Memories of My Father Watching TV


Book Description

For the boy narrator of this tale, to be a man one must kill one's father. He plays out the fantasy as he watches a war movie with him on TV. "My father was a German pontoon bridge ... he had to be taken out."




Symbolism 15


Book Description

While paratexts – among them headnotes, footnotes, or endnotes – have never been absent from American literature, the last two decades have seen an explosion of the phenomenon, including (mock) scholarly footnotes, to an extent that they seem to take over the text itself. In this Special Focus we shall attempt to find the reasons for this astonishing development. In our first (diachronic) section we shall explore such texts as might have fostered the present boom, from fictions by Edgar Allan Poe to Vladimir Nabokov to Mark Z. Danielewski. The second (synchronic) section, will concentrate on paratexts by David Foster Wallace, perhaps the “father” of the post-postmodern footnote, as well as those to be found in novels by Bennett Sims, Jennifer Egan and Junot Diaz, among others. It appears that, while paratexts definitely point to a high degree of self-reflexivity in the author, they equally draw attention to the textual and authorial functions of the works in which they exist. They can thus cause a reflection on the boundaries between genres like fiction, faction, and autobiography, as well as serving to highlight a host of pedagogical and social concerns that exist in the interstices between fiction and reality.




American Literature in Transition, 1990–2000


Book Description

Written in the shadow of the approaching millennium, American literature in the 1990s was beset by bleak announcements of the end of books, the end of postmodernism, and even the end of literature. Yet, as conservative critics marked the century's twilight hours by launching elegies for the conventional canon, American writers proved the continuing vitality of their literature by reinvigorating inherited forms, by adopting and adapting emerging technologies to narrative ends, and by finding new voices that had remained outside that canon for too long. By reading 1990s literature in a sequence of shifting contexts - from independent presses to the AIDS crisis, and from angelology to virtual reality - American Literature in Transition, 1990–2000 provides the fullest map yet of the changing shape of a rich and diverse decade's literary production. It offers new perspectives on the period's well-known landmarks, Toni Morrison, Thomas Pynchon, David Foster Wallace, but also overdue recognition to writers such as Ana Castillo, Evan Dara, Steve Erickson, and Carole Maso.




The Age of Wire and String


Book Description

"A rare, genius-struck achievement . . . filled with great beauties, high themes, enormous sorrows." Kirkus Reviews




Electronic Literature


Book Description

Electronic Literature considers new forms and genres of writing that exploit the capabilities of computers and networks – literature that would not be possible without the contemporary digital context. In this book, Rettberg places the most significant genres of electronic literature in historical, technological, and cultural contexts. These include combinatory poetics, hypertext fiction, interactive fiction (and other game-based digital literary work), kinetic and interactive poetry, and networked writing based on our collective experience of the Internet. He argues that electronic literature demands to be read both through the lens of experimental literary practices dating back to the early twentieth century and through the specificities of the technology and software used to produce the work. Considering electronic literature as a subject in totality, this book provides a vital introduction to a dynamic field that both reacts to avant-garde literary and art traditions and generates new forms of narrative and poetic work particular to the twenty-first century. It is essential reading for students and researchers in disciplines including literary studies, media and communications, art, and creative writing.




Why? When Both My Parents Took Their Lives


Book Description

When she was only seven, Yin's mother took her own life. Forty years later her father jumped to his death. This is the story of how she survived her parents' suicides. “When someone dear to us dies through suicide, we are left with the agonising ordeal of having to survive the heart-rending loss. It traumatises us and leaves us with a profound struggle to make sense of the suicide and learn to live again. This first-hand narration promises not only to enlighten, but also serves as a balm for those working through their own loss and grief.”— from the foreword by Anthony Yeo




Fiction Now


Book Description

Fiction Now reports on the current states of the novel in France, taking a series of soundings within the compass of innovative French writing since 2001. Chapters focus closely upon Jean Echenoz, Marie Redonnet, Christian Gailly, Lydie Salvayre, Gérard Gavarry, Hélène Lenoir, Patrick Lapeyre, and Christine Montalbetti. Each of the authors invoked exemplified in his or her work a different set of strategies, concerns, and approaches: one of them transposes the Book of Judith to the Parisian suburbs; another imagines the most taciturn of cowboys in the American West; still another goes well beyond death, into the afterlife of a concert pianist. Despite their diversity of theme and technique, these writers share a will to make French fiction new, and demonstrate compellingly that the novel as it is practiced in France today is an extremely vigorous, deeply enthralling, and richly plural cultural form.




Diary of a Blood Donor


Book Description

Here, Unt rather blasphemously weaves this national icon and her Latvian doctor husband into a postmodern tale of vampires and a mysterious trip to Leningrad.




Das Gehirn meines Vaters


Book Description

2-sprachiger Lektüreband mit einer Erzählung von Jonathan Frantzen und einer Audio-CD mit dem englischen Text; für Lernende mit guten Vorkenntnissen.




Savage


Book Description

Alluding to Jean-Paul Sartre's famous study of Gustave Flaubert, Jouet's recent book asks, "What, at this point in time, can we make of a man?" As a member of the Oulipo (Ouvroir de Littrature Potentielle), a group of French writers and mathematicians who use constrained writing techniques for inspiration, Jouet's literary output is often characterized as avant-garde. This is a work of fiction based upon the life of painter Paul Gauguin. The prose is a first-person stream of consciousness that follows Paul, a clothing designer, in search of inspiration. Traveling among the people of France's colonies, Paul adopts a radical approach to design and, in the process, unravels his own sense of civility among the "savages." While his ideas expand artistically, his body and mind deteriorate physically from disease. In the end, the reader wonders whether Paul gained insight at the expense of sanity or vice versa. Often fascinating and brilliant, this book contains much of value for the patient reader, but it is not for everyone. Recommended for those interested in subversive and experimental fiction.Joshua Finnell, McNeese State Univ. Lib., Lake Charles, LA Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.