The Very Short, Entirely True History of Mermaids


Book Description

From Ariel to the current craze for Sirens, mermaids have captivated our imaginations. But what's true and what's fairy tale? For centuries, mermaids have appeared in the folklore of cultures from around the world, including the Near East, Europe, Asia, and Africa. And Disney made everyone want to dive under the sea with Ariel when the movie The Little Mermaid hit theaters in 1989. But what are mermaid stories based on? Many myths say these creatures are half human and half fish, while others claim they are simply manatees mistaken for something more magical. Some grant wishes and fall in love, yet others have lured sailors to their doom. Although we can't say for sure where the tales of these elusive figures first originated, author Sarah Laskow separates the fact from the fiction. This full-color, fully illustrated book tells you all you need to know about the myths, science, and history that surround mermaids.




Mermaids 101


Book Description

Mermaids are powerful and graceful inhabitants of the waters who can teach us about harnessing the unconscious mind’s ability to attract, create, and manifest . . . while having a fun and playful life! In this latest entry into her best-selling 101book series (which include Angels 101, Archangels 101, and Fairies 101), Doreen Virtue gives you the fascinating history of mermaids and mermen from Atlantis and beyond. You’ll read about people’s true experiences with mermaids, and learn how you can unleash more manifestation power by tapping into your inner merperson. You’ll also see images of ancient and modern mermaids, including photos and descriptions of men and women who wear neoprene mermaid tails and swim in oceans, pools, and lakes alongside whales, dolphins, and other wildlife. Mermaids 101 is a wonderful reference guide for anyone who is fascinated with this magical underwater world.




The Glass Mermaid


Book Description

I'm the last mermaid. On the shore of Lake Erie, I spend my final days hunting beach glass, making jewelry, and waiting for my mermaid glamour to leave me. Then it will be over. I resigned myself to the fact that there's nothing more for me. Until I saw Cooper. He comes to the beach every day to paint the sunrise and sunset. Nothing in this vast world has sparked my attention as much as him. I have no business falling in love with a human. Not now. And Cooper seems to have secrets of his own. I should leave him alone, but the curious mermaid in me can't let that shiny bauble go. More than anything, I want to be part of his world...before it's too late. Journey to the quaint small town of Chancellor where fairy tales live, dreams come true, and happily-ever-after always reigns supreme. From mermaids to witches to faeries, the residents of Chancellor are far from ordinary. Enjoy these re-envisioned fairy tales loosely based on The Little Mermaid, Cinderella, and classic witch tales. Begin the series with The Glass Mermaid, Book 1 of The Chancellor Fairy Tales series.










Mermaids on the Moon


Book Description

When thirty-five-year-old France’s father calls to say that her mother, Grendy, has run off, France suspects foul play and heads south to investigate. Recently reunited with fellow former “mermaids” from Mermaid Springs, FL—one of the Sunshine State’s premier, pre-Disney attractions—Grendy had successfully revived her career in kitschy underwater pageants. But if she doesn’t find herself or let herself be found soon, she’ll miss the big Labor Day show. While the other fin-toting “merhags” regale France with stories of old—particularly the night Elvis came to town—they’re suspiciously tight-lipped about Grendy’s disappearance. Increasingly convinced that Grendy is in trouble—and that a psychic cat might hold the clue—she makes a series of unexpected, extraordinary discoveries about Mermaid Springs, her mother, and, in turn, herself.




The Feejee Mermaid and Other Essays in Natural and Unnatural History


Book Description

In his new collection of essays, Jan Bondeson tells ten fascinating stories of myths and hoaxes, beliefs and Ripley-like facts, concerning the animal kingdom. Throughout he recounts—and in some instances solves—mysteries of the natural world which have puzzled scientists for centuries. Heavily illustrated with photographs and drawings, the book presents astounding tales from across the rich folklore of animals: a learned pig more admired than Sir Isaac Newton by the English public, an elephant that Lord Byron wanted to employ as his butler, a dancing horse whose skills in mathematics were praised by William Shakespeare, and, of course, the extraordinary creature known as the Feejee Mermaid. This object became the foremost curiosity of London in the 1820s and later in the century toured the United States under the management of P. T. Barnum. Bearing a striking resemblance to a wizened and misshapen monkey with a fishtail, the mermaid was nonetheless proclaimed a genuine specimen by 'experts.' Bondeson explores other zoological wonders: toads living for centuries encased in solid stone, little fishes raining down from the sky, and barnacle geese growing from trees until ready to fly. In two of his most fascinating chapters, he uncovers the origins of the basilisk, considered one of the most inexplicable mythical monsters, and of the Vegetable Lamb of Tartary. With the head and body of a rooster and the tail of a snake, the basilisk was said to be able to kill a person with its gaze. Bondeson demonstrates that belief in this fabulous creature resulted from misinterpretations of rare events in natural history. The vegetable lamb, a mainstay of museums in the seventeenth century, was allegedly half plant, half animal: it had the shape of a little lamb, but grew from a stem. After examining two vegetable lambs still in London today, Bondeson offers a new theory to explain this old fallacy.




A Passion for Sea Glass


Book Description

Some people's passion for sea glass goes beyond collecting—they use it to create something of beauty. Carole Lambert, author of Sea Glass Chronicles, gives us entree into the studios of those who do everything from gathering and amassing sea glass mulch for landscaping to designing stained-sea-glass windows. This volume will arouse a renewed sense of wonder in those who already possess a passion for sea glass and win legions of new sea-glass devotees.




The mermaids bay


Book Description

A book appropriate to primary school kids, supported by beautiful drawings by Cristina Sottile , translated into English by Sam Palella, telling the story of baron Tallone who wants to take possession of a gorgeous bay, that is the Mermaids Bay, aka "Ngònia" to the citizens of Milazzo, Milazzesi, because "he hates people gathering in Summer, lovers who are fond of themselves and the children playing on the beach. In summary he hates people's joy which he unfortunately does not share in." Mermaids are standing in the way of his desire of possession, they come into play to safeguard the freedom of accessing to such a beautiful and unpolluted place. A fable aiming at educating to develop respect for nature and your neighbour, furtherly it draws the moral, money cannot buy really anything!!!




Mermaids and the Production of Knowledge in Early Modern England


Book Description

We no longer ascribe the term ’mermaid’ to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid’s image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid’s existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates.