Modern Harmony Method


Book Description

This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings:- Triad structures and inversions- How to select chords; chord symbols- Simple but effective voicing formulae- The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13."This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts." - Natalie Wickham, Music Matters, USA."Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students"- Music teacher, UK."Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out."- ZigZag Education, UK.










A Simple Method of Modern Harmony


Book Description

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.




Hollywood Harmony


Book Description

Film music often tells us how to feel, but it also guides us how to hear. Filmgoing is an intensely musical experience, one in which the soundtrack structures our interpretations and steers our emotions. Hollywood Harmony explores the inner workings of film music, bringing together tools from music theory, musicology, and music psychology in this first ever book-length analytical study of this culturally central repertoire. Harmony, and especially chromaticism, is emblematic of the "film music sound," and it is often used to evoke that most cinematic of feelings-wonder. To help parse this familiar but complex musical style, Hollywood Harmony offers a first-of-its kind introduction to neo-Riemannian theory, a recently developed and versatile method of understanding music as a dynamic and transformational process, rather than a series of inert notes on a page. This application of neo-Riemannian theory to film music is perfect way in for curious newcomers, while also constituting significant scholarly contribution to the larger discipline of music theory. Author Frank Lehman draws from his extensive knowledge of cinematic history with case-studies that range from classics of Golden Age Hollywood to massive contemporary franchises to obscure cult-films. Special emphasis is placed on scores for major blockbusters such as Lord of the Rings, Star Wars, and Inception. With over a hundred meticulously transcribed music examples and more than two hundred individual movies discussed, Hollywood Harmony will fascinate any fan of film and music.




A Simple Method of Modern Harmony, Vol. 1 of 2


Book Description

Excerpt from A Simple Method of Modern Harmony, Vol. 1 of 2 1. Rhythm, Melody and Harmony are three essential factors of music. Rhythm is the change, but systematic grouping, of tones of various duration. If tones of different pitch are heard one after another in logical order, we get what is called Melody; if tones of different pitch are heard together, we get Harmony (a chord). In its widest sense Harmony means the science of chords, their relationship and connection. It is the laws of harmony that we shall explain in this book, but it will be seen as we proceed that the question of rhythm or melody is often so closely connected with that of harmony that it is impossible to treat of one without also paying some attention to the other. 2. Intervals. An interval is the distance and difference between two tones, heard one after the other or at the same moment. Intervals have numerical names. These names depend on the number of letters which are included from one key of the key-board to another, or from one line of the staff to another. Intervals are measured by means of half-steps (half tones or semi-tones) and whole steps. A half-step is the term of measurement for the smallest distance. It is the distance between any one note, and the nearest note to it, above or below. It is evident that two half-steps together will make a whole step. The nomenclature of intervals, especially the modified ones, is, unfortunately, in a somewhat confused state and not uniform in all textbooks. The classification adopted here will recommend itself for its simplicity, because the intervals are arranged into only three classes: normal, enlarged and narrowed. First of all we will learn the accurate size of the normal intervals, and then the modifications (augmentation and contraction) of them. The word prime means an interval of one degree; it also means the starting note, the one from which the other notes are counted. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.










A Simple Method of Modern Harmony, Part 1 and 2 (1900)


Book Description

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.