Modern Etchings, Mezzotints and Dry-Points (Classic Reprint)


Book Description

Excerpt from Modern Etchings, Mezzotints and Dry-Points Forest. One can hardly look at Mr. Ness's boldly conceived Fringe of tae Wood without thinking of Mr. Oliver Hall, and Wishing that that masterly etcher of wide tree-dominated landscapes would return for expression to the copper-plate. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Modern Etchings, Mezzotints and Dry-Points


Book Description

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.




Modern Etchings, Mezzotints and Dry-Points


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







A Catalogue of Etchings, Dry-Points and Mezzotints (Classic Reprint)


Book Description

Excerpt from A Catalogue of Etchings, Dry-Points and Mezzotints Philippe Burty, the eminent French collector and art critic, saw, in the Salon of 1859, an etching called Vue prise sur la Tamise which so aroused his interest and enthusiasm that he sought out its author, and, a few years later, published an article upon him and his work in the "Gazette des Beaux Arts," entitled: L' uvre de M. Francis Seymour-Haden. The article included a descriptive catalogue of fifty-four plates made between 1858 and 1864. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."




MODERN ETCHINGS MEZZOTINTS & D


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Modern Etchings, Engravings and Mezzotints, Printed in Color, Chiefly From the Collection of the Late Henry A. Bateman of Baltimore, MD


Book Description

Excerpt from Modern Etchings, Engravings and Mezzotints, Printed in Color, Chiefly From the Collection of the Late Henry A. Bateman of Baltimore, MD: To Be Sold Thursday and Friday Evenings, January 14 and 15, 1915 From the Mockler Collection, as are the following three lots. The great exhibition (exterior). L. 162. 1851. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Catalogue of an Exhibition of Etchings, Dry-Points and Mezzotints


Book Description

Excerpt from Catalogue of an Exhibition of Etchings, Dry-Points and Mezzotints: October 4 to October 31, 1910 It is extraordinary how a busy London surgeon should surpass the professional artists in their own specialty, but this is what Seymour Haden certainly did. Being a man of very wide artistic knowledge it must not be supposed that he was ignorant of the fine quality of his own works. He judged them with the same impartiality with which he would have judged the etchings of Rem brandt. I well remember Seymour Haden saying to me, in allusion to his drypoint, the Sunset in Ireland: That is the print which will fetch an enormous price in the centuries to come. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Catalogue of a Collection of Etchings, Dry-Points and Mezzotints, by Francis Seymour Haden


Book Description

Excerpt from Catalogue of a Collection of Etchings, Dry-Points and Mezzotints, by Francis Seymour Haden: Formerly the Private Property of the ArtistWhatman, but either will do to designate a certain kind of paper which differs from the other kinds used.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.