Metareference across Media: Theory and Case Studies


Book Description

Strange as it may seem, Cervantes’s novel Don Quixote, Marc Forster’s film Stranger than Fiction, Shakespeare’s play A Midsummer Night’s Dream, Pere Borrell del Caso’s painting “Escaping Criticism” reproduced on the cover of the present volume and Mozart’s sextet “A Musical Joke” all share one common feature: they include a meta-dimension. Metaization – the movement from a first cognitive, referential or communicative level to a higher one on which first-level phenomena self-reflexively become objects of reflection, reference and communication in their own right – is in fact a common feature not only of human thought and language but also of the arts and media in general. However, research into this issue has so far predominantly focussed on literature, where a highly differentiated, albeit strictly monomedial critical toolbox exists. Metareference across Media remedies this onesidedness and closes the gap between literature and other media by providing a transmedial framework for analysing metaphenomena. The essays transcend the current notion of metafiction, pinpoint examples of metareference in hitherto neglected areas, discuss the capacity for metaization of individual media or genres from a media-comparative perspective, and explore major (historical) forms and functions as well aspects of the development of metaization in cultural history. Stemming from diverse disciplinary and methodological backgrounds, the contributors propose new and refined concepts and models and cover a broad range of media including fiction, drama, poetry, comics, photography, film, computer games, classical as well as popular music, painting, and architecture. This collection of essays, which also contains a detailed theoretical introduction, will be relevant to students and scholars from a wide variety of fields: intermediality studies, semiotics, literary theory and criticism, musicology, art history, and film studies.




The Metareferential Turn in Contemporary Arts and Media


Book Description

Preliminary Material -- Is There a Metareferential Turn, and If So, How Can It Be Explained? -- Writing on the Writer's Block Metaization and/as Lack of Inspiration /Andreas Mahler -- Fantasy Fiction in Fantasy Fiction: Metareference in the Otherworld of the Faërie /Sonja Klimek -- Intermedial Metareference Index and Icon in William Gass's Willie Masters' Lonesome Wife /John Pier -- The Quest for Authenticity Dave Eggers's A Heartbreaking Work of Staggering Genius between Fiction and Reality /Wolfgang Funk -- Metareference in Marianne Wiggins's Literary Photo-Text The Shadow Catcher and Other Novels Referring to the Photographic Medium /Christine Schwanecke -- Print Strikes Back Typographic Experimentation in Contemporary Fiction as a Contribution to the Metareferential Turn /Grzegorz Maziarczyk -- The Materiality of Books and TV House of Leaves and The Sopranos in a World of Formless Content and Media Competition /Alexander Starre -- 'Come on, Tell the Story. Describe his State of Mind' Metaization in Peter Nichols's Dramatic and Theatrical Vivisection A Piece of My Mind /Doris Mader -- Metascenography On the Metareferential Turn in Scenography /Pamela C. Scorzin -- On Modern Graffiti and Street Murals Metareferential Aspects of Writings and Paintings on Walls /Claus Clüver -- From Readymade to 'Meta2' Metareference in Appropriation Art /Katharina Bantleon -- Deconstructing Essentialism and Revising Historiography The Function of Metareference in Black British Filmmaking /Dagmar Brunow -- Metahorror Sequels, 'The Rules', and the Metareferential Turn in Contemporary Horror Cinema /Nicholas de Villiers -- Starring Porn Metareference in Straight Pornographic Feature Films /Michael Fuchs -- 'Metatelevision' The Popularization of Metareferential Strategies in the Context of Italian Television /Irina O. Rajewsky -- The (Meta-)Metareferential Turn in Animation /Erwin Feyersinger -- “The Stuff You May Have Missed” Art, Film and Metareference in The Simpsons /Henry Keazor -- Metareference in Operatic Performance The Case of Katharina Wagner's Die Meistersinger von Nürnberg /Walter Bernhart -- Making Sense of the Metareferential Momentum in Contemporary Popular Songs /Martin Butler -- Goodbye 20th Century Sonic Youth, John Cage's 'Number Pieces' and the Long Farewell to the Avant-Garde /Tobias Janz -- “This Strip Doesn't Have a Fourth Wall” Webcomics and the Metareferential Turn /Jeff Thoss -- 'Metadesign' A 'Mythological' Approach to Self-Reference in Consumer Culture /Roy Sommer -- Notes on Contributors -- Index.




Description in Literature and Other Media


Book Description

A third section on description in music provides a perspective on yet another medium.The volume, which is the second one in the series 'Studies in Intermediality?, is of relevance to students and scholars from various fields: intermedial studies, literary and film studies, history of art, and musicology.ContentsPreface IntroductionWerner WOLF: Description as a Transmedial Mode of Representation: General Features and Possibilities of Realization in Painting, Fiction and Music Description in Literature and Related (Partly) Verbal MediaAnsgar NUNNING: Towards a Typology,




The Films of Woody Allen


Book Description

Publisher Description




Vacuum Flowers


Book Description

A cyberpunk thriller from Nebula Award winner Michael Swanwick that explores bioengineering, wetware, and the riddle of personality Rebel Elizabeth Mudlark is a recorded personality owned by corporate giant Deutsche Nakasone. When Rebel’s personality is uploaded to persona tester Eucrasia Walsh and burned into her brain, Rebel escapes the corporation and takes off across an exotically transformed solar system, hijacking Eucrasia’s body and becoming the most wanted fugitive in existence. A fast-paced technological thriller, Vacuum Flowers allows the reader to consider the implications of bioengineering while providing an entertaining and dynamic story. Reminiscent of the innovative work of Philip K. Dick, William Gibson, and Bruce Sterling, this high-tech work of science fiction carves out a niche all its own with themes as relevant today as when it was first published.




A Companion to Woody Allen


Book Description

Edited by two renowned Allen experts, A Companion to Woody Allen presents a collection of 26 original essays on the director’s films. Contributions offer a number of divergent critical perspectives while expanding the contexts in which his work is understood. A timely companion by the authors of two of the most important books on Allen to date Illuminates the films of Woody Allen from a number of divergent critical perspectives Explores the contexts in which his work should be understood Assesses Allen’s remarkable filmmaking career from its early beginnings and investigates the conflicts and contradictions that suffuse it Discusses Allen’s recognition as a global cinematic figure




Robert Rodriguez


Book Description

A collection of interviews with Robert Rodriguez that discuss his life and filmmaking career.




Nuevo California


Book Description

A fabulist comedy-drama of a future city-state made up of Tijuana and San Diego after a great California earthquake. The world greets the first Mexican Pope who leads the region back into recovery. "The year is 2028. A massive earthquake has reconfigured Southern California, wiping out Los Angeles and Orange County. The whole region has to be reconceived. In a controversial move, a new city-state has been proposed, combining San Diego and Tijuana into one cross-cultural community known as Nuevo California. This imaginary world is at the center of a new play premiering at the San Diego Repertory Theater. So the wall is coming down and there's a Mexican-American pope who comes to the region to bless its demolition. What follows is a wild mix of fantasy and reality - chaos and crisis, murder, mystery and a budding bicultural romance - all played out by Mexicans, Anglos, Asians, blacks, Jews, Muslims and Kumi Indians." -Robert Siegel, All Things Considered, N P R News




John Keats and Percy Bysshe Shelley, V1


Book Description

This is a new release of the original 1932 edition.