Book Description

With brilliant sensitivity and an unstinting eye, The Sweetest Fruits illuminates the women’s tenacity and their struggles in this novel that circumnavigates the globe in the search for love, family, home, and belonging. Monique Truong gives voice to three women, Rosa, Alethea, and Setsu, who each tell the story of their life with Lafcadio Hearn (1850-1904), a globetrotting Greek-Irish writer best known as the author of America’s first Creole cookbook and for his many volumes about the folklore and ghost stories of Meiji Era Japan. An immigrant thrice over, Hearn is now remembered at best as a keen cultural observer and at worst as a purveyor of exotica. In their own unorthodox ways, the three women are also intrepid travelers and explorers. Their accounts witness Hearn’s remarkable life but also seek to witness their own existence and luminous will to live unbounded by gender, race, and the mores of their time. Each is a gifted storyteller with her own precise reason for sharing her story, and together their voices offer a revealing, often contradictory portrait of Hearn. ‘It isn’t only the fantastic Lafcadio Hearn who springs to new life in these pages. The women around him do as well, even as they mix the extraordinary and the ordinary in an exhilarating new way. The Sweetest Fruits is brilliant and heartbreaking–I was transfixed.’ —Gish En, author of Typical American ‘Presented in four courses from the perspective of the women closest to him, The Sweetest Fruits is a feast you’ll want to devour for its arresting metaphors and its beautiful prose.’ —Anita Lo, author of Solo: A Modern Cookbook for One ‘Intimate and sensuous yet majestic in scope, The Sweetest Fruits is a rapturous, glorious novel, extraordinarily alive to the world.’ —Idra Novey, author Those Who Knew ‘Monique Truong has composed a sublime, many-voiced novel of voyage and reinvention. It will cross horizons, yet remain burrowed in your heart.’ —Anthony Marra, author of A Constellation of Vital Phenomena ‘By giving readers a concert of voices, at last singing louder than Hearn’s biography and mythology, Truong asks us to ponder the ways those who are often ignored and marginalized might have their own rich, epic stories worth telling. In that sense, The Sweetest Fruits is a type of justice.’ —Eric Nguyen, author of Diacritics