Aboriginal Art of Australia


Book Description

Describes the art of the Australian Aborigines including rock painting and engraving as well as sand and bark painting; also discusses the symbolism found in these works.




Icons of the Desert


Book Description

This catalogue accompanies an exhibition organized by the Herbert F. Johnson Museum of Art at Cornell University, curated by Roger Benjamin and coordinated by Andrew C. Weislogel, associate curator and master teacher at the Johnson Museum.




Songlines and Dreamings


Book Description

The art of the Australian Aborigines is widely recognised as being the oldest art form in the world, preceding that of the Americas and Europe by many centuries. For thousands of years, however, the only art forms practised by the Aborigines were rock painting and carving, bark painting, sand painting and body painting using natural ochres, wild desert cotton, charcoal and birds' down, often carried out as part of ceremonial activities. It was not until 1971 that the Aborigines of the Papunya Tula settlement in the deserts of the Northern Territory were introduced to methods of painting on canvas and board using modern materials. This book commemorates the twenty-fifth anniversary of the Papunya Tula painting movement - the birthplace of contemporary Aboriginal painting. The work of eighty Papunya Tula artists, including some of the best known Aboriginal painters - Clifford Possum Tjapaltjarri, Michael Nelson Tjakamarra and Tim Leura Tjapaltjarri - is illustrated in this book in two hundred full-colour reproductions which demonstrates the vibrancy and sophistication of the art. Patrick Corbally Stourton's introductory text examines the events which led to the birth of this extraordinary painting movement, and illuminates the mythology of Dreamings which lies behind every Aboriginal painting.




Everywhen


Book Description

"This publication accompanies the exhibition Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museums, Cambridge, Massachusetts, February 5 through September 18, 2016."




Ancestral Modern


Book Description

A fascinating look at Australian Aboriginal art over the past four decades, highlighting millennia-old artistic traditions




The Making of Indigenous Australian Contemporary Art


Book Description

This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.




One Sun One Moon


Book Description

Featuring over 240 colour plates, this volume canvasses an extraordinary diverse range of Aboriginal art. The 27 essays by leading authorities and 13 interviews with key artists are accompanied by an extensive chronology.




Aboriginal Art


Book Description

An updated and expanded edition of this classic survey, which has established itself as the superlative introduction to the full diversity of Aboriginal art.




The Inside World


Book Description

"Traditionally used in Aboriginal funeral ceremonies, memorial poles have been transformed into compelling contemporary artworks. The memorial pole is made from the trunk of the Eucalyptus tetradonta, hollowed naturally by termites. When the bones of the deceased were placed inside, it signified the moment when the spirit had finally returned home--when they had left the "outside" world, and become one with the "inside" world of the ancestral realm. Today, these works of art have become a powerful symbol of Aboriginal culture's significance around the globe. The artists featured in the book--including John Mawurndjul, Djambawa Marawili, and Nyapanyapa Yunupingu--are some of Australia's most acclaimed contemporary artists. Taking their inspiration from ancient clan insignia, the designs on these poles are transformed in new and personal ways that offer a powerful reminder of the resilience and beauty of Aboriginal culture. This book features dazzling color images and impeccable scholarship and includes essays from some of the leading scholars in the field of Aboriginal art"--




Double Desire


Book Description

Double Desire challenges the tendency by critics to perpetuate an aesthetic apartheid between Indigenous and Western art. The double desire explored in this book is that of the divided but also amplified attractions that occur between cultural traditions in places where both indigenous and colonial legacies are strong. The result, it is argued, produces imaginative transcultural practices that resist the assimilation or acculturation of Indigenous perspectives into the dominant Western mod...