Michael Singer's Film Directors


Book Description




Michael Singer's Film Directors


Book Description




Film Directors


Book Description




Women Film Directors


Book Description

Until now, there hasn't been one single-volume authoritative reference work on the history of women in film, highlighting nearly every woman filmmaker from the dawn of cinema including Alice Guy (France, 1896), Chantal Akerman (Belgium), Penny Marshall (U.S.), and Sally Potter (U.K.). Every effort has been made to include every kind of woman filmmaker: commercial and mainstream, avant-garde, and minority, and to give a complete cross-section of the work of these remarkable women. Scholars and students of film, popular culture, Women's Studies, and International Studies, as well as film buffs will learn much from this work. The Dictionary covers the careers of nearly 200 women filmmakers, giving vital statistics where available, listings of films directed by these women, and selected bibliographies for further reading. This is a one-volume, one-stop resource, a comprehensive, up-to-date guide that is absolutely essential for any course offering an overview or survey of women's cinema. It offers not only all available statistics, but critical evaluations of the filmmakers' work as well. In order to keep the length manageable, this volume focuses on women who direct fictional narrative films, with occasional forays into the area of the documentary and is limited to film production rather than video production.




Jerry Bruckheimer


Book Description

In terms of his impact on the motion picture and television industries, from a world box office perspective, it’s not only fair, but probably undeniable, to say that Jerry Bruckheimer is the most successful producer in the history of both mediums. One need merely look at Bruckheimer's resume to verify this statement. His successes include Flashdance, Beverly Hills Cop and Beverly Hills Cop II, Top Gun, Bad Boys and Bad Boys II, Crimson Tide, The Rock, Con Air, Armageddon, Enemy of the State, Remember the Titans, Pearl Harbor, Black Hawk Down, the Pirates of the Caribbean trilogy, and the National Treasure films, plus TV’s three CSI programs, Cold Case, and The Amazing Race. His films have either made, consolidated, or reinvented the images of Johnny Depp, Tom Cruise, Nicolas Cage, Richard Gere, Eddie Murphy, Will Smith, Ben Affleck, Denzel Washington, Keira Knightley, and Jake Gyllenhaal. Bruckheimer’s films and television shows have not only influenced popular culture, but, in some cases, defined it. And although cinema is usually considered a director’s medium—and Bruckheimer is well known to be completely respectful of their visions on his productions—he has an indelible creative stamp that hearkens back to the days of such strong, hands-on pioneers as David O. Selznick, Darryl F. Zanuck, Sam Spiegel, and, for that matter, Walt Disney. Jerry Bruckheimer - When Lightning Strikes: Four Decades of Filmmaking commemorates the uber-producer's entire career thus far, from his early years in advertising, all the way through to his most recent blockbuster. The stories behind all of his films and television shows are revealed through informative text written by Bruckheimer's VP of Publicity, Michael Singer, who has worked beside the producer in deserts, on tropical islands, and at every conceivable filming location in between. The images that accompany the text tell their own story, of directors, actors, and writers coming together with Bruckheimer to create films, characters, and screenplays that have become iconic, beloved, and oft-quoted. It is a story that parallels the stories of many Bruckheimer films; after all, he is the ultimate working-class hero who has forged his own brand in "world made of steel."




Film and Television In-Jokes


Book Description

In Only the Lonely (1991), Ally Sheedy appeases prospective mother-in-law Maureen O'Hara by going along to see the 1939 film How Green Was My Valley--starring Maureen O'Hara. Richard LaGravenese, slighted by critic Gene Siskel over his screenplay for The Fisher King (1991) wrote an unsavory character named Siskel into The Ref (1994). Movies and television shows often feature inside jokes. Sometimes there are characters named after crew members. Directors are often featured in cameo appearances--Alfred Hitchcock's silhouette can be seen in Family Plot (1976), for example. This work catalogs such occurrences. Each entry includes the title of the film or show, year of release, and a full description of the in-joke.




Science Fiction Film Directors, 1895-1998


Book Description

This enormous and exhaustive reference book has entries on every major and minor director of science fiction films from the inception of cinema (circa 1895) through 1998. For each director there is a complete filmography including television work, a career summary, a critical assessment, and behind-the-scenes production information. Seventy-nine directors are covered in especially lengthy entries and a short history of the science fiction film genre is also included.




Producer of Controversy


Book Description

With films ranging from High Noon to Guess Who’s Coming to Dinner, Stanley Kramer (1913–2001) was one of the most successful and prolific director-producers of his day. But even as critics praised his courage in taking on such issues as nuclear war, racism, fascism, and the battle between science and religion, others condemned his work as “emptily pretentious“ and “hollow, falsely sentimental, overproduced.” Whether Kramer was “one of the great filmmakers of all time” (Kevin Spacey at the Golden Globe Awards) or “one of Hollywood’s worst directors” (preeminent film critic Andrew Sarris in The Village Voice), he had a strong and undeniable influence on American culture during the Cold War. Producer of Controversy is the first book to take a close-up look at Kramer’s career, films, and liberal politics in an effort to explain his contributions and historical significance. Kramer learned filmmaking within the old studio system, but over a career spanning forty years he did much to shape the independent moviemaking that emerged after World War II. Jennifer Frost pays particular attention to four of his key “message movies”—The Defiant Ones, On the Beach, Inherit the Wind, and Judgment at Nuremberg—to show how Kramer’s controversial films opened up public debate about the most important issues of his time—among average filmgoers as well as professional critics, political commentators, and public figures. In this context, she for the first time fully documents the Hollywood Right’s attacks on Kramer in the 1950s; details his resistance to the anticommunist Red Scare and the Hollywood blacklist; exposes his role as a cultural diplomat with the Soviet Union; and reveals his important contribution to the liberal and radical politics of the 1960s. Her book is at once an absorbing work of cultural history and a thoroughgoing reassessment of Stanley Kramer’s place in the pantheon of American filmmakers.




Directors


Book Description




Pearl Harbor


Book Description

It was on a sleepy Sunday that the skies above Hawaii were darkened by warplanes, For two young pilots, Rafe McCawley and Danny Walker, and dedicated nurse Evelyn, the war has already had a devastating impact. With America planning a retaliatory act, how will the three find hope amdist the chaos?