Arthur Miller's Death of a Salesman


Book Description

An accessible, informative critical introduction to Miller's Death of a Salesman, a key text at undergraduate level.







A Passion for Acting


Book Description

This book takes the aspiring actor down that path, using an ionovative set of acting exercises and fascinating anecdotes to help the actor fully develop his or her own craft. Drawing on early studies at New York's legendary Actors Studio--as well as teaching experiences with Barbra Streisand--the author explores key acting topics like inspiration, relaxation, sense and emotional memories, character work, auditions, and rehearsals.




The English Catalogue of Books


Book Description

Vols. for 1898-1968 include a directory of publishers.







Arthur Miller - Death of a Salesman/The Crucible


Book Description

Arthur Miller was one of the most important American playwrights and political and cultural figures of the 20th century. Both Death of a Salesman and The Crucible stand out as his major works: the former is always in performance somewhere in the world and the latter is Miller's most produced play. As major modern American dramas, they are the subject of a huge amount of criticism which can be daunting for students approaching the plays for the first time. This Reader's Guide introduces the major critical debates surrounding the plays and discusses their unique production histories, initial theatre reviews and later adaptations. The main trends of critical inquiry and scholars who have purported them are examined, as are the views of Miller himself, a prolific self-critic.




Tragedy in the Contemporary American Theatre


Book Description

This book refutes the claim that tragedy is no longer a vital and relevant part of contemporary American theatre. Tragedy in the Contemporary American Theatre examines plays by multiple contemporary playwrights and compares them alongside the works of America’s major twentieth-century tragedians: Eugene O’Neill, Arthur Miller, and Tennessee Williams. The book argues that tragedy is not only present in contemporary American theatre, but issues from an expectation fundamental to American culture: the pressure on characters to create themselves. Tragedy in the Contemporary American Theatre concludes that tragedy is vital and relevant, though not always in the Aristotelian model, the standard for traditional evaluation.