Understanding Early Christian Art


Book Description

Understanding Early Christian Art is designed for students of both religion and of art history. It makes the critical tools of art historians accessible to students of religion, to help them understand better the visual representations of Christianity. It will also aid art historians in comprehending the complex theology, history and context of Christian art. This interdisciplinary and boundary-breaking approach will enable students in several fields to further their understanding and knowledge of the art of the early Christian era. Understanding Early Christian Art contains over fifty images with parallel text.




The Early Christian Monuments of Ravenna


Book Description

"This study takes the transformations of the monuments of Ravenna as a starting point to explore the city's attitude towards its religious cultural heritage throughout the centuries. Together with the local historiographical sources, dating from Medieval and Early Modern times, they provide a picture of the manner in which Ravenna experienced, appropriated and imagined its past....By considering Early Christian Ravenna from the context of cultural memory, involving both material and written sources, new insights are yielded on a frequently researched subject."--P. [4] of cover.




The Oxford Handbook of Early Christian Archaeology


Book Description

"This handbook brings together work by leading scholars of the archaeology of early Christianity in the Mediterranean and surrounding regions. The 34 essays to this volume ground the history, culture, and society of the first seven centuries of Christianity in the latest currents of archaeological method, theory, and research."--










Early Christian Attitudes Toward Images


Book Description

For all iconophiles, that is, those who accept the dogma of the Seventh Ecumenical Council, but especially the Orthodox who claim that the icon has a sacramental and mystical character, it is naturally disquieting to hear the claim that the early Christians were aniconic and iconophobic. If this claim is true, the theology and the veneration of the icon are seriously undermined. It is, therefore, natural for iconophiles to attempt to disprove the thesis according to which the early Christians had no images whatsoever (aniconic) because they believed them to be idols (iconophobic). It is equally natural for iconophiles to want to substantiate, as much as this is possible, their deep intuition that the roots of Christian iconography go back to the apostolic age. This study weakens the notion and credibility of the alleged hostility of the early Christians to non-idolatrous images, providing a more balanced evaluation of this question.




Crispina and Her Sisters


Book Description

Cripina and Her Sisters explores visual imagery found on burial artifacts of prominent early Christian women. It carefully situates the tomb art within the cultural context of customary Roman commemorations of the dead and provides an in-depth review of women‘s history in the first four centuries of Christianity. From this, a fascinating picture emerges of women‘s authority in the early church--a picture either not readily available or recognized, or even sadly distorted in the written history.




Memory in Ancient Rome and Early Christianity


Book Description

Memory in Ancient Rome and Early Christianity presents perspectives from an international and interdisciplinary range of contributors on the literature, history, archaeology, and religion of a major world civilization, based on an informed engagement with important concepts and issues in memory studies.




Early Christianity in Lycaonia and Adjacent Areas


Book Description

This work gives a detailed survey of the rise and expansion of Christianity in ancient Lycaonia and adjacent areas, from Paul the apostle until the late 4th-century bishop of Iconium, Amphilochius. It is essentially based on hundreds of funerary inscriptions from Lycaonia, but takes into account all available literary evidence. It maps the expansion of Christianity in the region and describes the practice of name-giving among Christians, their household and family structures, occupations, and use of verse inscriptions. It gives special attention to forms of charity, the reception of biblical tradition, the authority and leadership of the clergy, popular theology and forms of ascetic Christianity in Lycaonia.