MEMOIRS OF MARGUERITE DE VALOI


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Memoirs of Marguerite de Valois, Queen of France, Wife of Henri IV; Of Madame de Pompadour of the Court of Louis XV; And of Catherine de Medici, Queen of France, Wife of Henri II


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.










Memoirs of Marguerite de Valois, Queen of France, Wife of Henri IV; of Madame de Pompadour of the Court of Louis XV; and of Catherine de Medici, Queen of France, Wife of Henri II


Book Description

Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.







Memoirs and Historical Chronicles of the Courts of Europe: Memoirs of Marguerite de Valois, Queen of France, Wife of Henri IV; of Madame de Pompadour of the Court of Louis XV; and of Catherine de Medici, Queen of France, Wife of Henri II


Book Description

The Secret Memoirs of Henry of Navarre's famous queen possess a value which the passage of time seems but to heighten. Emanating as they undoubtedly do from one of the chief actors in a momentous crisis in French history, and in the religious history of Europe as well, their importance as first-hand documents can hardly be overestimated. While the interest which attaches to their intimate discussions of people and manners of the day will appeal to the reader at the outset. Marguerite de Valois was the French contemporary of Queen Elizabeth of England, and their careers furnish several curious points of parallel. Marguerite was the daughter of the famous Catherine de Médicis, and was given in marriage by her scheming mother to Henry of Navarre, whose ascendant Bourbon star threatened to eclipse (as afterwards it did) the waning house of Valois. Catherine had four sons, three of whom successively mounted the throne of France, but all were childless. Although the king of the petty state of Navarre was a Protestant, and Catherine was the most fanatical of Catholics, she made this marriage a pretext for welding the two houses; but actually it seems to have been a snare to lure him to Paris, for it was at this precise time that the bloody Massacre of St. Bartholomew's day was ordered. Henry himself escaped--it is said, through the protection of Marguerite, his bride,--but his adherents in the Protestant party were slain by the thousands. A wedded life begun under such sanguinary auspices was not destined to end happily. Indeed, their marriage resembled nothing so much as an armed truce, peaceable, and allowing both to pursue their several paths, and finally dissolved by mutual consent, in 1598, when Queen Marguerite was forty-five. The closing years of her life were spent in strict seclusion, at the Castle of Usson, in Auvergne, and it was at this time that she probably wrote her Memoirs. In the original, the Memoirs are written in a clear vigorous French, and in epistolary form. Their first editor divided them into three sections, or books. As a whole they cover the secret history of the Court of France from the years 1565 to 1582--seventeen years of extraordinary interest, comprising, as they do, the Massacre of St. Bartholomew, already referred to, the formation of the famous League, the Peace of Sens, and the bitter religious persecutions which were at last ended by the Edict of Nantes issued after Henry of Navarre became Henry IV. of France. Besides the political bearing of the letters, they give a picturesque account of Court life at the end of the 16th century, the fashions and manners of the time, piquant descriptions, and amusing gossip, such as only a witty woman--as Marguerite certainly was--could inject into such subjects. The letters, indeed, abound in sprightly anecdote and small-talk, which yet have their value in lightening up the whole situation.




Mistresses


Book Description

“A lively and nuanced look at gender roles as they have been revealed by the lives of concubines and mistresses over the centuries” (Kirkus). She exists as both a fictional character and as a flesh-and-blood human being. But who is she, really? Why do women become mistresses, and what is it like to have a private life that is usually also a secret life? Is a mistress merely a wife-in-waiting, or is she the very definition of the emancipated, independent female? Elizabeth Abbott intelligently examines the motives and morals of some of history's most infamous and fascinating women, from antiquity to today. Drawing intimate portraits of those who have—by chance, coercion, or choice—assumed this complex role, Mistresses offers a rich blend of personal biography and cultural insight. “Ms. Abbott is delightfully indiscreet, with an eye for a good story and a colloquial style . . . She has done the ladies a service by bringing them out of the shadows.” —The Economist




From Plantation to Paradise?


Book Description

In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre–French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers’s book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, décor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of créole texts and white actors/singers à visage noirs (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of “patriotic theatres,” and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States.