Mia's Men


Book Description

Mia Harrington's father just lost his brave battle with cancer. Naturally, she's devastated. With her mother long-since dead, and no siblings, Mia has a great deal of responsibility to shoulder. She's also the sole beneficiary of her father's estate. Or so she thinks. Unbeknownst to Mia, her father made a change to his will. She can still inherit, but only if she marries a suitable man within twelve months. If she doesn't, her vile cousin will get everything. Determined not to lose her beloved childhood home, she resolves to find someone that fits the bill. What she isn't expecting, however, is for that someone to be into sharing women with his best friend. In the meantime, Mia's friendship with the estate gardener has blossomed into so much more. She can't possibly plan to marry one man, while also being involved with two others ...or can she?




POW/MIA, America's Missing Men


Book Description

Explores the POW/MIA issue through numerous interviews with soldiers and other notable figures.







Accounting for POW - MIAs from the Korean War and the Vietnam War


Book Description

The proceedings of the Sep. 1996 hearing on the accounting for American combatants in the Korean and Vietnam Wars who remain missing in action. Principal witnesses: Garnett Bell, former Special Assistant for Negotiations, Joint Task Force-Full Accounting; Col. Philip Corso, U.S. Army (retired), former advisor to Pres. Eisenhower; Joseph Douglas, Jr., Defense analyst; Jan Sejna, former Czech General Officer; George Veith, POW/MIA researcher and analyst; Alan Liotta, Dep. Dir., Defense POW/MIA Office; and others.




In the Limelight and Under the Microscope


Book Description

A timely collection exploring the politics of female celebrity across a range of contemporary, historical, media and national contexts. >







POWs/MIAs


Book Description




Until the Last Man Comes Home


Book Description

Fewer Americans were captured or missing during the Vietnam War than in any previous major military conflict in U.S. history. Yet despite their small numbers, American POWs inspired an outpouring of concern that slowly eroded support for the war. Michael J. Allen reveals how wartime loss transformed U.S. politics well before, and long after, the war's official end. Throughout the war's last years and in the decades since, Allen argues, the effort to recover lost warriors was as much a means to establish responsibility for their loss as it was a search for answers about their fate. Though millions of Americans and Vietnamese took part in that effort, POW and MIA families and activists dominated it. Insisting that the war was not over "until the last man comes home," this small, determined group turned the unprecedented accounting effort against those they blamed for their suffering. Allen demonstrates that POW/MIA activism prolonged the hostility between the United States and Vietnam even as the search for the missing became the basis for closer ties between the two countries in the 1990s. Equally important, he explains, POW/MIA families' disdain for the antiwar left and contempt for federal authority fueled the conservative ascendancy after 1968. Mixing political, cultural, and diplomatic history, Until the Last Man Comes Home presents the full and lasting impact of the Vietnam War in ways that are both familiar and surprising.







Contemporary Musical Film


Book Description

Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino's Kill Bill (2003/04). Looking at the varying aesthetic function of soundtrack and lyric in films like Disney's wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the 'post-millennial rock musical', this wide-ranging collection breaks new ground in its study of this multifaceted genre.