Burney began to write a projected twelve-volume autobiography, a taska he abandoned in 1805. When he died nearly a decade later, his daughter, the novelist Fanny Burney, edited the manuscript but destroyed much of it before publishing her own bowdlerized Memoirs of Dr. Burney in 1832. Not until the 1950s did fragments of the original memoirs, long believed lost, come to light. This edition reconstructs the fragments from Burney's first volume, free of Fanny Burney's interpolations and alterations. The resulting text is here published for the first time. The restored and uncensored Memoirs of Dr. Charles Burney covers his life from 1726 to 1769, illuminating his early career and the musical and theatrical life of London and the provinces in the mid-eighteenth century. The editors have skillfully bridged the fragments with material from other sources, including Burney's later letters. Their annotations, drawn in part from the articles on music that Burney wrote while he was working on his memoirs, reveal many new details about his world.




The Letters of Dr Charles Burney


Book Description

This volume of letters by Charles Burney, the first to be published since 1991, runs from 1794 to 10 January 1800, beginning with his recovery from a debilitating attack of rheumatism, continuing with the death of his wife in 1796, and ending with the shocking death of his daughter Susanna. Certain leitmotifs, typical of Burney's concerns, stand out throughout the volume: his trepidation over the war with France and its effect on domestic politics, his exhausting social life, his travels, and his publication of the memoirs of the poet and lyricist Metastasio. A staunch monarchist and a self-confessed 'allarmist', Burney is haunted 'day and night' by the French Revolution and the threat that Republican France poses to 'religion, morals, liberty, property, & life'. He frets frequently over those he considers to be domestic Jacobins, a word he uses forty-seven times in the course of the volume to describe anyone whose politics differ from his own conservative values. Although Burney turns sixty-eight in April 1794, in this volume he barely slows down his habitual hectic pace of teaching and publishing. In the summer of 1795, he publishes his final book, Memoirs of the Life and Writings of the Abate Pietro Metastasio, despite a hectic social life that sees him hobnobbing with the elite in society and politics and a love of travel that takes him to the homes of friends in Hampshire and Cheshire and into his past on a nostalgic visit to Shrewsbury, his childhood home.




The Letters of Dr. Charles Burney


Book Description

This volume of letters by Charles Burney, the first to be published since 1991, runs from 1794 to 10 January 1800, beginning with his recovery from a debilitating attack of rheumatism, continuing with the death of his wife in 1796, and ending with the shocking death of his daughter Susanna. Certain leitmotifs, typical of Burney's concerns, stand out throughout the volume: his trepidation over the war with France and its effect on domestic politics, his exhausting social life, his travels, and his publication of the memoirs of the poet and lyricist Metastasio. A staunch monarchist and a self-confessed 'allarmist', Burney is haunted 'day and night' by the French Revolution and the threat that Republican France poses to 'religion, morals, liberty, property, & life'. He frets frequently over those he considers to be domestic Jacobins, a word he uses forty-seven times in the course of the volume to describe anyone whose politics differ from his own conservative values. Although Burney turns sixty-eight in April 1794, in this volume he barely slows down his habitual hectic pace of teaching and publishing. In the summer of 1795, he publishes his final book, Memoirs of the Life and Writings of the Abate Pietro Metastasio, despite a hectic social life that sees him hobnobbing with the elite in society and politics and a love of travel that takes him to the homes of friends in Hampshire and Cheshire and into his past on a nostalgic visit to Shrewsbury, his childhood home.




The Cambridge Companion to Frances Burney


Book Description

Frances Burney (1752–1840) was the most successful female novelist of the eighteenth century. Her first novel Evelina was a publishing sensation; her follow-up novels Cecilia and Camilla were regarded as among the best fiction of the time and were much admired by Jane Austen. Burney's life was equally remarkable: a protegee of Samuel Johnson, lady-in-waiting at the court of George III, later wife of an emigre aristocrat and stranded in France during the Napoleonic Wars, she lived on into the reign of Queen Victoria. Her journals and letters are now widely read as a rich source of information about the Court, social conditions and cultural changes over her long lifetime. This Companion is the first volume to cover all her works, including her novels, plays, journals and letters, in a comprehensive and accessible way. It also includes discussion of her critical reputation, and a guide to further reading.




Dr. Charles Burney and the Organ


Book Description

Whereas Dr Burney's writings are often mentioned in studies on eighteenth-century music, not much interest seems to have been given specifically to his relation to the organ, which played an important part in his professional career as a practising musician. No better introduction to the aesthetic ethos of the eighteenth-century English organ can be found than in Burney's remarks disseminated in his various writings. Taken together, they construct a coherent discourse on taste and constitute an aesthetic. Burney's view of the organ is indicative of a broader ethos of moderation that permeates his whole work, and is at one with the dominant moral philosophy of Georgian England. This conception is ripe with patriotic undertones, while it also articulates a constant plea for politeness as a condition for harmonious social interaction. He believed that moderation, simplicity, and fancy were the constituents of good taste as well as good manners.




Word and Music Studies


Book Description

The eighteen interdisciplinary essays in this volume were presented in 2001 in Sydney, Australia, at the Third International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The conference celebrated the sixty-fifth birthday of Steven Paul Scher, arguably the central figure in word and music studies during the last thirty-five years. The first section of this volume comprises ten articles that discuss, or are methodologically based upon, Scher’s many analyses of and critical commentaries on the field, particularly on interrelationships between words and music. The authors cover such topics as semiotics, intermediality, hermeneutics, the de-essentialization of the arts, and the works of a wide range of literary figures and composers that include Baudelaire, Mallarmé, Proust, T. S. Eliot, Goethe, Hölderlin, Mann, Britten, Schubert, Schumann, and Wagner.The second section consists of a second set of papers presented at the conference that are devoted to a different area of word and music studies: cultural identity and the musical stage. Eight scholars investigate – and often problematize – widespread assumptions regarding ‘national’ and ‘cultural’ music, language, plots, and production values in musical stage works. Topics include the National Socialists’ construction of German national identity; reception-based examinations of cultural identity and various “national” opera styles; and the means by which composers, librettists, and lyricists have attempted to establish national or cultural identity through their stage works.




The Early Journals and Letters of Fanny Burney: Volume V, 1782-1783


Book Description

Volume V of The Early Journals and Letters of Fanny Burney covers a period of significant gains and losses for the young writer. Professionally, Burney consolidated her reputation as England's premier novelist with the publication of Cecilia. Through a mutual friendship she gained an appointment as Keeper of the Robes to Queen Charlotte, a position that provided both financial security and an insider's view to life at Court. Burney's professional success during these years was balanced by countless personal setbacks. Deprived of the companionship of her favourite sister following her sister's marriage, she also lost the friendship of Hester Lynch Thrale who grew increasingly distant during her romantic attachment to Gabriel Piozzi (whom she married in 1784). The death of her dear friend and mentor Samuel Crisp causes Burney deep sadness, and her emotional turmoil is further exacerbated by her introduction to George Owen Cambridge, a young clergyman to whom she is clearly attracted but who refuses to either declare himself to her, or leave her in peace. Throughout these trials and triumphs, Burney - an artist with an acute sense of the complexities and vagaries of human nature - never ceases to fix her lens on the fashions and follies of English society as they emerge in the manners of her time.




The Letters of Sarah Harriet Burney


Book Description

This scholarly edition presents for the first time all of the known surviving letters of British novelist Sarah Harriet Burney (1772-1884). The overwhelming majority of these letters--more than ninety percent--have never before been published. Burney's accomplishments, says Lorna J. Clark, have been unjustly overlooked. She published five works of fiction between 1796 and 1839, all of which met with reasonable success, including Traits of Nature (1812), which sold out within three months. These letters position Burney among her fellow women writers and shed light on her relations with her publisher and her ambivalence toward her own work and her readership. Her lively observation of the literary scene evinces the range and scope of her reading, as well as her awareness of literary trends and developments. Burney was, for example, remarkably prescient in recognizing, and praising from the first, the talent of Jane Austen, and met several of the authors of her day. A challenging new perspective on family matters also emerges in the letters. The youngest child of the second marriage of Charles Burney, and the only daughter to remain unmarried, Sarah Harriet had the unenviable task of caring for her father in his later years. Her letters reveal a darker side of Dr. Burney, and also help to round out our image of a more favored daughter, Sarah Harriet's half-sister (and fellow novelist), Frances Burney. As literature, Clark observes, Burney's letters are, arguably, her best work. Thoroughly versed in the epistolary arts, she sought always to amuse and entertain her correspondents. Burney ultimately emerges as a quiet but heroic single woman, relegated to the margins of society where she struggled for independence and self-respect. Displaying literary qualities and a lively sense of humor, the letters provide a fascinating insight into the literary, political, and social life of the day.




Mozart


Book Description

Few people these days would question Mozart's rating as the most popular of all classical composers. Yet there exists no substantial, up-to-date English-language study of the man and his works. In this new study of Mozart's early years, Stanley Sadie aims to fill this gap in the form of a traditional biography on a straightforward chronological basis. The volume covers the period up to 1781, the year of Idomeneo and Mozart's settling in Vienna. Individual works are discussed in sequence and related to the events of his life. Stanley Sadie draws substantially on the family correspondence, quoting the letters and discussing what they tell us about Mozart and his world and his relationships with his family and his professional colleagues. Also included is a discussion of all aspects of Mozart's life and his music, relating them to the environment in which he worked, social, economic and cultural as well as musical. Much new material connected with Mozart has come to light in recent years. There have been discoveries of musical sources and new ways of studying known ones. Such finds and methods have changed our view of the chronology of many works and they often have significant biographical ramifications. Understanding of the context for Mozart's music, and indeed his life, has broadened immensely. Stanley Sadie's biography digests and interprets this corpus of new information.