Book Description
Describes the art of the Australian Aborigines including rock painting and engraving as well as sand and bark painting; also discusses the symbolism found in these works.
Author : Carol Finley
Publisher : Lerner Publications
Page : 64 pages
File Size : 45,48 MB
Release : 1999-01-01
Category : Juvenile Nonfiction
ISBN : 9780822520764
Describes the art of the Australian Aborigines including rock painting and engraving as well as sand and bark painting; also discusses the symbolism found in these works.
Author : Roger Benjamin
Publisher : Herbert F. Johnson Museum of Art Cornell University
Page : 184 pages
File Size : 20,15 MB
Release : 2009
Category : Art
ISBN :
This catalogue accompanies an exhibition organized by the Herbert F. Johnson Museum of Art at Cornell University, curated by Roger Benjamin and coordinated by Andrew C. Weislogel, associate curator and master teacher at the Johnson Museum.
Author : Patrick Corbally Stourton
Publisher : Ben Uri Gallery & Museum
Page : 200 pages
File Size : 30,89 MB
Release : 1996
Category : Art
ISBN :
The art of the Australian Aborigines is widely recognised as being the oldest art form in the world, preceding that of the Americas and Europe by many centuries. For thousands of years, however, the only art forms practised by the Aborigines were rock painting and carving, bark painting, sand painting and body painting using natural ochres, wild desert cotton, charcoal and birds' down, often carried out as part of ceremonial activities. It was not until 1971 that the Aborigines of the Papunya Tula settlement in the deserts of the Northern Territory were introduced to methods of painting on canvas and board using modern materials. This book commemorates the twenty-fifth anniversary of the Papunya Tula painting movement - the birthplace of contemporary Aboriginal painting. The work of eighty Papunya Tula artists, including some of the best known Aboriginal painters - Clifford Possum Tjapaltjarri, Michael Nelson Tjakamarra and Tim Leura Tjapaltjarri - is illustrated in this book in two hundred full-colour reproductions which demonstrates the vibrancy and sophistication of the art. Patrick Corbally Stourton's introductory text examines the events which led to the birth of this extraordinary painting movement, and illuminates the mythology of Dreamings which lies behind every Aboriginal painting.
Author : Henry F. Skerritt
Publisher : Yale University Press
Page : 230 pages
File Size : 12,23 MB
Release : 2016-01-01
Category : Art
ISBN : 0300214707
"This publication accompanies the exhibition Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museums, Cambridge, Massachusetts, February 5 through September 18, 2016."
Author : Pamela McClusky
Publisher : Yale University Press
Page : 173 pages
File Size : 35,77 MB
Release : 2012
Category : Art
ISBN : 9780300180039
A fascinating look at Australian Aboriginal art over the past four decades, highlighting millennia-old artistic traditions
Author : Marie Geissler
Publisher : Cambridge Scholars Publishing
Page : 220 pages
File Size : 49,6 MB
Release : 2020-09
Category : Bark painting
ISBN : 9781527555464
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
Author : Hetti Perkins
Publisher : Prestel Publishing
Page : 376 pages
File Size : 10,28 MB
Release : 2007
Category : Art
ISBN :
Featuring over 240 colour plates, this volume canvasses an extraordinary diverse range of Aboriginal art. The 27 essays by leading authorities and 13 interviews with key artists are accompanied by an extensive chronology.
Author : Wally Caruana
Publisher :
Page : 0 pages
File Size : 20,45 MB
Release : 2024-07
Category : Art
ISBN : 9780500204658
An updated and expanded edition of this classic survey, which has established itself as the superlative introduction to the full diversity of Aboriginal art.
Author : Henry F. Skerritt
Publisher : Prestel
Page : 0 pages
File Size : 46,3 MB
Release : 2019
Category : ART
ISBN : 9783791358161
"Traditionally used in Aboriginal funeral ceremonies, memorial poles have been transformed into compelling contemporary artworks. The memorial pole is made from the trunk of the Eucalyptus tetradonta, hollowed naturally by termites. When the bones of the deceased were placed inside, it signified the moment when the spirit had finally returned home--when they had left the "outside" world, and become one with the "inside" world of the ancestral realm. Today, these works of art have become a powerful symbol of Aboriginal culture's significance around the globe. The artists featured in the book--including John Mawurndjul, Djambawa Marawili, and Nyapanyapa Yunupingu--are some of Australia's most acclaimed contemporary artists. Taking their inspiration from ancient clan insignia, the designs on these poles are transformed in new and personal ways that offer a powerful reminder of the resilience and beauty of Aboriginal culture. This book features dazzling color images and impeccable scholarship and includes essays from some of the leading scholars in the field of Aboriginal art"--
Author : Ian McLean
Publisher : Cambridge Scholars Publishing
Page : 380 pages
File Size : 13,36 MB
Release : 2014-11-19
Category : Art
ISBN : 1443871338
Double Desire challenges the tendency by critics to perpetuate an aesthetic apartheid between Indigenous and Western art. The double desire explored in this book is that of the divided but also amplified attractions that occur between cultural traditions in places where both indigenous and colonial legacies are strong. The result, it is argued, produces imaginative transcultural practices that resist the assimilation or acculturation of Indigenous perspectives into the dominant Western mod...