Miki Kyoshi's the Logic of Imagination


Book Description

The Japanese philosopher Miki Kiyoshi opens doors to all those interested in rethinking the problem of imagination, myth, and technology.Miki Kiyoshi is one of the central figures in the Kyoto School, often spoken of as the heir of Kitaro Nishida. Born in Japan in 1897, he died in prison shortly after the end of World War II in 1945 at the age of 48.Miki's Logic of Imagination first appeared in the journal Thought in 1937 under the themes of "Myth," "Institution," and "Technology". The next part, "Experience," was serialized in the same journal and Miki continued to work on the final part, but was never completed it due to his arrest. This translation makes this seminal work available in English for the first time. Featuring an introduction and accompanied throughout by contextual notes, it includes essential information about Miki's life and work. Miki's philosophy of the imagination anticipated later theories found first in Hannah Arendt, and then in Paul Ricoeur and most recently in Charles Taylor. The connection Miki makes of the imagination with technology anticipates ideas of the technological imagination in Don Ihde and Bernard Stiegler. Miki's thinking about the imagination illuminates our understanding of technology and how we behave in the world. This accessible, critical edition of his work does justice to one of the most unfairly underrated authors of Japanese philosophy.




Miki Kiyoshi's The Logic of Imagination


Book Description

The Japanese philosopher Miki Kiyoshi opens doors to all those interested in rethinking the problem of imagination, myth, and technology. Miki Kiyoshi is one of the central figures in the Kyoto School, often spoken of as the heir of Kitaro Nishida. Born in Japan in 1897, he died in prison shortly after the end of World War II in 1945 at the age of 48. Miki's The Logic of Imagination first appeared in the journal Thought in 1937 under the themes of “Myth,” “Institution,” and “Technology”. The next part, “Experience,” was serialized in the same journal and Miki continued to work on the final part, but was never completed it due to his arrest. This translation makes this seminal work available in English for the first time. Featuring an introduction and accompanied throughout by contextual notes, it includes essential information about Miki's life and work. Miki's philosophy of the imagination anticipated later theories found first in Hannah Arendt, and then in Paul Ricoeur and most recently in Charles Taylor. The connection Miki makes of the imagination with technology anticipates ideas of the technological imagination in Don Ihde and Bernard Stiegler. Miki's thinking about the imagination illuminates our understanding of technology and how we behave in the world. This accessible, critical edition of his work does justice to one of the most unfairly underrated authors of Japanese philosophy.




Miki Kiyoshi 1897-1945


Book Description

This book takes us on a fascinating journey through the world of thought of Miki Kiyoshi, one of Japan’s pre-eminent philosophers before the Pacific War, and thus makes us discover the man behind the philosopher. His collaboration with government think-tanks in the late 1930s has made him highly controversial in historiographical debates. His death in prison, six weeks after Japan's defeat, hastened the lifting of pre-war restrictions on civil rights in Japan. He was a prolific, diverse and original thinker, revered by the Japanese as a plain-speaking, deeply humanistic philosopher who connected with the real lives of the people. As a translator, editor and journalist he intoduced many works of western European literature and philosophy into Japan.




Stretching the Limits of Productive Imagination


Book Description

This innovative collection traces the heretical development of productive imagination in post-Kantian philosophy. The book offers an original study that comprises unprecedented investigations into the kinaesthetic, pre-linguistic, poetic, historical, artistic, social and political dimensions of the productive power of imagination.




Social Imaginaries, Volume 2, issue 1 (Spring 2016)


Book Description

Table of Contents Suzi Adams, Paul Blokker, Natalie J. Doyle & John W. M. Krummel: Editorial John W. M. Krummel: Introduction to Miki Kiyoshi and his ‘Logic of the Imagination’ Miki Kiyoshi: Myth (translated by John W. M. Krummel) Abstract: “Myth” comprises the first chapter of the book, The Logic of the Imagination, by Miki Kiyoshi. In this chapter Miki analyzes the significance of myth (shinwa) as possessing a certain reality despite being “fictions.” He begins by broadening the meaning of the imagination to argue for a logic of the imagination that involves expressive action or poiesis (production) in general, of which myth is one important product. The imagination gathers in myth material from the environing world lived by the social collectivity. Its formation of images (Bilder) expresses the pathos of a people vis-à-vis their environment, but myth also contains elements of logos in the form of intellectual representations and figures. And their combination becomes expressed externally by stimulating and guiding action. In this way Miki argues that myths contain both emotive and kinetic elements, which by moving people to action, are capable of making history. Thus rooted in the symbiosis between individual and social and between society and environment, myth possesses a “historical creativity.” And he also argues that myths can be present with a sense of reality at any epoch in history, even today, wherever and whenever their primeval power is felt to function, “drawing out” a new reality, a new world, out of the natural world. Guanjun Wu: The Lacanian Imaginary and Modern Chinese Intellectuality Abstract: Jacques Lacan’s theorization of the imaginary has been regarded generally as an organic part of the crucial development of psychoanalytic theory in its post-Freudian stage. This article situates the Lacanian imaginary in the context of contemporary discussions of ‘theory after poststructuralism’, arguing that it moves radically beyond the poststructuralist terrains of deconstruction and discourse-analysis, and is able to offer new insights on various studies. Especially, it can help (re)examine some aporias in the field of Sinology. This article devotes its main body to demonstrating that the Lacanian account of the imaginary is powerful in exploring the assumptions and expectations of modern Sinophone intellectual discourse. Deconstructive discourse-analysis alone is insufficient for understanding the underlying forces that have been fundamentally shaping the contours of modern Chinese intellectuality, and attention needs to be paid to the psychological dimension of Chinese thought. With the aim of tracing and interrogating these underlying forces, this article seeks to show how the fervor for discussing the ‘problem of China’ reveals a hidden psychical mechanism. Craig Browne: Critiques of Identity and the Permutations of the Capitalist Imaginary Abstract: In their elucidations of the capitalist imaginary, Castoriadis and Adorno emphasize the significance of identity thinking to this social-historical constellation. Adorno contends that the principle of identity constitutes the nucleus of the capitalist imaginary, because it underpins commodity exchange and the formal rationality of bureaucratic administration. Castoriadis associates the logic of identity with the same tendencies, but accentuates the horizon of meaning that animates the deployment of this logic. However, Castoriadis and Adorno recognise that the critique of identity logic confronts a genuine antinomy. Although it is integral to the capitalist imaginary, the logic of identity is present in every institution of society. I show how these critiques of identity pose questions about the ontological underpinnings of capitalism’s value system. After explicating variants of identity logic and its critique, I explore different interpretations of the permutations of the capitalist imaginary. These accounts of conflict, innovation and individualism diverge from Adorno and Castoriadis’s assessments of organised capitalism. Similarly, Arnason’s civilizational perspective situates the capitalist imaginary’s permutations in a longer-term historical perspective and suggests a revised core signification of unlimited accumulation. Finally, my analysis outlines some highly significant, though arguably often neglected, current capitalist instantiations of identity logic. Werner Binder: Shifting Imaginaries in the War on Terror: The Rise and Fall of the Ticking Bomb Torturer Abstract: This analysis employs the concept of social imaginary to account for recent shifts in the imagination, discourse and practice of torture. It is motivated by a broader ambition to highlight the importance of the imaginary vis-à-vis the symbolic, which still dominates theoretical debates in cultural sociology. Culture does not only consist of codes and symbols, but also encompasses collectively shared imaginary significations. Only by paying tribute to the imaginary dimension of culture, we are able to understand how codes and symbols work. The importance of the social imaginary will be demonstrated through an analysis of the impact of 9/11 and the Abu Ghraib scandal on the American torture discourse. The terrorist attacks on the Twin Towers did not bring up new arguments in favor of torture, but changed the social imaginary by turning the so-called ‘ticking bomb scenario’ from a mere thought experiment into a real possibility. The publicized abuses at the Abu Ghraib prison had an opposite effect: The infamous photographs changed the imagination of torture which in turn strengthened its critics. Suzi Adams and Johann P. Arnason: Sociology, Philosophy, History: A Dialogue Abstract: The dialogue focuses on the sources, contexts, and configuration of Johann P. Arnason’s intellectual trajectory. It is broadly framed around the interplay of philosophy, sociology, and history in his thought. Its scope is wide ranging, spanning critical and normative theory, phenomenology and hermeneutics, and contemporary and classical sociology. It explores the importance of Castoriadis, Merleau-Ponty and Patočka for Arnason’s understanding of the human condition from a comparative civilizational perspective; his engagement with Habermas and Eisenstadt for the development of his hermeneutic of modernity and multiple modernities; his ongoing, albeit subterranean, dialogue with Charles Taylor; and concludes with a discussion of his recent focus on the religio-political nexus.




Traces 4


Book Description

Translation, Biopolitics, Colonial Difference, the fourth book in the Traces series, focuses on the problems of translation and the political dynamics surrounding multiplicity -- linguistic, regional, transnational, and civilizational -- today.




Art as experience of the living body / L’art comme experience du corps vivant


Book Description

This book analyses the dynamic relationship between art and subjective consciousness, following a phenomenological, pragmatist and enactive approach. It brings out a new approach to the role of the body in art, not as a speculative object or symbolic material but as the living source of the imaginary. It contains theoretical contributions and case studies taken from various artistic practices (visual art, theatre, literature and music), Western and Eastern, the latter concerning China, India and Japan. These contributions allow us to nourish the debate on embodied cognition and aesthetics, using theory–philosophy, art history, neuroscience–and the authors’ personal experience as artists or spectators. According to the Husserlian method of “reduction” and pragmatist introspection, they postulate that listening to bodily sensations–cramps, heartbeats, impulsive movements, eye orientation–can unravel the thread of subconscious experience, both active and affective, that emerge in the encounter between a subject and an artwork, an encounter which, following John Dewey, we deem to be a case study for life in general. Ce livre analyse la relation dynamique entre l’art et la conscience subjective, selon une approche phénoménologique, pragmatiste et enactive. Il vise à faire émerger une nouvelle approche du rôle du corps dans l’art, non pas comme objet spéculatif ou matériau symbolique, mais comme source vivante de l’imaginaire. Les contributions théoriques et les études de cas sont prises à diverses pratiques artistiques (arts visuels, théâtre, littérature et musique), occidentales et orientales, ces dernières concernant la Chine, l’Inde et le Japon. Selon la méthode husserlienne de « réduction », en écho à l’introspection pragmatiste, les textes témoignent que l’écoute des sensations corporelles – crampes, battements de cœur, mouvements pulsionnels, orientation des yeux – mises en jeu par l’œuvre, permet de dénouer le fil de l’expérience inconsciente, à la fois kinesthésique et affective, qui émerge dans la rencontre entre un sujet et une œuvre d’art, une rencontre comprise, à la manière de Dewey, comme un cas d’école de la vie en général.




The Philosophy of the Kyoto School


Book Description

The main purpose of this book is to offer to philosophers and students abroad who show a great interest in Japanese philosophy and the philosophy of the Kyoto school major texts of the leading philosophers. This interest has surely developed out of a desire to obtain from the thought of these philosophers, who stood within the interstice between East and West, a clue to reassessing the issues of philosophy from the ground up or to drawing new creative possibilities.The present condition seems to be, however, that the material made available to further realize this kind of intellectual dialogue is far too scarce. This book is intended to be of some help in this regard.The book presents selected texts of representative philosophers of the Kyoto school such as Nishida Kitaro, Tanabe Hajime, Miki Kiyoshi, Nishitani Keiji, and others who best illustrate the characteristics of this school, and works that together portray its image as a whole. Those who are interested in Japanese philosophy or specifically the philosophy of the Kyoto School can survey a comprehensive representation from this book.These texts are, of course, quite difficult and cannot be well understood without sufficient preliminary knowledge. Expository essays have therefore been included after each text to provide guidance. In each of these commentaries a scholar of our time with deep understanding of the philosopher in question has provided an account of his life, intellectual journey, and the significance of the text included here.From this book will emerge a new dialogue of ideas that in turn will engender new developments in philosophy, thereby further expanding the network of philosophical thought worldwide.




Japanese Philosophy


Book Description

With Japanese Philosophy: A Sourcebook, readers of English can now access in a single volume the richness and diversity of Japanese philosophy as it has developed throughout history. Leading scholars in the field have translated selections from the writings of more than a hundred philosophical thinkers from all eras and schools of thought, many of them available in English for the first time. The Sourcebook editors have set out to represent the entire Japanese philosophical tradition—not only the broad spectrum of academic philosophy dating from the introduction of Western philosophy in the latter part of the nineteenth century, but also the philosophical ideas of major Japanese traditions of Buddhism, Confucianism, and Shinto. The philosophical significance of each tradition is laid out in an extensive overview, and each selection is accompanied by a brief biographical sketch of its author and helpful information on placing the work in its proper context. The bulk of the supporting material, which comprises nearly a quarter of the volume, is given to original interpretive essays on topics not explicitly covered in other chapters: cultural identity, samurai thought, women philosophers, aesthetics, bioethics. An introductory chapter provides a historical overview of Japanese philosophy and a discussion of the Japanese debate over defining the idea of philosophy, both of which help explain the rationale behind the design of the Sourcebook. An exhaustive glossary of technical terminology, a chronology of authors, and a thematic index are appended. Specialists will find information related to original sources and sinographs for Japanese names and terms in a comprehensive bibliography and general index. Handsomely presented and clearly organized for ease of use, Japanese Philosophy: A Sourcebook will be a cornerstone in Japanese studies for decades to come. It will be an essential reference for anyone interested in traditional or contemporary Japanese culture and the way it has shaped and been shaped by its great thinkers over the centuries.




The Bloomsbury Research Handbook of Contemporary Japanese Philosophy


Book Description

The Bloomsbury Research Handbook of Contemporary Japanese Philosophy examines the current vibrant trends in Japanese philosophical thinking. Situating Japanese philosophy within the larger context of global intercultural philosophical discourse and pointing to new topics of research, this Handbook covers philosophy of science, philosophy of peace, philosophy of social justice and healing. Introducing not only new readings of well-known Japanese philosophers, but also work by contemporary Japanese philosophers who are relatively unknown outside Japan, it makes a unique contribution by offering an account of Japanese philosophy from within and going beyond an objective description of it in its various facets. Also featured is the work of a younger generation of scholars and thinkers, who bring in fresh perspectives that will push the field into the future. These critical essays, by leading philosophers and rising scholars, to the past and the present of Japanese philosophy demonstrate ways of doing engaged philosophy in the present globalized age. With suggestions for further reading, a glossary, a timeline and annotated bibliography, The Bloomsbury Research Handbook of Contemporary Japanese Philosophy is an ideal research guide to understanding the origin, transformation, and reception of Japanese philosophy in the 21st century.