Michelangelo Pistoletto


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The Voice of Pistoletto


Book Description

A dynamic and far-reaching dialogue with one of Europe’s most influential contemporary artists about his vision of unifying art and everyday life. In 2013, at the age of eighty, Michelangelo Pistoletto was the subject of a six-month exhibition at the Louvre in Paris. Here, in an insightful, passionate, and humorous dialogue with his interviewer, Alain Elkann, he reflects on his legacy. Illustrated with more than two hundred photographs of his life and work, The Voice of Pistoletto demystifies the story of the growth of an artist, candidly discussing his inspirations; his relationships with gallerists, critics, and curators of great renown; and the comparisons and critiques of his fellow contemporary masters, from Magritte to Picasso, Koons to Cattelan, Giacometti to Bacon. The result is a conversational collage that illuminates Pistoletto’s own creative life and gives readers a privileged view of the history of contemporary art in general.




Michelangelo Pistoletto


Book Description

For his 2011 exhibition at the Serpentine Gallery, recorded in this volume, Arte Povera veteran Michelangelo Pistoletto (born 1933) devised a chest-high labyrinth made of cardboard, to draw visitors through the galleries and steer them into encounters with various sculptures.




Michaelangelo Pistoletto


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'The Third Paradise is an evolutionary transition in which human intelligence finds ways to coexist with the intelligence of nature."--Back cover.




Plato in L.A.


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No thinker in the West has had a wider and more sustained influence than the ancient Greek philosopher Plato. From philosophy to drama, religion to politics, it is difficult to find a current cultural or social phenomenon that is not in some aspect indebted to the famous philosopher and the Platonic tradition. It should come as no surprise that contemporary artists continue to engage with and respond to the ideas of Plato. Accompanying an exhibition at the Getty Villa, this book brings together eleven renowned artists working in a variety of media—Paul Chan, Rachel Harrison, Huang Yong Ping, Mike Kelley, Jeff Koons, Joseph Kosuth, Paul McCarthy, Whitney McVeigh, Raymond Pettibon, Adrian Piper, and Michelangelo Pistoletto—all of whom have acknowledged the role of Plato in their artistic process. Featuring candid interviews with the artists, this volume begins with an essay by the critic and curator Donatien Grau that contextualizes Plato in antiquity and in the present day. Contemporary art, Grau demonstrates, is Platonism stripped bare, and it allows us to reconsider Plato’s philosophy as a deeply human construct, one that remains highly relevant today.




Michelangelo Pistoletto


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Arte Povera


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Edited by one of the world’s foremost authorities on the subject, Arte Povera is the most complete overview of this movement ever published.




The Murmuring of the Artistic Multitude


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'Art sociologist Pascal Gielen defends the hypothesis that the globalized art scene is an ideal production entity for economic exploitation. These days the work ethic of the art world with its ever-present young dynamic, flexible working hoursm thematic approach, short-term contracts or lack of contracts and its unlimited, energetic freedom is capitalized within the cultural indyustry and has been converted into a standard production model. In the glow of the crative cities and the creative industry govermments embrace this post-Henry Ford work model and seamlessly link it to the globally-dominant neo-liberal market economy'--Back cover.




The Italian Avant-garde, 1968-1976


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This long-awaited first title in a new series from design historian Alex




Parallel Views


Book Description

In the decades following World War II, both Japan and Italy were rebuilding after the ravages of war, constructing democratic political systems after a period of fascism and transforming into economic powerhouses, all of which profoundly influenced their respective cultures. Artists in both nations were working in these similar conditions, examining their formidable artistic traditions and seeking a new path forward in the wake of modernism - ways of making art objects that had never been made before. 'Parallel Views' presents a breadth of postwar masters of Italian and Japanese art.