Men Photographing Women In The 70s


Book Description

One day each year camera-wielding men who paid the cover charge were invited into the Festival Theater, a strip club in Chicago, for 'Camera Night' and permitted to direct their lens anywhere they liked. Shot between 1978-80, these images offer a cheeky retrospective look at the way in which men used to look at women. By choosing to photograph the men photographing the women, Abramson was able to remove himself from the sordidness and yet show it to us at the same time.




Holy


Book Description

Photographer Donna Ferrato goes on a radical 50-year road trip across the USA as women fight for equality in the bedroom and the boardroom. Holy follows her journey from the sexual revolution of the '60s through the #metoo era of today. Holy is forged from one woman's outrage against a woman-hating world. May it anger you. Donna Ferrato's radical photographs show what women are capable of surviving. More than survive, Holy depicts women who prevail. Holy is an invitation to understand how it feels being held down by the patriarchy-what we are fighting for, what we are up against--and how we manage to maintain a sense of desire and appetite. Fighting for equality in the bedroom and the boardroom, Ferrato's journey follows the sexual revolution of the '60s through the #metoo era of today. Holy is a showcase of power. Donna's images reveal women's bodies in all their monstrous glory-even her own. May these photographs mobilize you, whether you are cis or trans, young or old, butch or femme. Human survival depends on women. Embrace your instincts, desires, brainpower, and strength. Embrace each other.




Women


Book Description

"Women: Portraits 1960-2000 is a compilation of portraits taken by American photographer Susan Wood of some of the most prominent and influential women of the 20th century. Her notable subjects include Diane von Furstenberg, Martha Stewart, Nora Ephron, Alice Waters, Jayne Mansfield, and Gloria Vanderbilt among many others. Susan Wood's work represents a number of milestones in American photography over a period of more than 40 years. She was involved with the original "Mad Men" of Madison Avenue and during that time won a Clios, the most sought-after award in advertising. Mademoiselle chose her as one of their top Ten Women of the Year and her work appeared in many other periodicals including Vogue, Life, Look, Harper's Bazaar, and New York magazine. Susan Wood was a founding member of the Women's Forum and was involved in the fight for women's rights and equality in the 1960s and 1970s. She was also friends with many of the vanguard of the feminist movement including Betty Friedan and Gloria Steinem. Although her most famous magazine cover is an epochal photograph of John Lennon and Yoko Ono for Look, Susan is also noted for her movie stills. Under contract to Paramount Pictures, United Artists and 20th Century Fox, Ms. Wood was on set during the filming of movies that defined the 1960s such as Easy Rider and Hatari. She has been represented by Getty Images since 2004." --




Women Street Photographers


Book Description

With a rising number of women throughout the world picking up their cameras and capturing their surroundings, this book explores the work of 100 women and the experiences behind their greatest images. Traditionally a male-dominated field, street photography is increasingly becoming the domain of women. This fantastic collection of images reflects that shift, showcasing 100 contemporary women street photographers working around the world today, accompanied by personal statements about their work. Variously joyful, unsettling and unexpected, the photographs capture a wide range of extraordinary moments. The volume is curated by Gulnara Samoilova, founder of the Women Street Photographers project: a website, social media platform and annual exhibition. Photographer Melissa Breyer's introductory essay explores how the genre has intersected with gender throughout history, looking at how cultural changes in gender roles have overlapped with technological developments in the camera to allow key historical figures to emerge. Her text is complemented by a foreword by renowned photojournalist Ami Vitale, whose career as a war photographer and, later, global travels with National Geographic have allowed a unique insight into the realities of working as a woman photographer in different countries. In turns intimate and candid, the photographs featured in this book offer a kaleidoscopic glimpse of what happens when women across the world are behind the camera.




Emergence


Book Description




Taxi


Book Description

New York City in the late '70s was a collection of villages with its downtown scene, midtown workers, and uptown elegance. It was also a city that was more integrated than ever before or ever would be again. All of the city's humanity met in its streets with layered soundtracks of salsa, rock, disco, reggae, and soon hip-hop booming for all to groove to. But, NYC was also a place of chaos and mayhem. Teetering on the brink of bankruptcy with rampant crime it was the city's drug users, dealers, and pimps and prostitutes who ruled the streets of Manhattan. The grittiness of the city was a beacon and a promise to many outsiders, those who didn't quite fit into any mold, and a vibrant LGBTQ community became the nexus of an underworld of sex workers who liked to party. For a NYC cabbie such as Joseph Rodriguez, the hot spots to pick up fares were clubs like the Hellfire, Mineshaft, The Anvil, The Vault, and Show World. Losing his first camera and lens in a classic '70s New York stabbing and mugging, Rodriguez's wounds healed and he armed himself with a new camera to document what he saw on the job: hookers getting off their shifts, transvestites and S&M partiers doin' it in the back seat or somehow pulling off an unlikely costume change from bondage gear to emerge from the cab clean-cut in an oxford and khakis ready to face unwitting family and friends. A humanist at heart, his photographs speak of the dignity of the city's working class from all the boroughs and those struggling to get by. The Economic Hardship Reporting Project provided funding to support Taxi: Journey Through My Windows 1977–1987.




Work from Shed


Book Description

Remote working is here to stay. More people than ever before are finding it's not just possible to work from home but much more productive, affordable and - as this book will show you - inspiring. For of all the places to create a workspace in your home, the garden offers a unique opportunity for architects to innovate. From visually arresting structures that transform the experience of working to plant-covered studios built in harmony with nature, the exquisite photography and informative text will show you just what can be built in a backyard. Why commute to an office when you can Work from Shed?




Senior Love Triangle


Book Description

A romantic conflict between three seniors: love, jealousy, and solitude play a major role not only in the life of young people.




Love and Lust


Book Description

From the award-winning photographer of Aperture's seminal Living with the Enemy, now in its fourth printing, comes Donna Ferrato's second book, Love and Lust. In these photographs, representing nearly thirty years of her work, Ferrato encourages a relaxed acceptance of all the positive expressions of human feeling, be they childlike or provocative and fabulously steamy.




Sovereign


Book Description

Sensual. Vibrant. Self-possessed. The women visualized in Sovereign are individual yet iconic in how Jocelyn Lee chooses to frame each one, subtly shifting focus and leading the viewer to engage subject and environment equally in the immersive scenes of her creation. This selection of images of women over 55, complemented by still-life photographs from Lee's series "Dark Matter," confronts messaging that pushes women to consider how we might modify, rather than embrace, the process of aging. As Lee states, "It's time we revolutionize the image world and flood it full of real women in real bodies, feeling sensual and wonderful in their very human skin." The desire to accomplish this is challenged by market realities; most of the images surrounding us glorify youth. Lee's luscious works of still lifes and portraits provide a new mirror, reflecting the beauty, strength, and resilience with which she sees women within her community.An essay by Dr. April Watson of the Nelson-Atkins Museum places the work within contemporary art historical context.