Memorials of William Mulready, R.a


Book Description

Memorials of William Mulready RA is a biographical work that details the life and career of the British artist William Mulready. The book is written by Frederic George Stephens, a noted art critic and writer of the Victorian era. It includes analysis of Mulready's work, along with personal anecdotes and insights into his life. It is a valuable resource for anyone interested in the art and culture of 19th century Britain. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.



















Publisher and Bookseller


Book Description

Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.




England's First Family of Writers


Book Description

A collective consideration of Wollstonecraft, Godwin, and Shelley with “extended and sophisticated readings of many of [their] neglected works” (Choice). Life and literature were inseparable for Mary Wollstonecraft, William Godwin, and Mary Shelley. In England’s First Family of Writers, Julie A. Carlson demonstrates how and why the works of these individuals can best be understood within the context of the family unit in which they were created. The first to consider their writing collectively, Carlson finds in the Wollstonecraft-Godwin-Shelley dynasty a family of writers whose works are in intimate dialogue with each other. For them, literature made love and produced children, as well as mourned, memorialized, and reanimated the dead. Construing the ways in which this family’s works minimize the differences between books and persons, writing and living, Carlson offers a nonsentimental account of the extent to which books can live and inform life and death. Carlson also examines the unorthodox clan’s status as England’s first family of writers. She explores how, over time, their reception has evinced ongoing public resistance to those who critique family values.