Miniature and the English Imagination


Book Description

Focusing on the phenomenon of miniaturization in material culture, literature, and theories of cognition, this study examines the appeal and function of the small-scale during the period from 1650 to 1765. Drawing on three interconnected areas of scholarship, Melinda Alliker Rabb analyzes the human capacity to supplement direct experience of the world through representation, in order to gain knowledge of that world and to attempt control over it. Assessing two kinds of miniature - the real and the imagined - allows rethinking of works by Swift, Pope, Gay, Johnson, Sterne, and others, and shows how the fictional miniature can correspond meaningfully to the world of things. The phenomenon of scaling down objects as various as teapots, bureaus, globes, buckets, spoons, battlefields, and diving bells, has a relationship to large-scale events as various as financial revolution, globalization, scientific discovery, war and other events that challenge old modes of representation and demand new ones.




Olivia Joules and the Overactive Imagination


Book Description

At the close of the last millennium, Helen Fielding debuted the irrepressible (and blockbuster-bestselling) Bridget Jones. Now, Fielding gives us a sensational new heroine for a new era...Move over 007, a stunning, sexy-and decidedly female-new player has entered the world of international espionage. Her name is Olivia Joules (that’s "J.O.U.L.E.S. the unit of kinetic energy") and she's ready to take America by storm with charm, style, and her infamous Overactive Imagination. How could a girl not be drawn to the alluring, powerful Pierre Ferramo-he of the hooded eyes, impeccable taste, unimaginable wealth, exotic international homes, and dubious French accent? Could Ferramo really be a major terrorist bent on the Western world’s destruction, hiding behind a smokescreen of fine wines, yachts, and actresses slash models? Or is it all just a product of Olivia Joules’s overactive imagination? Join Olivia in her heart-stopping, hilarious, nerve-frazzling quest from hip hotel to eco-lodge to underwater cave, by light aircraft, speedboat, helicopter, and horse, in this witty, contemporary, and utterly unputdownable novel deluxe.




Politics and the Imagination


Book Description

In politics, utopians do not have a monopoly on imagination. Even the most conservative defenses of the status quo, Raymond Geuss argues, require imaginative acts of some kind. In this collection of recent essays, including his most overtly political writing yet, Geuss explores the role of imagination in politics, particularly how imaginative constructs interact with political reality. He uses decisions about the war in Iraq to explore the peculiar ways in which politicians can be deluded and citizens can misunderstand their leaders. He also examines critically what he sees as one of the most serious delusions of western political thinking--the idea that a human society is always best conceived as a closed system obeying fixed rules. And, in essays on Don Quixote, museums, Celan's poetry, Heidegger's brother Fritz, Richard Rorty, and bourgeois philosophy, Geuss reflects on how cultural artifacts can lead us to embrace or reject conventional assumptions about the world. While paying particular attention to the relative political roles played by rule-following, utilitarian calculations of interest, and aspirations to lead a collective life of a certain kind, Geuss discusses a wide range of related issues, including the distance critics need from their political systems, the extent to which history can enlighten politics, and the possibility of utopian thinking in a world in which action retains its urgency.




The Imagination Box


Book Description

Fans of Escape from Mr. Lemoncello’s Library and The Mysterious Benedict Society will race through this exciting adventure about an orphan, his unusual friends, and the power of imagination. What if everything you imagined could become real? It all starts when Professor Eisenstone, scientist and inventor, creates a box that’s supposed to turn whatever you imagine into reality. There’s only one problem: he can’t get it to work. Until Tim shows up. An orphan with an especially keen imagination, Tim brings to life Phil, an eloquent finger monkey with a dry sense of humor. Tim and Professor Eisenstone work in secret to make the box more powerful. But when Eisenstone is kidnapped along with his contraption, Tim, Phil, and the professor’s granddaughter, Dee, must find the criminals before they use the box to turn their imagined evil into something all too real. Creating a miniature monkey is all well and good. But in order to rescue his friend, Tim will have to face his darkest fears and unleash the true potential of his own mind. “A splendid adventure, hilarious and harrowing in turn and so strongly cast that even the precocious pocket primate doesn't steal the show.” —Kirkus Reviews, Starred Review "With a solid mystery, fantastic device, warm friendships, a funny monkey, and heartening conclusion, this has a heaping serving of middle-grade antics."-Booklist “The Imagination Box is children’s fiction in the classic mode, with double-crosses, deceitful adults and narrow escapes all meshing into a solid mystery plot…and a timeless be-careful-what-you-wish-for message.”—Financial Times (UK)




Imaginative Realism


Book Description

A examination of time-tested methods used by artists since the Renaissance to make realistic pictures of imagined things.




Albion


Book Description

With his characteristic enthusiasm and erudition, Peter Ackroyd follows his acclaimed London: A Biography with an inspired look into the heart and the history of the English imagination. To tell the story of its evolution, Ackroyd ranges across literature and painting, philosophy and science, architecture and music, from Anglo-Saxon times to the twentieth-century. Considering what is most English about artists as diverse as Chaucer, William Hogarth, Benjamin Britten and Viriginia Woolf, Ackroyd identifies a host of sometimes contradictory elements: pragmatism and whimsy, blood and gore, a passion for the past, a delight in eccentricity, and much more. A brilliant, engaging and often surprising narrative, Albion reveals the manifold nature of English genius.




Miniature and the English Imagination


Book Description

Examines the practice and purposes of presenting the small-scale in literature, material culture and theories of cognition.




Recipes for Play: Creative Activities for Small Hands and Big Imaginations


Book Description

More than 35 activities and ideas that inspire children to explore the world around them. An important part of childhood is being curious and trying out new experiences. What do things taste, feel, smell, sound like? What happens when you add red to blue, mix earth with water, or drop a blob of paint from a great height? These childhood experiments are vital for development and provide hours of entertainment. Recipes for Play contains easy and inexpensive ideas for engaging your child’s senses. Many wonderful hours can be spent playing with natural ingredients found in your kitchen cupboard or backyard garden. Make your own face paint in minutes, whip up a batch of oozy slime, create clouds of color with rainbow rice, and so much more. Sisters Rachel Sumner and Ruth Mitchener have created Recipes for Play for parents and teachers—or anyone with a child in their life—who want to encourage tactile learning but don’t want their lives to be controlled by chaos. Each recipe has easy-to-follow instructions for setting up activities and simple steps for cleaning up once the fun is finished.




Explaining Imagination


Book Description

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Imagination will remain a mystery--we will not be able to explain imagination--until we can break it into parts we already understand. Explaining Imagination is a guidebook for doing just that, where the parts are other ordinary mental states like beliefs, desires, judgments, and decisions. In different combinations and contexts, these states constitute cases of imagining. This reductive approach to imagination is at direct odds with the current orthodoxy, according to which imagination is a sui generis mental state or process--one with its own inscrutable principles of operation. Explaining Imagination upends that view, showing how, on closer inspection, the imaginings at work in hypothetical reasoning, pretense, the enjoyment of fiction, and creativity are reducible to other familiar mental states--judgments, beliefs, desires, and decisions among them. Crisscrossing contemporary philosophy of mind, cognitive science, and aesthetics, Explaining Imagination argues that a clearer understanding of imagination is already well within reach.




The Moral Imagination


Book Description

"John Paul Lederach's work in the field of conciliation and mediation is internationally recognized. He has provided consultation, training and direct mediation in a range of situations from the Miskito/Sandinista conflict in Nicaragua to Somalia, Northern Ireland, Tajikistan, and the Philippines. His influential 1997 book Building Peace has become a classic in the discipline. In this book, Lederach poses the question, "How do we transcend the cycles of violence that bewitch our human community while still living in them?" Peacebuilding, in his view, is both a learned skill and an art. Finding this art, he says, requires a worldview shift. Conflict professionals must envision their work as a creative act-an exercise of what Lederach terms the "moral imagination." This imagination must, however, emerge from and speak to the hard realities of human affairs. The peacebuilder must have one foot in what is and one foot beyond what exists. The book is organized around four guiding stories that point to the moral imagination but are incomplete. Lederach seeks to understand what happened in these individual cases and how they are relevant to large-scale change. His purpose is not to propose a grand new theory. Instead he wishes to stay close to the "messiness" of real processes and change, and to recognize the serendipitous nature of the discoveries and insights that emerge along the way. overwhelmed the equally important creative process. Like most professional peacemakers, Lederach sees his work as a religious vocation. Lederach meditates on his own calling and on the spirituality that moves ordinary people to reject violence and seek reconciliation. Drawing on his twenty-five years of experience in the field he explores the evolution of his understanding of peacebuilding and points the way toward the future of the art." http://www.loc.gov/catdir/enhancements/fy0616/2004011794-d.html.