Cultural, Linguistic and Ethnological Interrelations In and Around Armenia


Book Description

The geographical region of the Southern Caucasus, the lowlands between the Black and the Caspian Sees and the Armenian and Anatolian highlands is located on the peripheries of Europe from Asia. This region shares a common pre-history, with pre-Christian and pre-Muslim cultures and beliefs. The later periods, however, starting from the pre-Christian Iranian dominations, followed by the Arab conquest and the later campaigns of Seljuks, Mongols and Ottomans, had a heavy impact on the development of the region’s various ethnic languages and cultures. Nevertheless, many similarities can be found in the languages, cultures and religious traditions of the people living in this region. Armenia has often been a bridge between various cultures. Even though Armenians have succeeded in preserving their original language and culture through the centuries, many of their traditions and myths, their linguistic peculiarities, particularly in Armenian dialects, may be explained by an often long-lasting influence of other cultures, be it occidental (Hellenistic/Roman, later Byzantine and Medieval European) or oriental (Iranian, later Arab, Turkic, Mongolian, etc.) or even Caucasian. The Armenians have also left many traces in the languages and cultures of the Occident, Orient and the Caucasus. This volume gives an impressive approach to an interdisciplinary view of the linguistic and cultural properties which Armenians share with their neighbours.




The J. Paul Getty Museum Journal


Book Description

The J. Paul Getty Museum Journal 14 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, paintings, and photographs. Volume 14 includes articles written by Dietrich von Bothmer, Dietrich Willers, Jean-Louis Zimmermann, Marjatta Nielsen, R. R. R. Smith, Lawrence J. Bliquez, Anne Ratzki-Kraatz, Charissa Bremer-David, Simon Jervis, Gillian Wilson, C. Gay Nieda, Rosalind Savill, M. Roy Fisher, Nigel Glendinning, Burton B. Fredericksen, Graham Smith and Anne McCauley.




Armenia


Book Description

At the foot of Mount Ararat on the crossroads of the eastern and western worlds, medieval Armenians dominated international trading routes that reached from Europe to China and India to Russia. As the first people to convert officially to Christianity, they commissioned and produced some of the most extraordinary religious objects of the Middle Ages. These objects—from sumptuous illuminated manuscripts to handsome carvings, liturgical furnishings, gilded reliquaries, exquisite textiles, and printed books—show the strong persistence of their own cultural identity, as well as the multicultural influences of Armenia’s interactions with Romans, Byzantines, Persians, Muslims, Mongols, Ottomans, and Europeans. This unprecedented volume, written by a team of international scholars and members of the Armenian religious community, contextualizes and celebrates the compelling works of art that define Armenian medieval culture. It features breathtaking photographs of archaeological sites and stunning churches and monasteries that help fill out this unique history. With groundbreaking essays and exquisite illustrations, Armenia illuminates the singular achievements of a great medieval civilization. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}







Mesrop of Xizan


Book Description

Illuminator, painter, scribe, clerk, teacher, doctor of theology, restorer and binder, Mesrop was one of the greatest Armenian artists of his and following generations. He was prolific, working for at least forty-two years in Sos (New Julfa) from 1608 to 1651.




The J. Paul Getty Museum Journal


Book Description

Vols. include an "acquisitions supplement" listing the Museum's acquisitions for the preceding year.







IBN


Book Description







Studies in Armenian Art


Book Description

Nira Stone (1938-2013) was a scholar of Armenian and Byzantine Art. Her broad and close acquaintance with the field of Armenian art history covered many fields of Armenian artistic creativity. Nira Stone made notable contributions to the study of Armenian manuscript painting, mosaics, and other forms of artistic expression. Of particular interests are her researches on this art in its historical and religious contexts, such as the study of apocryphal elements in Armenian Gospel iconography, the place of the mosaics of Jerusalem in the context of mosaics in Byzantine Palestine, and of the interplay between religious movements, such as hesychasm, and Armenian manuscript painting.