Mercy and British Culture, 1760-1960


Book Description

Spanning over 2 centuries, James Gregory's Mercy and British Culture, 1760 -1960 provides a wide-reaching yet detailed overview of the concept of mercy in British cultural history. While there are many histories of justice and punishment, mercy has been a neglected element despite recognition as an important feature of the 18th-century criminal code. Mercy and British Culture, 1760-1960 looks first at mercy's religious and philosophical aspects, its cultural representations and its embodiment. It then looks at large-scale mobilisation of mercy discourses in Ireland, during the French Revolution, in the British empire, and in warfare from the American war of independence to the First World War. This study concludes by examining mercy's place in a twentieth century shaped by total war, atomic bomb, and decolonisation.




Works of Mercy


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Renowned for his illustrations of literary classics by Dostoyevsky and Tolstoy, Fritz Eichenberg, who died in 1991 at the age of 90, was one of the world's master wood engravers. This collection contains his contemporary renderings of the life of Christ--among the homeless, hungry, and persecuted--from his 40 years of contributions to The Catholic Worker newspaper. 50 illustrations.




A Generous and Merciful Enemy


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Some 37,000 soldiers from six German principalities, collectively remembered as Hessians, entered service as British auxiliaries in the American War of Independence. At times, they constituted a third of the British army in North America, and thousands of them were imprisoned by the Americans. Despite the importance of Germans in the British war effort, historians have largely overlooked these men. Drawing on research in German military records and common soldiers’ letters and diaries, Daniel Krebs places the prisoners on center stage in A Generous and Merciful Enemy, portraying them as individuals rather than simply as numbers in casualty lists. Setting his account in the context of British and European politics and warfare, Krebs explains the motivations of the German states that provided contract soldiers for the British army. We think of the Hessians as mercenaries, but, as he shows, many were conscripts. Some were new recruits; others, veterans. Some wanted to stay in the New World after the war. Krebs further describes how the Germans were made prisoners, either through capture or surrender, and brings to life their experiences in captivity from New England to Havana, Cuba. Krebs discusses prison conditions in detail, addressing both the American approach to war prisoners and the prisoners’ responses to their experience. He assesses American efforts as a “generous and merciful enemy” to use the prisoners as economic, military, and propagandistic assets. In the process, he never loses sight of the impact of imprisonment on the POWs themselves. Adding new dimensions to an important but often neglected topic in military history, Krebs probes the origins of the modern treatment of POWs. An epilogue describes an almost-forgotten 1785 treaty between the United States and Prussia, the first in western legal history to regulate the treatment of prisoners of war.




Monthly Bulletin


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European War Collection


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European War Pamphlets


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Bulletin


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Special collections


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Inside Afghanistan


Book Description

He is living what many would call a nightmare. John Weaver is serving God in a war-torn country that is being blamed for the terrorist acts on American soil. Despite the fact that every day is dangerous and possibly life-threatening, John Weaver believes he sees God at work in Afghanistan and he is optimistic about its spiritual future. Inside Afghanistan is the story of the Taliban and September 11, as only this servant of God can tell it. John Weaver was there as the last American aid worker in the hostile country he now calls home. He is witness to God's ability to use ordinary Christians in the U.S. to "spread the Gospel of Jesus Christ to a country that otherwise wouldn't have had the opportunity." This is John Weaver's riveting account of why he went and why he wouldn't leave.