Modernism in Dispute


Book Description

This volume is part of a four-volume series about art and its interpretation in the 19th and 20th centuries. The books provide an introduction to modern European and American art and criticism that should be valuable both to students and to the general reader.







Modern Art


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Modern Art


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Primitivism, Cubism, Abstraction


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On art in the early 20th century




Conversation Pieces


Book Description

Grant Kester discusses the disparate network of artists & collectives united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, & culture.




Pollock and After


Book Description

This revised edition features ten new articles and is fully updated to take account of new critical approaches to post-war American art.




The New Art History


Book Description

In this excellent book, Jonathan Harris explores the fundamental changes which have occurred both in the institutions and practice of art history over the last thirty years.




After Modern Art 1945-2000


Book Description

Following a clear timeline, the author highlights key movements of modern art, giving careful attention to the artists' political and cultural worlds. Styles include Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and performance art. 65 color illustrations. 65 halftones.




The Challenge of the Avant-garde


Book Description

The Challenge of the Avant-Garde is the fourth of six books in the series Art and its Histories, which form the main texts of an Open University course. The course has been designed for students who are new to the discipline but will also appeal to those who have undertaken some study in this area. This volume traces the challenge posed to the academic canon by the emergent avant-garde of the early and mid-nineteenth century.It looks at significant shifts in the development of the concept, both in moves away from the sense of social leadership to a desire for artistic autonomy in the later nineteenth century and then a reverse movement to bridge the gap between art and life in the revolutionary avant-gardes of the early twentieth century. The book closes with an examination of the eventual incorporation of the avant-garde as a form of modern canon by the eve of World War II. Throughout, it seeks to relate the discourse of artistic avant-gardism in all its forms to contemporary social and political histories.